6 reviews
The Train (1970) is a thriller movie based on the activities of a gang of robbers. The title of the movie is as such because the incidents of robbery and thereafter the murder of the robbed passenger take place in a particular train which runs between Mumbai (then Bombay) and Kolkata (then Calcutta). It's been directed by Ravikant Nagaich who used to make crime-thrillers during the seventies and eighties. It stars Bollywood's superstar of that period, Rajesh Khanna and the popular heroine of the sixties, Nanda in lead roles.
Regular criminal incidents take place in a particular train at a particular time when the train is about to arrive at the Igatpuri station during the journey. The victims are all jewellers who are travelling with precious jewels in their possession. The modus operandi of the robbers is that the jeweller who is travelling in the first class coupe meant for two passengers only is selected for the loot. Then first his fellow passenger is either separated from him or intoxicated. Thereafter a member of the gang (Shetty) murders the jeweller and jumps with the booty into a river when the train is crossing over it. The other member of the gang called as No. 1 (Madan Puri) is ready at the short with a car whom the killer reaches by swimming through the river and then they flee away with the booty. The time when the train crosses over the river is of around midnight and hence the robbery and murder is known only the next morning when some attendant of the train reaches the coupe or the fellow passenger comes to know of it.
The police has to take these incidents quite seriously because they have become quite frequent. When an incident of thuggery take place with a jeweller in his showroom itself in broad day-light (by the members of the same gang), then the top brass of the police force (Iftekhar) deputes a CID inspector, Shyam (Rajesh Khanna) to investigate the case and catch this gang which has become a big headache for the law-enforcing agencies. Shyam is in love with a girl, Neeta (Nanda) who is living a poverty-stricken life with her mother since her father got sentenced to imprisonment under a false murder-charge. Lily (Helen) who is a cabaret dancer in a hotel is also fond of Shyam and she keeps on trying to induce him. However since she is a member of the robbers' gang also, it is difficult to say as to how much her fondness for Shyam is real and how much is a part of her duties assigned by the gang.
The twist in the tale comes when Neeta's father runs away from the prison and reaches his family, i.e., Neeta and her mother but Shyam also reaches there and being a dutiful cop, gets him rearrested. This incident distances Neeta from Shyam. Soon thereafter, No. 1 visits Neeta's house and gets her the job of the receptionist in the same hotel in which Lily performs cabaret. Then one more incident of robbery takes place in which the fellow passenger of the looted and killed jeweller is Pyarelaal (Rajendra Naath) who was travelling in the same small coupe but who was separated from the jeweller by one charming girl who induced him by her charms and took him out of the train when it was stationed and did not allow him to board it again till it departed, thus making the path clear for the loot and murder of the jeweller, now alone in the coupe. Pyarelaal is approached by Shyam who keeps him in his company in his bid to catch the criminals. But Shyam is startled like anything when Pyarelaal identifies Neeta as the girl who had taken him out of the train and facilitated the loot and the killing that was committed later. What happens thereafter leads to the finale of the story.
I won't categorize The Train as a great thriller. It has many flaws. The biggest one, in my opinion, is the incident of thuggery in the jewellery show room because when a gang is successfully functioning with a set modus operandi of robberies in the train, then there's no need to go for a sophisticated thuggery. Anyway, it's a nice timepass. But after watching the full movie, the thought that comes to mind is that it's just an above average thriller with nothing extra-ordinary in it.
Rajesh Khanna was undergoing the purple patch of his career then and was considered the superstar of Bollywood. Despite the movie being a thriller, he has shown his romantic mannerisms whenever given the opportunity for that by the director. His dashing looks and romantic glances are sufficient to knock any young girl (of that period) out. Nanda appears (and actually also was) elder to him but the twosome has shown good on-screen chemistry and appears quite a charming pair. All others including Helen as the vamp and Rajendra Naath as the comedian (in a relatively meaty role,) have done justice to the assigned roles.
R.D. Burman has prepared good music with help of Anand Bakshi's lyrics. The movie boasts of Mohammed Rafi's chartbuster romantic song - Gulaabi Aankhen Jo Teri Dekheen, Sharaabi Ye Dil Ho Gaya. Nee Soniye (Rafi-Lata) and Kisliye Maine Pyar Kiya (Lata) etc. are also quite good and popular songs. For Helen's dances, Asha has sung in her enchanting voice, songs like. Maine Dil Abhi Diya Naheen, O Meri Jaan Maine Kaha and Saiyan Re Saiyan.
