During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.During WWII, acclaimed Polish musician Wladyslaw faces various struggles as he loses contact with his family. As the situation worsens, he hides in the ruins of Warsaw in order to survive.
- Won 3 Oscars
- 57 wins & 74 nominations total
- Street Musician
- (as Lucie Skeaping)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDuring the shooting of the movie, while scouting locations in Krakow, Roman Polanski met a man who had helped Polanski's family survive the war.
- Goofs(at around 1h 55 mins) Near the end of the movie, Szpilman leaves the house where he has been hiding for a while. Warsaw is completely destroyed, and all buildings are in shambles, but all the streetlight poles are perfectly straight.
- Quotes
Wladyslaw Szpilman: What are you reading?
Henryk Szpilman: "If you prick us, do we not bleed? It you tickle us, we we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?"
Wladyslaw Szpilman: [seeing that it is Shakespeare's The Merchant of Venice] Very appropriate.
- Crazy creditsAside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film.
- ConnectionsFeatured in The Making of 'The Pianist' (2003)
Brilliantly directed by Roman Polanski and starring an amazing Adrien Brody, The Pianist is bound to garner comparisons to Schindler's List, for obvious reasons. However similar the subject matter, the approach is different. While Schindler's List was filmed in a beautiful, crisp black and white that offered many incredible images, The Pianist was filmed with almost muted color. Schindler's List featured what has been argued as a complicated hero. Oskar Schindler did save many Jews, but not without battling his own materialistic demons first. The Pianist's Szpilman is a sympathetic character throughout. His plight was desperate, and the demons he fought were over his own guilt in surviving a fight that eventually turns into a primal will to live.
Polanski does not spare the viewer any grief with his film. The horrific scenes between the Nazis and the Warsaw Jews were more terrifying and horrible than any horror/suspense movie I have seen in some time, possibly ever. The humiliation and complete loss is wrenching. In several scenes, Jews are lined up in the middle of the night and subjected to either torture or death. In one case, a woman asks of a Nazi officer, "What will happen to us?" and is promptly shot point blank in the head. The camera does not flinch or subdue any of these atrocities.
A mention must be made of Brody's performance. Having only previously seen Brody in two other films, Spike Lee's "Summer of Sam" and Terrence Malick's "The Thin Red Line" (a part that was supposed to be his launch into stardom before his part was unfortunately cut drastically) I knew his potential was great. After his Oscar win, I viewed this movie with more criticism than I normally would have and he certainly did not disappoint. He transcended my expectations. His physical transformation was amazing, but more importantly, he conveyed the sorrow of this man shockingly well - in both verbal and non-verbal contexts. It will be very interesting to see what kind of opportunities this role will afford him, and the kinds of roles he will accept.
Something worth mentioning is the affect this movie had on the audience with whom I viewed this film. Normally, when a film ends, the regular hardcore filmsters like myself will stay and watch the credits in their entirety. The rest of the audience stands up and leaves, usually to the chagrin of the remaining enthusiasts. This was one of the few times I have seen a film at a theater where not one person stood to leave during the final credits. It wasn't until the house lights came up at the end did people begin to disperse. Personally, I hightailed it out of the theater the second the lights came on because not only was my face a mess from crying during the film (Tammy Faye comes to mind) but I had this overwhelming need for an emotional release, so when I reached my car I sat and wept for about five minutes. It has been years since I have watched a film that upset me to that extent. Conversely, while discussing this film with my brother, (someone who loves movies as much and has similar tastes as I do) he mentioned that while he thought the movie was excellent, he wasn't as profoundly emotionally effected as I was. After thinking about this for a couple of days, I realized the difference: The music. As a classical music enthusiast and erstwhile musician, the thought of not being able to enjoy, much less play the music you love is a tragic one. Then the emotional outpouring that comes when you return to it - there aren't words to describe how intense that is. Not having the same appreciation for this musical genre, one will be able to sympathize with the physical and emotional tribulations, but perhaps not in the musical sense.
The Pianist was truly an astonishing film. I was riveted from start to finish and so emotionally affected that I couldn't even consider writing a review until a week later. Having said that, I am filing this away with my list of movies which include Schindlers List and Philadelphia, as films that I love but cannot rewatch for a long time after due to their intensely emotional content.
--Shelly
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El pianista
- Filming locations
- Instalatorów, Ochota, Warsaw, Mazowieckie, Poland(Umschlagplatz scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $35,000,000 (estimated)
- Gross US & Canada
- $32,590,750
- Opening weekend US & Canada
- $111,261
- Dec 29, 2002
- Gross worldwide
- $120,098,945
- Runtime2 hours 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1