A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen.A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen.A lovelorn screenwriter becomes desperate as he tries and fails to adapt 'The Orchid Thief' by Susan Orlean for the screen.
- Won 1 Oscar
- 67 wins & 100 nominations total
- Ranger Steve Neely
- (scenes deleted)
- Orlean Dinner Guest
- (as Agnes Badoo)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaNicolas Cage has said that during the filming of this movie, he ignored all of his acting instincts and played the part of Charlie Kaufman exactly as director Spike Jonze asked him to. He then received an Academy Award nomination for it.
- GoofsWhen Susan is brushing her teeth, the sound of brushing continues when she has already stopped. This was done on purpose to show the effects of the drug kicking in.
- Quotes
Charlie Kaufman: There was this time in high school. I was watching you out the library window. You were talking to Sarah Marsh.
Donald Kaufman: Oh, God. I was so in love with her.
Charlie Kaufman: I know. And you were flirting with her. And she was being really sweet to you.
Donald Kaufman: I remember that.
Charlie Kaufman: Then, when you walked away, she started making fun of you with Kim Canetti. And it was like they were laughing at *me*. You didn't know at all. You seemed so happy.
Donald Kaufman: I knew. I heard them.
Charlie Kaufman: How come you looked so happy?
Donald Kaufman: I loved Sarah, Charles. It was mine, that love. I owned it. Even Sarah didn't have the right to take it away. I can love whoever I want.
Charlie Kaufman: But she thought you were pathetic.
Donald Kaufman: That was her business, not mine. You are what you love, not what loves you. That's what I decided a long time ago. What's up?
Charlie Kaufman: [stunned] Thank you.
- Crazy credits"We're all one thing, Lieutenant. That's what I've come to realize. Like cells in a body. 'Cept we can't see the body. The way fish can't see the ocean. And so we envy each other. Hurt each other. Hate each other. How silly is that? A heart cell hating a lung cell." - Cassie from THE THREE
- ConnectionsFeatured in Siskel & Ebert: The Best Films of 2002 (2003)
- SoundtracksOne Part Lullaby
Written by John Davis, Lou Barlow and Wally Gagel
Published by Careers-BMG Music Publishing, Inc. o/b/o itself, Endless Soft Hits, Loobiecore and Blisswg Productions
Performed by The Folk Implosion
Courtesy of Interscope Records
Under license from Universal Music Enterprises
The film starts off appropriately enough inside Being John Malkovich(or more precisely on the set of Being John Malkovich when Malkovich is inside his own head) But this is no sequel...no no, much more than that. We soon go back to the beginning. Not the beginning of the movie, but to the beginning of it all. To the dawn of the universe, a zero in the fabric of time itself hurling toward the deep chasm of entropy. From the primitive scribblings of early man to the manic late night scribblings of the neurotic Charlie Kauffman(played by Cage)
What we have here is a film about orchid thieves, high society New York socialites, screenwriters, identical twins, crocodiles, narcotic rings, and internet porn...err, more aptly put: a movie about a guy writing a movie about a book inside of another movie. Oh yeah, and it's based on a true story. Sound confusing?
Adaptation is the screen treatment of the best selling non fiction book The Orchid Thief. Only thing is the main character in the film is doing the adapting, and writing himself into script. In the film we go from early primordial man to Being John Malkovich's floor seven and a half...and somehow it all makes sense.
Is this an incoherent parable on the parasitic relationship between writers and their subjects? The evolution from single cell organisms to paleolithic glee? Or a look at how everything seems to have a purpose in life? Somehow between the obscure Hollywood industry injokes, Silence of the Lambs references, and celebrity Boggle tournaments I missed something.
Unfortunately by the third act(when the movie goes from non fiction to fiction) Adaptation unravels and ends up gravely falling apart. But perhaps that is the point. A film about a real life struggle to adapt a book that doesnt have much suspense in it, and the peril of trying to work some fictional thriller plotlines in at the last minute. Either way, hats off to Jonze and Kauffman for once again bringing us an audaciously unconventional idea and tearing down the box. All this from the adaptive skills of an orchid.
~.c//0ry
- rivetbadtz
- Jan 8, 2003
- Permalink
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- El ladrón de orquídeas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $22,498,520
- Opening weekend US & Canada
- $384,478
- Dec 8, 2002
- Gross worldwide
- $32,802,440
- Runtime1 hour 55 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1