A word of caution from my side. I had seen the full movie when it was telecast on Doordarshan but upon watching it on internet recently, I found that many important scenes are missing in the uploaded version including the revelation of suspense in the climax. Hence please don't watch it on internet and catch VCD / DVD of a reputed company for watching it.
Regular criminal incidents take place in a particular train at a particular time when the train is about to arrive at the Igatpuri station during the journey. The victims are all jewellers who are travelling with precious jewels in their possession. The modus operandi of the robbers is that the jeweller who is travelling in the first class coupe meant for two passengers only is selected for the loot. Then first his fellow passenger is either separated from him or intoxicated. Thereafter a member of the gang (Shetty) murders the jeweller and jumps with the booty into a river when the train is crossing over it. The other member of the gang called as No. 1 (Madan Puri) is ready at the short with a car whom the killer reaches by swimming through the river and then they flee away with the booty. The time when the train crosses over the river is of around midnight and hence the robbery and murder is known only the next morning when some attendant of the train reaches the coupe or the fellow passenger comes to know of it.
The police has to take these incidents quite seriously because they have become quite frequent. When an incident of thuggery take place with a jeweller in his showroom itself in broad day-light (by the members of the same gang), then the top brass of the police force (Iftekhar) deputes a CID inspector, Shyam (Rajesh Khanna) to investigate the case and catch this gang which has become a big headache for the law-enforcing agencies. Shyam is in love with a girl, Neeta (Nanda) who is living a poverty-stricken life with her mother since her father got sentenced to imprisonment under a false murder-charge. Lily (Helen) who is a cabaret dancer in a hotel is also fond of Shyam and she keeps on trying to induce him. However since she is a member of the robbers' gang also, it is difficult to say as to how much her fondness for Shyam is real and how much is a part of her duties assigned by the gang.
The twist in the tale comes when Neeta's father runs away from the prison and reaches his family, i.e., Neeta and her mother but Shyam also reaches there and being a dutiful cop, gets him rearrested. This incident distances Neeta from Shyam. Soon thereafter, No. 1 visits Neeta's house and gets her the job of the receptionist in the same hotel in which Lily performs cabaret. Then one more incident of robbery takes place in which the fellow passenger of the looted and killed jeweller is Pyarelaal (Rajendra Naath) who was travelling in the same small coupe but who was separated from the jeweller by one charming girl who induced him by her charms and took him out of the train when it was stationed and did not allow him to board it again till it departed, thus making the path clear for the loot and murder of the jeweller, now alone in the coupe. Pyarelaal is approached by Shyam who keeps him in his company in his bid to catch the criminals. But Shyam is startled like anything when Pyarelaal identifies Neeta as the girl who had taken him out of the train and facilitated the loot and the killing that was committed later. What happens thereafter leads to the finale of the story.
I won't categorize The Train as a great thriller. It has many flaws. The biggest one, in my opinion, is the incident of thuggery in the jewellery show room because when a gang is successfully functioning with a set modus operandi of robberies in the train, then there's no need to go for a sophisticated thuggery. Anyway, it's a nice timepass. But after watching the full movie, the thought that comes to mind is that it's just an above average thriller with nothing extra-ordinary in it.
Rajesh Khanna was undergoing the purple patch of his career then and was considered the superstar of Bollywood. Despite the movie being a thriller, he has shown his romantic mannerisms whenever given the opportunity for that by the director. His dashing looks and romantic glances are sufficient to knock any young girl (of that period) out. Nanda appears (and actually also was) elder to him but the twosome has shown good on-screen chemistry and appears quite a charming pair. All others including Helen as the vamp and Rajendra Naath as the comedian (in a relatively meaty role,) have done justice to the assigned roles.
R.D. Burman has prepared good music with help of Anand Bakshi's lyrics. The movie boasts of Mohammed Rafi's chartbuster romantic song - Gulaabi Aankhen Jo Teri Dekheen, Sharaabi Ye Dil Ho Gaya. Nee Soniye (Rafi-Lata) and Kisliye Maine Pyar Kiya (Lata) etc. are also quite good and popular songs. For Helen's dances, Asha has sung in her enchanting voice, songs like. Maine Dil Abhi Diya Naheen, O Meri Jaan Maine Kaha and Saiyan Re Saiyan.
