User reviews

Ostensibly a night in a "real" haunted house filmed live on Halloween night that tricked many people who were unaware it was fiction while they were watching it (even though it had writing and acting credits).

There's a lot of fun to be had here. It feels real enough, though if you know to look for it it can feel a bit staged. Some of the best bits involve the studio which has a real "paranormal expert" on hand to explain the goings-ons. The scares are very Paranormal Activity lite, but considering the time and the fact that it was a TV movie one can see how it would have an impact.

As a piece of history this spooky flick is indelible and worth celebrating, as a piece of art it's merely good enough.

Quite simply, the most frightening television programme ever broadcast, 'Ghost Watch' pushed the edges of 'acceptability' so far that we'll probably never get the chance to see it again.

The one and only time this has been shown, anywhere in the world, I believe, was on Halloween 1992. The UK listings magazine 'Radio Times' printed it's cast, crew and writer- yet it was promoted as a 'documentary'. And the British public, suitably suckered, fell for the joke in their millions.

In much the same way that Orson Welles' 'War of the Worlds' and latterly 'The Blair Witch Project' caused audiences to question their sense of reality, so 'Ghost Watch', for one wonderful October night, made screaming believers of us all. The conceit is simple- TV heavyweight Michael Parkinson hosts an evening of programmes purporting to investigate the supernatural. There are mediums in the studio, debate, and most importantly, a 'live' investigation into one of Britain's "most haunted" houses.

The casting is intelligent and spot-on; Parkinson adds gravitas, and the 'light-entertainment' faces of Sarah Greene, Craig Charles and Mike Smith just-about convince you that whatever happens, it's going to be treated in a nice, family-orientated, jokey manner. Just what you'd expect from Auntie Beeb.

And then it begins.

Writer Stephen Volk uses every gruelling modern horror cliche in the book- possessions, telekenesis, speaking-in-tongues, self-flagellation, child-abuse, things *almost* seen, satanic animals, suicide, - but, robbed of their comfortable 'Poltergeist'/'Amityville Horror' contexts, and placed into what was until a few minutes ago an edgy, but amusing 'documentary', they take on whole new levels of terror. And 'Ghost Watch' is very, very scary.

I really don't want to ruin this for anyone who hasn't seen it- but suffice to say Expect The Unexpected. Moments of extreme horror are slipped in, almost subliminally, and the cumulative effect is of a long, terrifying journey to a place you really don't want to go.

Of course the ending is silly- it has to be, to relieve the tension, and allow viewers to relax. It was, after all, a drama, a play, a "hoax" if you like. A horror film. And the best one of the 'nineties, if I were forced to make my choice.

Due to the sheer number of complaints, and the suicide of a viewer, the BBC effectively banned it from further screenings, and refused to release it on video. Further, as far as I know, they have not offered it for sale abroad.

The only way any of us are going to see it's like again, is to rely on those who recorded it at the time of broadcast, seven years ago- or hope that some enterprising foreign station buys the rights, and remakes it.

It's a terrible, terrible shame that something as powerful and clever as this should go unseen.

Steev

Considering some of the myths and stories that have been generated by the legendary Halloween 1992 showing of Ghostwatch some disappointment may be felt when actually viewing it long after it was to have its greatest impact. However that is not to detract from what is an original and innovative drama, and one that has retained its ability to scare.

A BBC team are invited to Britain's most haunted house to investigate a malevolent presence terrorising the family that live there, in particular the eldest near-pubescent daughter. As events unfold live from the house an initially sceptical Michael Parkinson and an ever increasingly concerned parapsychologist begin to realise that the BBC is about to score a scoop far greater, and more dangerous, than they had bargained for.

