A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those ... Read allA gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail ... Read allA gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to ... Read all
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Storyline
Did you know
- TriviaIn the end credits Dani Filth is credited as both Dani Filth and Dani Davey.
- GoofsNear the beginning of the film, when the photographer is taking pictures of Melissa and Nikki's corpses, Melissa's eyes are open. But, in the scene where Melissa stabs herself, she dies with her eyes closed.
- Quotes
Detective Neilson: You don't need to say it Sir. Four murders in one week and now solid lead is a piss poor show I know, but that new computer system's a load of old wank, with all due respect. For every piece of crap we type in we get a load more bollocks back.
Chief Inspector Roper: That's not what I wanted to talk about Pete. I've had a worrying call from Joe, the photographer. Something about you touching the dead bodies...
Detective Neilson: Yes Sir, it's just something I have to do.
Chief Inspector Roper: Okay. Any particular reason?
Detective Neilson: To make sure they really are dead.
Chief Inspector Roper: How long's this been going on Pete?
Detective Neilson: About seven years. Ever since the girl, Abigail Watson.
Chief Inspector Roper: Abigail Watson... wasn't she one of Kemper's?
Detective Neilson: His fourth victim. She was only ten years old. That bastard raped and abused her repeatedly for two days.
Chief Inspector Roper: I remember Pete, you were the first to find her.
Detective Neilson: He'd broken her pelvic bone with his fist. Severe trauma lead to a state of advanced catalepsy, her body functions shut down. No sign of life.
Chief Inspector Roper: I know what happened. It was all a terrible mistake.
Detective Neilson: I was with her for longest. If I'd touched her I would've known. She woke up in a fridge.
Chief Inspector Roper: Yes but, I mean no one...
Detective Neilson: She woke up in a fridge, in the morgue. They think she was awake for at least ten hours before she froze to death. No one heard her screams. When they eventually pulled her out, they found she'd broken every bone in her hands from pounding endlessly against the metal walls... no one should have to suffer like that, except maybe bastards like Kemper.
- ConnectionsFeatured in Slice and Dice: The Slasher Film Forever (2012)
- SoundtracksLord Abortion
Performed by Cradle of Filth
The plot attempts to tie four small stories into some kind of cohesive whole, but the fact is that most of these segments don't really make much sense. Only the "sick room" plot holds your attention and looks as if it might be going somewhere interesting, but then it spectacularly drops the ball with the sub-Twilight Zone predictability of its denouement.
The dialogue is a low point amongst a sea of low points. Expletives are clumsily dropped into scenes, giving the impression of the writer somehow trying to prove how grown-up the film is.
Acting throughout is mostly appalling. I mean, really bad. The usual-suspect rent-a-goths Emily Booth and Eileen Daly give the type of performances that will see them typecast in this kind of tripe until they no longer look good semi-naked. As for Dani Filth, his virtually-silent role merely gives him the opportunity to carry over his stage persona and- if possible- look an even bigger berk than usual.
As for the effects- well, if indeed Creature FX really were involved, then I can't see that they got paid more than twenty quid for their contribution. There is shocking gore, yes, but only shockingly bad. It almost made me laugh, but I was so depressed by the rest of the experience I couldn't raise a smile. Oh, and the CGI is truly, deeply, totally unspeakable. This is not one of those films that's so bad it's good, so don't get taken in by that line of reasoning.
In my experience, the music and imagery of Cradle Of Filth appeals mainly to young, oh-so-rebellious just-turned-teenagers and goth/metal fans who take themselves far too seriously. If this describes you, you'll probably love this film. If it doesn't, then don't insult your own intelligence and just walk away...
- ProfessorPeach
- Jul 30, 2004
- Permalink
Details
- Runtime2 hours
- Color
- Aspect ratio
- 1.66 : 1