Director Kazuo Komizu started out as an assistant director and sometime co-writer to the great Koji Wakamatsu, so one might hope that the genius rubbed off. On the evidence of Guts of a Virgin, it did and it didn't. There is something of a similar innate skill with sleaze, a knowledge of the power of the frame, of close ups and still, gazing shots. He knows the illicit thrill of the female objectified, the female image dismembered, though rarely erotic this is a film with some aesthetic accomplishment to its shows of tits and asses, of beautiful legs and moaning faces. The use of discreet blurs rather than full pixellation to hide prohibited details helps too, conveying a certain woozy artiness. But sadly this is about the extent of the potency passed down and it gets rather stretched. The plot is thin, three female models and three fashion photographers finish shooting for the day but get lost in fog, leading them to spend the night in an abandoned house that just so happens to be part of the prowling ground of a dirt caked monster with a big dick. Lots of sex and assorted death follow. Thin stuff, and the writing gives no weight. The males are mean and manipulative, out for nought but throwaway thrills and the women are absurdly naive, to the point of being unsympathetic. They don't relate in especially interesting ways, so little is left but mostly joyless sex and it gets a bit dull despite the stylish shooting. The performers are all decent so if not especially interesting all the time its certainly convincing, the men are really pretty slimy and the women evidence some legitimate discomfort. Also one physical feat that seemed pretty impressive to a weakling like me (I won't say what). But it does get a bit wearying Fortunately the horror side of things is quality bizarro entertainment and the pace gradually quickens throughout the film to reach a borderline intense finale (which is also blithely bonkers in a rather pleasing manner). Atmospheric use of fog and backlighting helps, and a distinctly odd feel is produced by the decision to cut from the action to jarring visual metaphors and back. The gore effects are cheap but fun and the kills reasonably inspired and best of all unpredictable, with one being an absolute gonzo marvel. All of which doesn't entirely make up for the various longueurs, but it goes a long way in trying. I guess to sum up this is a worthy pit-stop for fans of lunatic trash, especially those with a big taste for soft-core, but no classic or anything.
