IMDb RATING
6.4/10
2.2K
YOUR RATING
An ex-pop singer kills her much-hated husband to be with her young lover. Her daughter plots Electra-like revenge.An ex-pop singer kills her much-hated husband to be with her young lover. Her daughter plots Electra-like revenge.An ex-pop singer kills her much-hated husband to be with her young lover. Her daughter plots Electra-like revenge.
- Awards
- 4 wins & 2 nominations
Joshua Farrell
- Policeman
- (as Josh Hutchinson)
Christopher McDaniel
- Moving Man #1
- (as Chris McDaniel)
Steve Guilmette
- Flashback Shadow
- (uncredited)
Storyline
Did you know
- TriviaCharles Casillo alleged that 'Charles Busch' had plagiarized his 1989 play "One Night Stand In A Lonely Hotel" and a temporary restraining order was issued ordering that he be given credit for the story and play. On 7 November 2003, a judge ruled that there were "no substantial similarities of protectible expression" between the play and the film and ordered that the injunction be removed, and that Busch be given sole credit for the film.
- GoofsMovie is set in 1967 but Angela sings the Blood, Sweat & Tears hit "Spinning Wheel" which was not released until 1969.
- Quotes
Edith Sussman: What kind of a crazy world is this? My father's dead and my mother's gigolo shows up ready for some hot action!
- Crazy creditsAfter the credits, there is silent black and white footage of Angela christening a ship.
- ConnectionsFeatured in Anatomy of a Scene: Die, Mommie, Die! (2003)
Featured review
Reviewers who complain that Charles Busch is not believable as a woman - comparing him unfavorably with Divine, et al - miss the point. Busch is in a class all his own, and comparing him to ANYBODY else limits the viewer's ability to enjoy what he offers.
He's not SUPPOSED to be a believable woman. He's like a precocious kid who loves to dress up and act like glamorous movie stars from the long-gone days when EVERYBODY overacted, when ALL stars were hams, before Marlon Brando changed the nature of screen acting forever.
Unless you can enter Busch's unique world on HIS terms, you won't like his movies. He's letting us watch him act out his glamorous fantasies, the same delightful fantasies he's been acting out since he was a child.
He's not a drag queen, he's not a female impersonator, he's not a cross-dresser or a transvestite. He is a MAN - but with the sweet, innocent, wide-eyed, starstruck heart of a little boy - who has a whole lot of fun dressing up like and acting like Bette Davis or Joan Crawford or Olivia de Havilland. He invites us to join in the game.
It's fun, unless you're trying to fit it into some mold it doesn't belong in.
He's not SUPPOSED to be a believable woman. He's like a precocious kid who loves to dress up and act like glamorous movie stars from the long-gone days when EVERYBODY overacted, when ALL stars were hams, before Marlon Brando changed the nature of screen acting forever.
Unless you can enter Busch's unique world on HIS terms, you won't like his movies. He's letting us watch him act out his glamorous fantasies, the same delightful fantasies he's been acting out since he was a child.
He's not a drag queen, he's not a female impersonator, he's not a cross-dresser or a transvestite. He is a MAN - but with the sweet, innocent, wide-eyed, starstruck heart of a little boy - who has a whole lot of fun dressing up like and acting like Bette Davis or Joan Crawford or Olivia de Havilland. He invites us to join in the game.
It's fun, unless you're trying to fit it into some mold it doesn't belong in.
- How long is Die, Mommie, Die!?Powered by Alexa
Details
Box office
- Gross US & Canada
- $320,092
- Opening weekend US & Canada
- $54,129
- Nov 2, 2003
- Gross worldwide
- $320,092
- Runtime1 hour 30 minutes
- Color
- Sound mix
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