I recall seeing Ghostwatch on its first and only transmission. I had missed the opening Screen One card and titles so what I sat down to I initially believed to be a real investigation into a haunted house. The first university research footage of a poltergeist attack on the two girls made my blood run cold. I remember phoning a friend to see if he was watching. I was shaken. Then I started to realise certain things. The mother and eldest daughter were not convincing. The parapsychologist was clearly an actress. The slightly improvisational interaction between the presenters was clearly a scripted attempt at improvisation. I was disappointed, indeed sufficiently so to change the channel and only occasionally dip back into the programme. I remember the press reports over the following days. I couldn't believe they were referring to the programme I had glimpsed. Then Ghostwatch was buried and forgotten.

Then it came back, released on dvd by the BFI. People started to write about it again, reporting that it still had the power to chill. I had to see it again. I watched it twice this week. The strange thing I realised was that despite the poor acting and the occasionally clichéd script, those people who said it retained its power to scare were absolutely right.

Ghostwatch won't make you jump. It won't turn your stomach and it won't make you scream. Ghostwatch will simply unnerve you. It will make you check things that you see from the corner of your eye again. It will make you wonder what that shape in the corner of your room really is, as you struggle to sleep after viewing the show. It will make you ask whether that really is the sound of the central heating pipes expanding, or contracting, or is it something else.

It's true enough that some of the acting is poor, undermining the verisilimitude of the film. One wishes that the script allowed for more spontaneity from the cast. As it is the actors are quite obviously adhering to a script and their attempts at looking genuinely astonished, scared, unnerved by the events are frequently wooden. Probably the most convincing member of the cast is Craig Charles. His performance is light and therefore he appears the most natural. Sarah Greene does very well for the most part, although once strange events begin to occur it is clear that she is acting scared rather than actually being scared. Michael Parkinson is poor, but his part doesn't help. One simply can't believe that an institution such as he could be so openly cold and dismissive to the plight of the family, as he frequently is (he is particularly unsympathetic at the moment the older girl is found covered in scratches).

So what does work? The staggered revelations about the house and family's history are intriguing and eerie, as is the idea that the accumulation of evil over time in the house and the area has led to a manifestation of hateful malevolence. Sound and video effects are put to excellent use. The occupants of the house are subjected to sudden bumps, crashes and, as more secrets of the house are revealed, the awful wailing of cats. The ghostly voices are creepy in the extreme, particularly the inhuman voice played back on the studio tape recorder. What you hear can be far scarier than what you see and the makers of Ghostwatch play on this with great skill.

The link between house and studio begins to deteriorate late in the show. Picture and sound slow down. The link is lost and regained. The sense that something evil has penetrated the broadcast equipment and begun to transmit itself to homes across the UK is brilliantly done. In the studio more and more callers report strange events at their own homes, events that mirror what is happening in the house. Glass breaks, clocks stop, and dogs start barking at the screen. The parapsychologist realises that the BBC transmission has effectively provided the environment for a national séance. Every home tuned into the programme is now primed for supernatural attack. It's a wonderfully apocalyptic idea and one can imagine how disturbing this must have been for those original viewers who bought the idea that the show was live. As it stood the programme was blamed for several women going into premature labour, for 2 boys requiring treatment for post-traumatic stress, and for the tragic suicide of one young man. One can now understand why the BBC blocked the writer's attempts to have a high-frequency noise, calculated to upset viewers' pets, played on the soundtrack during the show's climax. It could have been the first television show in British history to create civic disorder.

I can't recall the last time a British television programme made such a bold attempt to scare. It's surprising considering the wealth of ghost lore we have to draw on in this country (the UK reportedly has more ghosts per square mile than any other place on earth). It's a testament to Ghostwatch that it has since become a fondly regarded piece of that tradition.

It was the day after Halloween, I was ten years old. I arrived back from my Nana's with my mother - my father and sister had indeed watched something very disturbing that night. Well, maybe not my dad, naïve and sceptical of all things unseen. The item that was the buzz of the media for the next few days was a show which was presented as true, which was in fact a staged drama of a paranormal investigation into the self-proclaimed `Most haunted house in Britain'. Even better, since bed-time was 9pm in those early days - it was on tape, for my enjoyment!

