IMDb RATING
7.0/10
2K
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A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.A celebrated painter receives a visit from a cardinal's assistant, who informs him that his mother could become a saint.
- Awards
- 20 wins & 22 nominations
Gianni Schicchi
- Filippo Argenti
- (as Gianni Schicchi Gabrieli)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaListed #6 in Cahiers du Cinéma's annual Top 10 Film Award.
- GoofsWhen Ernesto looked up his family on the computer Egidio's birth year was listed as 1950. Seconds later when he looks again, it is listed as 1951.
- ConnectionsEdited into Marx Can Wait (2021)
- SoundtracksPsalm 23
(de Exil, per soprano, strumenti e nastro magnetico) (1994)
Music by Giya Kancheli
Soprano: Maacha Deubner
Flauto: Natalia Pschenitschnikova
Violino: Catrin Demenga
Viola: Ruth Killius
Violoncello: Rebecca Firth
Contrabasso: Christian Sutter
Conducted by Vladimir Jurowski (as Wladimir Jurowski)
© C.F. Peters Musikverlag
Per gentile concessione ECM New Series
ECM Records, 1995
Featured review
"My Mother's Smile (L'Ora di religione: Il sorriso di mia madre)" is a rollicking take on Catholicism that's very like how "I Heart Huckabees" treated existentialism, but with even more Tom Robbins-like absurdist humor.
Almost Kafka-like, with a touch of Woody Allen, the central character is the straight man in the joke, particularly with Sergio Castellitto's hang dog look (he was the Italian lover in "Mostly Martha") as he wakes up one morning to discover that his mother is about to be declared a saint.
We see the impact of this hypocritical quest on his ex-wife, brothers, old friends, aunts, priests and other people he has to come in contact with over two days, as everyone has selfish reasons for promoting sainthood. The potential canonization also becomes a vehicle to examine violence, sin, madness, ambition, love, parent/child relationships, philosophy, and art, as the central figure is an artist and the titular expression is captured in a Mona Lisa-like portrait.
The satire goes a bit overboard, though, when the son is challenged to a duel at dawn, though I think there was some point about the pointlessness of archaic societal rules. Small characters are weighted with too many meanings, like a crazy architect seeking to blow up a national monument that figures in a souvenir photograph, a witness whose name is a pseudonym from Dante, a mysterious, beautiful religion teacher, and more symbolism that went by, particularly as this is one of those typical Italian movies where the subtitles seem abridgments of the conversations.
In a lovely twist on the pieta, the most moving scenes are the paternal ones between father and son.
The soundtrack includes beautiful contemporary classical religious music including Adams and Tavener.
Almost Kafka-like, with a touch of Woody Allen, the central character is the straight man in the joke, particularly with Sergio Castellitto's hang dog look (he was the Italian lover in "Mostly Martha") as he wakes up one morning to discover that his mother is about to be declared a saint.
We see the impact of this hypocritical quest on his ex-wife, brothers, old friends, aunts, priests and other people he has to come in contact with over two days, as everyone has selfish reasons for promoting sainthood. The potential canonization also becomes a vehicle to examine violence, sin, madness, ambition, love, parent/child relationships, philosophy, and art, as the central figure is an artist and the titular expression is captured in a Mona Lisa-like portrait.
The satire goes a bit overboard, though, when the son is challenged to a duel at dawn, though I think there was some point about the pointlessness of archaic societal rules. Small characters are weighted with too many meanings, like a crazy architect seeking to blow up a national monument that figures in a souvenir photograph, a witness whose name is a pseudonym from Dante, a mysterious, beautiful religion teacher, and more symbolism that went by, particularly as this is one of those typical Italian movies where the subtitles seem abridgments of the conversations.
In a lovely twist on the pieta, the most moving scenes are the paternal ones between father and son.
The soundtrack includes beautiful contemporary classical religious music including Adams and Tavener.
- How long is My Mother's Smile?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- La hora de la religión
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $41,432
- Opening weekend US & Canada
- $9,167
- Feb 13, 2005
- Gross worldwide
- $2,079,416
- Runtime1 hour 45 minutes
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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