Nightstalker is one of those movies that could have been so much more. Fangoria called it "a first-rate house of horrors" and it was an official Sundance selection. I guess I missed something. The first ten minutes of the film is nothing but rapid, frenzied "crack montages" shot over speed metal. It's cool, but it's too much. Every time we spend screen time with the killer, it's in this fashion. You see these so much that you become dulled to them and it just becomes headache inducing. The style is almost too chaotic. At the same time, it's the only thing I will remember about the movie. One scene in particular that I did like was when the Nightstalker is walking up to a house and it's accompanied by a very cool effect. I'm not real sure how they accomplished this. Incidentally, the flick was produced by its co-star Danny Trejo. In the end, it's nothing special and will disappear into the void of the based-on-a-real-killer sub-genre.