Directed by
Don Coscarelli |
Writing Credits (WGA)
Joe R. Lansdale | ... | (short story) |
Don Coscarelli | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
Dac Coscarelli | ... | executive producer |
Don Coscarelli | ... | producer |
Jason R. Savage | ... | producer |
Music by
Brian Tyler |
Cinematography by
Adam Janeiro |
Editing by
Scott J. Gill | ||
Donald Milne |
Casting By
Jerry Whitworth |
Production Design by
Danny Vecchione | ... | (as Daniel Vecchione) |
Art Direction by
Justin Zaharczuk |
Set Decoration by
Damon Carruesco |
Costume Design by
Shelley Kay |
Makeup Department
Howard Berger | ... | special effects makeup supervisor |
Melanie A. Kay | ... | makeup artist |
Robert Kurtzman | ... | special makeup effects supervisor |
Melanie Tooker | ... | makeup application: Elvis |
Production Management
Rosa Gonzalez | ... | unit production manager |
Jason Serrato | ... | production supervisor |
Second Unit Director or Assistant Director
Robin Burrell | ... | assistant director |
Rosa Gonzalez | ... | first assistant director |
Jin Ah Lee | ... | second assistant director |
Art Department
Paul Cander | ... | carpenter |
David Gechman | ... | illustrations "Book of Souls" |
David Hartman | ... | illustrator |
Carrie Schupper | ... | assistant art director |
Todd Stauder | ... | swing |
Sound Department
Thomas Appel | ... | assistant sound editor |
Paul Bacca | ... | sound mixer |
John Brasher | ... | re-recording mixer |
John Chominsky | ... | adr recording engineer |
Detlef Halaski | ... | re-recording mixer |
Mark J. Harris | ... | voiceover recordist |
Eric Hoeschen | ... | foley artist |
Marcel Lehrer | ... | post sound coordinator |
Mike Loving | ... | boom operator |
Rick McLane | ... | sound engineer |
Paul Menichini | ... | sound designer |
Dominik Meyer | ... | machine room operator |
Stewart Nelsen | ... | adr supervisor |
Paul Ratajczak | ... | re-recording mixer / sound supervisor |
Trevor Sperry | ... | foley mixer |
William Tabanou | ... | narration editor |
Trevor Ward | ... | stereo sound consultant: Dolby |
Lance Wiseman | ... | dialogue editor / re-recording mixer |
Special Effects by
Chad Atkinson | ... | mold maker |
Kamar Bitar | ... | special effects coordinator |
Connie Cadwell | ... | lab technician |
Jason Collins | ... | special effects makeup |
James Hall | ... | lab technician |
Steve Hartman | ... | lab technician |
Chiz Hasegawa | ... | assistant special effects coordinator |
Beth Hathaway | ... | lab technician |
Greg Nicotero | ... | special effects makeup supervisor |
Scott Patton | ... | sculptor |
Brian Rae | ... | mold maker |
Alan Tuskes | ... | mold maker / special makeup effects crew |
Visual Effects by
Tommy Dorsett | ... | scanning and recording |
David Hartman | ... | visual effects supervisor |
Kathleen Hartman | ... | title logo design |
Nicholas Lund-Ulrich | ... | scanning and recording technician |
Geoffrey Mark | ... | visual effects animator |
Dave Matherly | ... | visual effects (as David Matherly) |
Matt McFarland | ... | scanning and recording manager |
Santosh Oommen | ... | visual effects animator |
D. Kerry Prior | ... | visual effects creator: bug unit |
Michael T. Smith | ... | visual effects supervisor |
Jonard Soriano | ... | cg animator |
Peter Alun Thomas | ... | scanning and recording technician (as Alun Thomas) |
Stunts
John Casino | ... | stunt double: Bruce Campbell |
Eric Chambers | ... | stunts |
Gary Kent | ... | stunt coordinator |
Camera and Electrical Department
Sammy Beavers | ... | additional cinematographer |
Precy C. Betiong | ... | first assistant camera (as Prezy C. Betion) |
Thomas Bilyeu | ... | still photographer |
Chris Chomyn | ... | additional cinematographer |
David F. Clark | ... | second assistant camera |
Jordan Garretson | ... | key grip |
Paul Goldhammer | ... | second assistant camera |
James Goldman | ... | dolly grip |
Colin Hudson | ... | steadicam operator |
Chelsea Low | ... | steadicam operator |
Alexandra Lucka | ... | second assistant camera |
Michael Miller | ... | crane operator |
D. Kerry Prior | ... | additional cinematographer / photographer: second unit |
Scott Redinger-Libolt | ... | still photographer (as Scott Libolt) |
William Sentelik | ... | best boy electric (as Bill Sentelik) |
Gary Stamford | ... | gaffer |
Brent Studler | ... | rigging gaffer |
Brad Wallace | ... | second assistant camera |
Casting Department
Joe Ferroni | ... | casting associate |
Jay Lawson | ... | casting associate |
Jeffrey M. Paal | ... | casting associate |
Costume and Wardrobe Department
Dee Dee Hopkins | ... | assistant costume designer |
Chloe Kay | ... | wardrobe assistant |
Editorial Department
Jim J. Williams | ... | color timer (as James Williams) |
Music Department
Gary L. Krause | ... | music editor (as Gary Krause) |
Daniel Schweiger | ... | music supervisor |
Jeff Vaughn | ... | music engineer |
Script and Continuity Department
Lisa Charalambous | ... | continuity |
Kathy McHugh | ... | script supervisor |
Additional Crew
Carol Lynn Akiyama | ... | legal services |
Gigi Bannister | ... | background coordinator (as Gigi Fast Elk Porter) |
Linda Bastin | ... | purchaser |
Peter Bierstedt | ... | legal services |
Stephen Chin | ... | production assistant |
Mike Gencarelli | ... | Street Team |
Ashley Grimes | ... | production assistant |
Andy John | ... | production assistant |
Andrew Johnston | ... | production assistant |
Ramy Katrib | ... | consultant |
Jin Ah Lee | ... | key set production assistant |
Mike Loving | ... | production assistant |
Gabriel Martinez | ... | production assistant |
Vern Moen | ... | production assistant |
Paul Nix | ... | Elvis' limousine courtesy of |
Christiane Savage | ... | senior wrangler |
Jeremy Tate | ... | production assistant |
Guy Thorpe | ... | hearse coordinator |
Jack Turner | ... | acquisitions executive |
Tim Welch | ... | consultant: Elvis |
Emily Wengel | ... | production assistant |
Megan Whitener | ... | production assistant |
Sharon Wrisley | ... | production accountant |
Thanks
Naython Vane | ... | special thanks |