The documentary started and progressed much-like Children In Need, oozing of Crimewatch-esque scenes - subtle, crowds gathering outside the spectacle, minor celebrity Craig Charles (now of Robot Wars fame) chatting to the neighbourhood in the dead of the night. And, in the studio, Michael Parkinson radiates professionalism, giving the show an undeniable sense of seriousness. In the BBC, Parkinson and Sarah Green had never acted a staged drama before.

A young-looking Craig Charles used humour and traditional `Halloween's just a bit of fun' tactics to lighten the atmosphere early on, which sucked the youthful audience in until they wouldn't ever want to escape. Then, at the point of no turning back, a masterstroke in film was pulled off and the audience was taken in by a whirlwind of strange activity which cut the proverbial throat of all fun and games and drove the drama into new heights of dread and evil.

As Parkinson fails to digest any of the happenings and focusses on his presentation from the studio, Sarah Green, presenting from the house, with family of the victims of a ghost they named `Mr Pipes', are locked in an atmosphere you could cut with a knife. Here, the film programs your mind to become paranoid – creating a scene which will weld you to the screen, eyes fixated. The film uses all the tricks of a real documentary to create a familiar tone, the phone-ins, promotion of books, viewers actually phoning up - combined with the presence of the paranormal, it is a lethal concoction.

Very early into the film we see supposedly supernatural footage on tape, of a bedside lamp exploding. A curtain reveals a vague outline of what the children and the mother believe to be the offender, `Mr Pipes'. The overall conclusion is that this is just a trick of the light. Into the `live' filming, we are teased with dimly lit areas and lighting which could suggest Pipes is present on screen at all times, unknown to Green and to the audience. Scenes in contrast from the loud social of the street to the silent, dimly-lit homeliness of the house work perfectly, the feeling of dread and of a presence, and an evil one of that, are never absent throughout the last thirty minutes.

After being shocked to our skins with suggestive occurrences, and – god forbid – the force actually concealed within the confines of the screen, in

darkness and in light, the show reaches a climax and all hell breaks loose. Total darkness engulfs the house like a black mist with the motivation of juggernauts, Green trying to find a solution, Charles with a noticeable absence, joking attitude dead and buried, as Parkinson can only look on from the comfort of the studio. The final scene comes, is over-the-top, but would at least wake the audience up from their sleep that this was not a real BBC investigation. As silly as it was, there could be no alternate ending for a sixty minute TV documentary which was paced with perfect accuracy. Parkinson breaking a sweat, the evils of this world embrace the studio and nowhere is safe. The credits roll as you wake up from a horrible nightmare.

Without a doubt, this was a masterpiece of film. The next day EVERYONE was talking about it. It was a cult hit within a matter of days, and beyond, people were traumatised. The media linked this to the suicide of a man - I was not surprised, Ghost Watch gave me nightmares for months afterwards. The curtains in my room became a homage for all kinds of faces, outlines, and mysteries which I could not comprehend. The film an inspiration, I vowed for the days where I could watch movies like Poltergeist and Amityville. Neither of those sequence of movies, or any other, for that matter – cast a shadow on what was televised at half nine on BBC1. Sadly deleted and banned from screening ever again, the tape that Ghostwatch graced was accidentally wiped by my father, and has not been seen since 1993. At the time of youth, I didn't accept the work as fiction, until my Aunty tried to get hold of a copy of the book seen in the film. The book shop had been swamped with requests, familiarity overcame her face, the solemn answer was; `It was staged, the book doesn't exist'.

Hopefully I will get my hands on a copy of Ghost Watch again to watch after almost a decade. Today, Tony Parkinson still hosts his late-night interviewing show, Sarah Green is an old face in the crowd, Mike Smith is still around, and Craig Charles is the main face of Robot Wars, bereft of credibility after his media speculation.

