IMDb RATING
5.9/10
7.4K
YOUR RATING
Three short films, one each from Directors Michelangelo Antonioni, Steven Soderbergh, and Wong Kar Wai, address the themes of love and sex.Three short films, one each from Directors Michelangelo Antonioni, Steven Soderbergh, and Wong Kar Wai, address the themes of love and sex.Three short films, one each from Directors Michelangelo Antonioni, Steven Soderbergh, and Wong Kar Wai, address the themes of love and sex.
- Awards
- 1 win & 1 nomination
Feng Tien
- Master Jin (segment "The Hand")
- (as Tin Fung)
Chun-Luk Chan
- Hua's Servant - Ying (segment "The Hand")
- (as Auntie Luk)
Jianjun Zhou
- Hua's Lover - Zhao (segment "The Hand")
- (as Zhou Jianjun)
Wing Tong Sheung
- Tailor (segment "The Hand")
- (as Sheung Wing Tong)
Kim Tak Wong
- Tailor (segment "The Hand")
- (as Wong Kim Tak)
Siu Man Ting
- Tailor (segment "The Hand")
- (as Ting Siu Man)
Lai Fu Yim
- Tailor (segment "The Hand")
- (as Yim Lai Fu)
Cheng You Shin
- Tailor (segment "The Hand")
- (as Shih Cheng You)
Wing-Kong Siu
- Tailor (segment "The Hand")
- (as Siu Wing Kong)
Kar Fai Lee
- Tailor (segment "The Hand")
- (as Lee Kar Fai)
Chi Keong Un
- Hotel Concierge (segment "The Hand")
- (as Un Chi Keong)
Storyline
Did you know
- TriviaMichelangelo Antonioni's segment was filmed in English. It was later dubbed into Italian after hostile critical reactions at initial test screenings.
- Alternate versionsThere is an extended version of Wong's 48' segment "The Hand" that runs at 56' released as a standalone short The Hand (2004).
- ConnectionsEdited into The Hand (2004)
Featured review
Antonioni is not able to direct a 30 min film. Why? The Dangerous Thread of Things deals with a couple trapped in a plain, tasteless life that are no longer able to observe, to feel, to digest the little, happy, natural elements of their lives.What Antonioni wants to show here is that women are passionate, wild , instinctual. Their nudity is not erotic, it's a kind of natural nudity, the original nudity of people lacking shame.Dancing naked on the beach is a kind of Dyonisiac ritual Nietzsche was talking about, the primitive, joyful way of celebrating life. The ideas are nice, he tried to do something great , but he didn't manage because there was not enough time to construct the characters, to make them mean something so by the end of the film we are left with a feeling of dizziness.On the other hand, i didn't like Soderbergh's segment at all maybe because i didn't understand it or maybe I'm trying to get in deep where there is only the surface.
Anyway, Kar-Wai's segment was the best of all three, absolutely wonderful. The story is rather sad(all Kar Wai's characters are melancholic) but the way he works with the camera and the music perfectly combined with the images proves what a great director he is. The scene in which the weaving of the dress is associated with lust, with the wish to penetrate both the mind and the woman's body, well that's Eros, that's how eroticism should be introduced in cinema. Kar Wai proves to be a great tale-or again.
Anyway, Kar-Wai's segment was the best of all three, absolutely wonderful. The story is rather sad(all Kar Wai's characters are melancholic) but the way he works with the camera and the music perfectly combined with the images proves what a great director he is. The scene in which the weaving of the dress is associated with lust, with the wish to penetrate both the mind and the woman's body, well that's Eros, that's how eroticism should be introduced in cinema. Kar Wai proves to be a great tale-or again.
- madalina_roca
- Dec 19, 2007
- Permalink
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Ерос
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $188,392
- Opening weekend US & Canada
- $53,666
- Apr 10, 2005
- Gross worldwide
- $1,553,020
- Runtime1 hour 44 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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