After being forgotten in a highway café during a bus trip, a housewife decides to start a new life by herself in Venice.After being forgotten in a highway café during a bus trip, a housewife decides to start a new life by herself in Venice.After being forgotten in a highway café during a bus trip, a housewife decides to start a new life by herself in Venice.
- Awards
- 32 wins & 13 nominations
Storyline
Did you know
- TriviaLicia Maglietta actually played the accordion in the scenes where her character does so. It is her playing that can be heard in the movie.
- Quotes
Rosalba Barletta: Is it true that you're on drugs?
Nic: Who told you that?
Rosalba Barletta: Aunt Ketty.
Nic: Mom, that's not true. Weed is not a drug.
Rosalba Barletta: No? Then what is it?
Nic: Weed.
Featured review
Bread and Tulips (2000)
A feel good movie that is also a good movie. It's beyond just warm and colorful, with scenes of Venice night and day, and beyond just triumphant, with true love winning in more ways than one. It is most of all populated with great characters. Italian leading lady Licia Maglietta is a wonder of naturalistic acting. She is sympathetic of course, but not a cliché. She plays a housewife on a diversion away from her family, and she looks and acts like a housewife. As strong as she is, and as independent, she is also devoted to her family. The fact she left them at all is perfectly unfolded as an accident that she turns into an opportunity, all by intuition.
The man she meets is no paradigm of handsome or charming, in fact he's just the opposite. But he is so inherently good, a really decent human being, she comes to like him, and look out for him. Played by Swiss actor Bruno Ganz, he matches Maglietta's believable ease and imperfect, quiet intensity. The rest of the cast is truly supportive, and tips just slightly (or more than slightly in one case) into caricature, to reminds us, I suppose, that this is a movie, a fantasy, a comedy in many ways.
But it's also a deeply serious and moving love story between two middle-aged people who are ready for renewal.
I have a feeling many people, especially people with families or those conservative at heart, will find the basic premise of a woman leaving her family in a glib and almost carefree way and not going back for a long time to be shameful or even sinful. Her kids are normal distracted teenagers who like her when they notice her, her husband is a hardworking and loud businessman who doesn't beat her, her home is her own and comfortable. In other words, she has a really normal life, a good one by most measures. Does everyone have the right to up and leave a working family relationship because they feel a bit restless? Is this movie a worship of selfishness?
Or is it a reminder that life is short and you have to get to what really matters, and be with people who are truly wonderful and good, no matter what?
I can't think of a more joyous way to ask the question.
A feel good movie that is also a good movie. It's beyond just warm and colorful, with scenes of Venice night and day, and beyond just triumphant, with true love winning in more ways than one. It is most of all populated with great characters. Italian leading lady Licia Maglietta is a wonder of naturalistic acting. She is sympathetic of course, but not a cliché. She plays a housewife on a diversion away from her family, and she looks and acts like a housewife. As strong as she is, and as independent, she is also devoted to her family. The fact she left them at all is perfectly unfolded as an accident that she turns into an opportunity, all by intuition.
The man she meets is no paradigm of handsome or charming, in fact he's just the opposite. But he is so inherently good, a really decent human being, she comes to like him, and look out for him. Played by Swiss actor Bruno Ganz, he matches Maglietta's believable ease and imperfect, quiet intensity. The rest of the cast is truly supportive, and tips just slightly (or more than slightly in one case) into caricature, to reminds us, I suppose, that this is a movie, a fantasy, a comedy in many ways.
But it's also a deeply serious and moving love story between two middle-aged people who are ready for renewal.
I have a feeling many people, especially people with families or those conservative at heart, will find the basic premise of a woman leaving her family in a glib and almost carefree way and not going back for a long time to be shameful or even sinful. Her kids are normal distracted teenagers who like her when they notice her, her husband is a hardworking and loud businessman who doesn't beat her, her home is her own and comfortable. In other words, she has a really normal life, a good one by most measures. Does everyone have the right to up and leave a working family relationship because they feel a bit restless? Is this movie a worship of selfishness?
Or is it a reminder that life is short and you have to get to what really matters, and be with people who are truly wonderful and good, no matter what?
I can't think of a more joyous way to ask the question.
- secondtake
- Apr 2, 2011
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Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- 逐夢鬱金香
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $5,318,679
- Opening weekend US & Canada
- $32,933
- Jul 29, 2001
- Gross worldwide
- $9,735,211
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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