IMDb RATING
5.6/10
3.1K
YOUR RATING
A director struggles to film a difficult, intimate sex scene between two actors who happen to hate each other.A director struggles to film a difficult, intimate sex scene between two actors who happen to hate each other.A director struggles to film a difficult, intimate sex scene between two actors who happen to hate each other.
- Awards
- 1 nomination
Francis Selleck
- Production Manager
- (as Francis Seleck)
Claire Monatte
- The other make-up artist
- (as Claire Monnatte)
Alfredo 'Alebé' Ramalho
- A grip
- (as Alfredo Ramalho)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMany of the crew perform their own jobs as the crew within the film.
- ConnectionsReferenced in Brows Held High: The Anatomy of Hell (2012)
- SoundtracksA Sombra
(Pedro Ayres Magalhães (as Pedro Ayres Magalhaes))
Performed by Madredeus
from the album "Os dias de Madredeus"
(p) 1988 EMI
Valentin de Carvalho Mustica, Lda
Avec l'aimable autorisation de EMI Music France
(c) Delabel Editions
Avec l'aimable autorisation de Delabel Editions
Featured review
Another fabulous movie from Catherine Breillat, this time about the difficulties of shooting a sex scene in a movie. Using comedy a new genre for Breillat we get a backstage view of filmmaking but in documentary style. The character who plays the director in the movie is based on Breillat, the sex scene in question is taken from her earlier film A Ma Soeur' as is the main teenage actress. But the film, like all of Breillat's work, is not entertainment alone. It is peppered with philosophical observations on the nature of sexuality as well as demonstrating a devotion to purity' (as opposed to pornography) that is a cornerstone of Breillat's work and a devotion to real emotion. We see the director character harangue the young lead actress and actor to bring the best out in them, hypnotising them into the parts they need to play, bringing out part of themselves that the director can see in them but they cannot see in themselves until they achieve the heights of acting that she demands of them. She makes meaningful movies, not titillation, but she shows the work that is needed to produce this, and so gives us insights both into the (decidedly French) film making process and the psychology of male female sexuality.
- Chris_Docker
- Aug 21, 2002
- Permalink
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Ayıp yatakta olur
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $40,470
- Opening weekend US & Canada
- $3,370
- Oct 24, 2004
- Gross worldwide
- $411,830
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