Growing up poor in London, Becky Sharp defies her poverty-stricken background and ascends the social ladder alongside her best friend, Amelia Sedley.Growing up poor in London, Becky Sharp defies her poverty-stricken background and ascends the social ladder alongside her best friend, Amelia Sedley.Growing up poor in London, Becky Sharp defies her poverty-stricken background and ascends the social ladder alongside her best friend, Amelia Sedley.
- Awards
- 2 wins & 5 nominations
Lillete Dubey
- Ms. Green
- (as Lillette Dubey)
Storyline
Did you know
- TriviaAfter asking Reese Witherspoon to get pregnant for the role (as a joke, because she thought Reese was too thin), director Mira Nair was delighted when Witherspoon announced she was pregnant after all.
- GoofsBecky sings "Now Sleeps the Crimson Petal," a poem Lord Alfred Tennyson wrote in 1847 and appears in the Thackeray novel (1848) on which the film is based. Because the novel concludes over a decade later (we assume on or before the present day for the author), and young Georgie, born in 1815 or 1816, is still only an adolescent, she would have sung it no later than 1840, which is well before it was published. However, the anachronism is Thackeray's and not the film makers'.
- Quotes
Becky Sharp: Revenge may be wicked, but it's perfectly natural.
- Crazy creditsBefore the credits start rolling the word "Alvida" (goodbye) appears in Urdu script. Beneath it is the following dedication: for our beloved Ammy Kulsum Alibhai 1927-2003
- SoundtracksShe Walks in Beauty
Lyrics by Lord Byron (as Lord George Gordon Byron)
Music by Mychael Danna
Produced by Mychael Danna
Performed by Sissel (as Sissel)
Sissel appears courtesy of Universal Music, AS Norway and Stageway Talent, AS
Featured review
William Thackerey's "Vanity Fair" has been adapted for the screen and television in numerous occasions. It is almost an impossible task to get a coherent take on a narrative that spans a lot of years and in which a lot happens.
This adaptation of the book by Mira Nair with the adaptation by Julian Fellowes, is sumptuously photographed by Declan Quinn, who captures the Regency period in the England at the beginning of the XIX century. Ms. Nair's touch is evident in the way the costumes have an Indian flair as they were brilliantly executed by designer Beatrix Aruna Pasztor. Maria Djurkovic's wonderful production design is also an asset.
If anything, this reincarnation of the Thackerey's novel is a joy for the eyes. The rich period in which the action takes place comes alive in the screen as a feast of colors, which in a way, compensate for the failings on the story and in the way Ms. Nair conceived the way she wanted to tell this tale about an ambitious young woman who is the epitome of social climbing. As a character puts in the film, Becky Sharp would be a perfect mountaineer.
Part of what is wrong with the film is Reese Witherspoon in the central role. Not that her interpretation is wrong, it's that she doesn't project the character of Becky Sharp with an intensity that another actress might have brought to the role. In part, this might not have been Ms. Witherspoon's fault, but the director's, in the way she guided the key performance.
The other failure of the film lies in the last scenes in which one finds Becky in Baden-Baden. Becky, Amelia, and Dobbins, haven't aged one iota. For the sake of realism, a bit of old age makeup should have been applied to these actors, or else, one might believe in the curative waters of that German spa. If it was true, we should be taking the next flight to Germany. After all, if that were the case, it would be the end of plastic surgery as we know it!
Some of the best actors of the English stage and screen are seen in various roles. Bob Hoskins, Eileen Atkins, Jim Broadbent, Gabriel Byrne, Barbara Leigh-Hunt, Rhys Ifan, Romola Garai, Jonathan Rhys-Meyer, James Purefoy, just to name a few, do an excellent job in the portrayal of their characters.
This "Vanity Fair", although flawed, is not a total failure. Mira Nair shows an amazing talent for being in command of such a large project.
This adaptation of the book by Mira Nair with the adaptation by Julian Fellowes, is sumptuously photographed by Declan Quinn, who captures the Regency period in the England at the beginning of the XIX century. Ms. Nair's touch is evident in the way the costumes have an Indian flair as they were brilliantly executed by designer Beatrix Aruna Pasztor. Maria Djurkovic's wonderful production design is also an asset.
If anything, this reincarnation of the Thackerey's novel is a joy for the eyes. The rich period in which the action takes place comes alive in the screen as a feast of colors, which in a way, compensate for the failings on the story and in the way Ms. Nair conceived the way she wanted to tell this tale about an ambitious young woman who is the epitome of social climbing. As a character puts in the film, Becky Sharp would be a perfect mountaineer.
Part of what is wrong with the film is Reese Witherspoon in the central role. Not that her interpretation is wrong, it's that she doesn't project the character of Becky Sharp with an intensity that another actress might have brought to the role. In part, this might not have been Ms. Witherspoon's fault, but the director's, in the way she guided the key performance.
The other failure of the film lies in the last scenes in which one finds Becky in Baden-Baden. Becky, Amelia, and Dobbins, haven't aged one iota. For the sake of realism, a bit of old age makeup should have been applied to these actors, or else, one might believe in the curative waters of that German spa. If it was true, we should be taking the next flight to Germany. After all, if that were the case, it would be the end of plastic surgery as we know it!
Some of the best actors of the English stage and screen are seen in various roles. Bob Hoskins, Eileen Atkins, Jim Broadbent, Gabriel Byrne, Barbara Leigh-Hunt, Rhys Ifan, Romola Garai, Jonathan Rhys-Meyer, James Purefoy, just to name a few, do an excellent job in the portrayal of their characters.
This "Vanity Fair", although flawed, is not a total failure. Mira Nair shows an amazing talent for being in command of such a large project.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Hội Chợ Phù Hoa
- Filming locations
- Holburne Museum of Art, Bath, Somerset, England, UK(Lord Steyne's residence)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $23,000,000 (estimated)
- Gross US & Canada
- $16,136,476
- Opening weekend US & Canada
- $4,800,000
- Sep 5, 2004
- Gross worldwide
- $19,463,185
- Runtime2 hours 21 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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