I was 12 when Ghostwatch was shown on Holloween on BBC1! I remember sitting on the sofa with my Brother and Mam, my Dad went out before the show had began. We were pulled into the story and got scared to death by Pipes and the story of the Early family, this was years before Most Haunted hit the screens! You could spot Pipes, you could hear the stories and watch as the team falls apart! I totally believed Sarah Greene was taken by Pipes and that Parky was taken over by Pipes too, GREAT TV! Little did we know that it was due to be banned and never shown again, until the ban ran out and it was released on DVD/Video, which I had for Xmas 3 years ago! Even now I cant watch it alone or with the lights off.....the power of being 12 back then and Pipes coming to get me still shakes me up! For me Ghostwatch is pure great British TV! Sure it might be dated and some people might call it boring...but to this 26 years old...sleepiness nights happen after I watch this show 14 years later!

The story behind this movie is fascinating. Real newscasters, real phone number, and a story that takes it slow, like you would expect from a real news broadcast. This movie tried to come off as realistic. And in some aspects, it did. It is extremely realistic in the way it is shot. Nothing is perfect. Nothing feels beyond that of a news broadcast, and I mean that as a compliment. Thousands of people were fooled when this movie aired. Most of them tuned in part way through, missed the title card saying who wrote it, saw familiar newscasters, and settled down for what they thought was a real news broadcast. Hilarious, I know. But unfortunately, I felt like the story behind the movie is more fascinating than the movie itself. I'll start by saying it's not as believable as others say. If I were alive to see this aired in 1992, I don't think I would have been fooled. Sometimes, the acting is really good. I especially liked that of Michael Parkinson. His acting was solid from his very first line to his very last. But sometimes, the acting is really noticeable, especially with the kids and the main reporter. The things they say and the way they say them just threw me off sometimes. Their reactions to certain happenings and noises were a bit over-the-top. But there was one thing above all that really took me out of the movie, and that was those god-awful fake noises. I mean, I'm pretty sure most of the banging is just the same pre-recorded noise played over and over, and all those cat noises were so out of place and obviously fake. Though, if I'm being honest, I could forgive the cat noises, this being a low-budget 1992 made-for-tv movie. But they couldn't have at least had a real person banging on the walls? Come on, man. You don't need more than 10 bucks to get someone to punch something a few times. Overall, I thought this movie was a little overrated. I still rather enjoyed it though, and I appreciate the amount of effort put into fooling so many people.

I recently watched "WNUF Halloween Special", a horror film that is obviously inspired by this film, because it is VERY similar, except for a few little details here and there. I must say that Ghostwatch does it much better. I only wish I could have been sitting in front of a TV in 1993 watching this and not knowing it was fake. It seems like it would have been very convincing back then.

Ghostwatch is a film that is made in what is similar to the "found footage" style of films. It is essentially made to look like a TV special where they investigate a haunted house, and things get very crazy. It's full of many creepy and subtle spooky scenes, and it really creates that scary vibe that a lot of films are missing. What is most unique about this film is its idea of television and how it is incorporated into the haunting. It adds another layer of creepy, and perhaps even is saying something about television and how it is incorporated into peoples everyday lives and can even be a big part of them.

In the end, I would say this is a must see for horror fans. It's spooky and should be seen alone for the fact that it has a place in history as a TV movie that seemed so real that it tricked thousands of people into believing it's content.

I am an American who never heard of this before. I found out about it via a Horror Facebook group. I tried in vain to locate it, and finally Shudder has it. Holy crap! This scared the hell out of me! I have seen this several times and every time, it scares me. I've ordered the dvd hoping that it is, as the seller claims, region free, if not, I'll be selling it on Ebay. The BBC really should release it on bluray for everyone. They'd make a fortune!

Halloween 1992 and the BBC aired Ghostwatch as part of its Screen 1 Drama series. It was all told a horror mockumentary based around the Enfield Poltergeist investigation of 1977/8. Famed for family friendly fodder programming, the reaction to Ghostwatch shook the BBC to its core and the TV institution banned it for 10 years and has never shown it again on one of its channels. Problems arose because many viewers were unaware that the show was actually fake, this in spite of the many clues given both in written credits and the hiring of actors in critical roles!