A word of caution from my side. I had seen the full movie when it was telecast on Doordarshan but upon watching it on internet recently, I found that many important scenes are missing in the uploaded version including the revelation of suspense in the climax. Hence please don't watch it on internet and catch VCD / DVD of a reputed company for watching it.
- jmathur_swayamprabha
- Dec 26, 2012
- Permalink
The story of the movie is a thrilling one.The movie seems to be a remake of one of the Hitchcock thrillers.Rajesh Khanna has played his role as a CBI officer in a superb way.The movie has a good suspense which is cleverly revealed at the end of the movie.Helen looks very sexy in this movie.A Thrilling story with good dances and music.Rajesh Khanna has adapted himself well to this role.Nanda as a heroine plays a very good role.It is one of the best of thriller movie made at the early 1970's.The train scenes are very good.It is one of the best suspense movies acted by the Rajesh Khanna.The background music adds a good score to this movie.The movie also has some comedy in between the movie which is very funny.Hitchcock lovers please don't miss this movie.
- santoshini908
- Feb 28, 2009
- Permalink
The Train was released when Rajesh Khanna was at his peak of superstardom. It is a fairly engaging thriller with a nice suspense at the end. Songs by R.D Burman are top notch & direction by Ravikanth Nagaiach is good.
The only weak point is Nanda who looks older than the hero & hence the romantic scenes do not quite jell.
The one reason to watch this film is Rajesh Khanna. He looks handsome & debonair & performs with elan, particularly the action sequences. As usual, he is at home in the romantic sequences also.
This is a nice time pass film & it was one of the 15 consecutive blockbusters of Kaka. It may not figure in the top 10 films of Kaka in terms of performance but in terms of entertainment, it will be loved by everyone.
The only weak point is Nanda who looks older than the hero & hence the romantic scenes do not quite jell.
The one reason to watch this film is Rajesh Khanna. He looks handsome & debonair & performs with elan, particularly the action sequences. As usual, he is at home in the romantic sequences also.
This is a nice time pass film & it was one of the 15 consecutive blockbusters of Kaka. It may not figure in the top 10 films of Kaka in terms of performance but in terms of entertainment, it will be loved by everyone.
- devesh-59484
- May 12, 2020
- Permalink
Rajesh khanna starting 1969 conservative 17 superhits , blockbusters and Hits this conservative record not beat till now a day nobody touch his stardom , he made 180 total movies within this total movies 110 movies Hits and propbably 110 solo acting movies and within it 40 golden jublie ( blockbusters) and 20 silver jublie (superhits) outstanding solo superhits not beat amitabh , srk , anil kapoor like solo list , 110 solo Hits named on First indian superstar Rajesh khanna sahab only nobody cross it 2023 also and in the future nobody can beat it looking now in bollywood and indian film industry its unbeatable record salute to Rajesh khanna.
- rajputshri
- Apr 9, 2023
- Permalink
The songs "Gulabi Aankhe" and "Kis Liye Maine Pyar Kiya" along with Rajesh Khanna are the only good things about this movie. It's not very common to see Rajesh Khanna playing a cop, this is one of the fewest films where he plays a cop and does his part very well. Speaking of the movie, it's one of those "inspired by James Bond" movies of the 70s mixed with the most cliched storylines of the early 70s. The story is predictable from the beginning to the end. It doesn't work on the storytelling part so much to make the experience exciting, it's just another 70s movie that hasn't aged well. Even in the retrospect, the movie is cheesy by all means. Rajendra Nath is a fine comic relief and bonds perfectly with Rajesh Khanna. But, it doesn't make watching things (that we already have predicted correctly) any fun. The movie doesn't even feel like a crime thriller, rather feels like a cheesy and cliched 70s melodrama wearing a cape of crime thriller. There's really nothing much to talk about it. Obviously, it's one of the 17 consecutive hits Rajesh Khanna delivered during 1969-72. But it might easily be the worst of the bunch. Too stretched and boring at times. You can watch it if you want but you won't miss anything if you skip it.
Rating : 4.1/10.
Rating : 4.1/10.