After a family tragedy, a racist prison guard re-examines his attitudes while falling in love with the African-American wife of the last prisoner he executed.After a family tragedy, a racist prison guard re-examines his attitudes while falling in love with the African-American wife of the last prisoner he executed.After a family tragedy, a racist prison guard re-examines his attitudes while falling in love with the African-American wife of the last prisoner he executed.
- Won 1 Oscar
- 15 wins & 23 nominations total
Yasiin Bey
- Ryrus Cooper
- (as Mos Def)
Sean 'Diddy' Combs
- Lawrence Musgrove
- (as Sean Combs)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBilly Bob Thornton says filming sex scenes made his marriage to Angelina Jolie tough. The actor was wed to Jolie from 2000 to 2003, during which time he filmed this movie - featuring explicit scenes with Halle Berry - which put pressure on them both. He told The Sun newspaper: "If you are an actor, even doing a Disney movie or cartoon voices, you could still be away from each other for six months. Look how it applied to me. I go away and do a film like Monster's Ball with a very explicit sex scene with Halle Berry. She is one of the most beautiful women in the world and I am talking on the phone to my wife, and she says, 'What have you been doing today?' And I say, 'Oh, I did that sex scene with Halle Berry.' You are then asked if you actually touch her. I say, 'I had to - it's in the scene'. Other people's situations are hard, with areas of doubt. But if you are a thousand miles from home on a film set simulating sex with a beautiful woman, it's even tougher."
- GoofsThroughout the movie there are conflicting references to its being set in Louisiana, Mississippi, or Georgia although the movie was filmed entirely in Louisiana.
- Quotes
Sonny Grotowski: You hate me. You hate me, don't you? Answer me! You hate me don't you!
Hank Grotowski: Yes, I hate you. Always have.
Sonny Grotowski: Well I've always loved you.
- Crazy creditsThanks to Sam, Austin, Gabrielle. Scott Lambert is thanked twice.
- Alternate versionsThe initial cut of the picture included more explicit footage during the sex scene between Halle Berry and Billy Bob Thornton, which was trimmed down after the MPAA threatened to give the film a NC-17 rating. The uncut version premiered at the Berlin Film Festival on February 8, 2001. The R-rated US theatrical release is the cut version; the version released theatrically in Canada and most other countries is the uncut version.
- SoundtracksBroken Up and Blue
(1998)
Performed by Red Meat
Written by Jill Olson
Published by Olson Girl Publishing (ASCAP)
Administered by Bug Music, Inc.
Courtesy of Ranchero Records
Featured review
What are you repulsed by? Perhaps it's having sex with women of African origin inspite of the fact that you are a White male raised in a racist culture that dehmanises them. Add to this predicament, that you are a retired, widowed prison corrections officer who's only son kills himself because he feels he's failed you because he is not racist enough. Even worse, you become enligthtened enough to realise that .. you were ALWAYS wrong.
This is a brilliant story told from the rather selfish perspective of the White male. Mark Forster has directed a tour de force so intricate and psychologically honest that the story literally TELLS itself. Indeed, I'd bet this story organically spewed from souls of screenwirters Milo Addica & Will Rokos. They won't top this fete anytime soon. Such a gateway of insight only comes around once in a lifetime.
As a huge fan of David Mamet and Sam Shepard I am biased to appreciate a well balanced story, illustrated with terse dialogue, structured acting and effective filmic devices (i.e., the use of "white" paint", "black" coffee and "chocolate" ice cream in the film).
Any film student will also appreciate the poetic use of foreshadowing and irony in this film. This truly is SOLID filmaking that takes real chances with provocative subject matter.
The acting is superb more because of the Direction. To be certain: this is a Director's Film. Every aspect of Thorton's and Berry's performances is the result of very savvy Direction and attention to dramatic detail.
Kudos to Mr. Forster. I look forward his upcoming film "Neverland" with great anticipation.
This is a brilliant story told from the rather selfish perspective of the White male. Mark Forster has directed a tour de force so intricate and psychologically honest that the story literally TELLS itself. Indeed, I'd bet this story organically spewed from souls of screenwirters Milo Addica & Will Rokos. They won't top this fete anytime soon. Such a gateway of insight only comes around once in a lifetime.
As a huge fan of David Mamet and Sam Shepard I am biased to appreciate a well balanced story, illustrated with terse dialogue, structured acting and effective filmic devices (i.e., the use of "white" paint", "black" coffee and "chocolate" ice cream in the film).
Any film student will also appreciate the poetic use of foreshadowing and irony in this film. This truly is SOLID filmaking that takes real chances with provocative subject matter.
The acting is superb more because of the Direction. To be certain: this is a Director's Film. Every aspect of Thorton's and Berry's performances is the result of very savvy Direction and attention to dramatic detail.
Kudos to Mr. Forster. I look forward his upcoming film "Neverland" with great anticipation.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- El pasado nos condena
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $31,273,922
- Opening weekend US & Canada
- $110,552
- Dec 30, 2001
- Gross worldwide
- $45,011,434
- Runtime1 hour 51 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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