"Succubare" was recognized by Wai-Yip Wong himself as his most important film of his late period along with "Shaolin Head Waiter" (1982). While generally the later is accepted as his masterpiece "Succubare" is misunderstood as Wong's "misfire", as a "flop", an opinion toward which I tend to gravitate. What we have here is a good drama whose story is totally overshadowed by a certain scene-stealing extra whose diet consists chiefly of live animals, usually small rodents or finches, which he consumes by the jarful. Before the opening credits roll we are treated to the sight of his character eating boxes of headless canary torsos and sea-cucumbers, and washing them down with yak's blood. Sometimes during the film he tries to hold back, proclaiming that henceforth he will bite the heads off no living creature, but then he loses his willpower, and eats huge breakfasts consisting of badgers, partridges, shrews, cuttlefish, duckbill-platipusses, baby spiney anteater eggs, and spoonfulls of lice, and a huge stack of skates drenched in kelp. Wai-Yip Wong himself was detailed by producers to drag this fellow out of pet shops. He claimed that, during the first day of shooting Cho King (for such is his name) devoured two octopusses, some gerbils, two horse shoe crabs, and a pile of sanddollars for brunch, necessitating constant altering of his costumes.During his birthday party on the set, Wai-Yip Wong gave him a belt with a card reading "Hope it fits." A sign was placed below the birthday cake saying: "No Mammels Were Harmed." He reportedly ate at least fourteen live tape worms that day. His second wife who had a lock put on their incubator to stop pilfering by what she thought was the household staff, awoke one morning to find the lock broken and teeth marks on a baby chick's remains. The house maid told her that her husband nightly raided the incubator. She also related how He often drove down to the local pound late at night, wolfing down as many as six kittens at a time. Costumer Chiang Hung claimed that this fellow split the seat on 34 pairs of pants during the shooting of the film, necessitating that stretch fabric be sewn into his replacement duds. He split those too. Animal fat was the culprit: This guy would purloin a 10-gallon tub of the fattening desert, row himself out into the lagoon, and indulge. On the set his double often had to be used for shooting after lunch, and filming could only proceed in long shots, as this poor sap could no longer fit into his costumes. Dick Carter Wong, who was married to this guy's sister Fanny, said that he used to eat five wildebeests at a sitting, and (go) through bags of gila monsters." It was reported that during filming that, being environmentally sensitive, this guy fished a frog out of a pond, took a huge bite out of the hapless amphibian, and threw it back into the drink. He also created what he called "real-life peeps" by cracking open a baby hen's skull, melting some snail hides in the sun, then stirring them in with the brains for a tasty treat. By the end of shooting, there were reports that his wife had left him because he failed to keep his promise of losing weight. He seemed to be dieting, but to her astonishment, he never lost weight. She found out that his buddies had been throwing bags containing anethesized weasels over the gates of his Macau Drive estate late at night to relieve the hunger pangs of their famished friend. Furthermore, he was spotted regularly buying lard from a Hong Kong butchers shop: ten gallons at a time. He supposedly confessed that he was eating it all himself. Finally, a reported favorite snack was a living spider monkey and some raw bacon shoved into a Portugese Man-O-War Jellyfish. When he became ill, he seriously cut back and lost 70 lbs. on a vegetable diet, but he never lost his love of living tissues and especially those of rodents and primates.
Animal rights activists will object to the butchering of a full grown ox on screen, (which goes uneaten) and, indeed, the unnecessary consumption of so many animals can get very distracting at times, as it has no bearing on the script. While not in the top ranks of 80's gross-out horror, SUCCUBARE remains, however, revolting yet diverting and boasts a mainly dependable cast.