Watching it now some 20 years after the fact, it's hard to believe so many were taken in by the unfolding events of the show. Certainly it's understandable that youngsters watching would be scared by the second half of the show, that is if they wasn't bored stiff by the first half which plods along at an almost lethargic pace? But grown adults besieging the switchboards with worries about the realism of the show? And a weight of complaints not seen since The Sex Pistols swore on TV in 76? Apparently so it seems.

Ghostwatch's legacy is tainted by over reaction on one hand, and sadness in the other. The show was cited as the cause for an 18 year old man hanging himself. Martin Denham had learning difficulties and after becoming obsessed with the show, committed suicide five days after the show was broadcast. There were other cases where children as young as 10 were said to have suffered post-traumatic stress because of the show. Sad for sure are these events, but they lend the film an aura of terror that it doesn't deserve. But on an influential front it deserves the utmost praise. It can be seen as a prototype of the reality TV shows that have dominated TV in the last decade, while you have to think that the makers of The Blair Witch Project saw it and took notes.

Ghostwatch does have genuine moments of creepiness, the number of sneaky visual placements of Pipes the ghost are very effective. As is his back story. The sound work is suitably chilling, where over emphasised knocking and the sound of wailing cats really hit the desired mark. The cast, too, are stoic and performing well with the material to hand. Michael Parkinson is the head link man hosting the show, a splendid bit of casting because we all trust Parky. Mike Smith plays it suitably tongue close to cheek, his wife, the beautiful Sarah Greene, is the most believable as she spends the night in the house with the Early family, while Craig Charles outside the house larks about and never once plays it seriously. But the others, including the two child actors, struggle to convince. But was they meant to anyway? Because ultimately it's a pastiche production. 6/10

In todays cinematography, live shows and shows like Ghost adventure and Ghost hunters this show would rate in my score book between 2/10 and maybe 3/10.

Orson W. with his famous radio drama was the pioneer in this kind of live "shocking" of public, so 50 years after that comes Ghost watch. So in my opinion ghost watch didn't do anything new, and for that reason I think that it doesn't deserve 8/10 and reviews like scary as hell.

No scary parts in whole 90 minutes just cheap sound tricks, BOOM this, BOOM that, "O is that something moving?" And "man in mirror?" - c'mon.

Watch it but prepare to have something to watch after that because experience for me is flat curve, nothing dramatic.

I was also one of the fortunate immature teens who saw Ghostwatch sitting alone on the sofa watching in 1992. Computer games awaited but better than average Saturday night quiz shows light entertainment cajoled me to stay rooted to the spot. I was looking forward to Hammer's/Terrence Fisher's Curse of the Werewolf that followed this 'Ghostwatch' program I was about to witness. This documentary/drama/horror/supernatural closed the curtains for the evening but I didn't turn off the light that night. I think it has something to do with the story development. It is revealed that this should be taken seriously and cleverly absorbs and you willingly go along. When the scares eventually occur you are totally disorientated and afraid. Images in Ghostwatch stay in your mind for hours afterward, the haunting Pipe's (true evil) revelation is typical Nigel Kneal, combined with the destruction of the family unit is absolutely terrifying. I got the DVD after all those years and now I'm convinced that the scare has something to do with periodic emotions. Those who saw it at a vulnerable age and wanted to be socialising more successfully than their older brothers or had dreams of being on where the best Halloween party of 1992 was being held got scared. Those socialites who were at those parties and heard the hype and saw Ghostwatch subsequently were less impressed. Why? Because they missed out on something that will never happen again. I say this because, depending on my emotional balance, sometimes I laugh hard at all the ham acting/sketchy dialogue and Parkenson, but sometimes when Pipes speaks, suddenly materialises and disappears I still find the experience unnerving. Only five films have made me feel like this: Demons (age 8), Ghostwatch (age 11), The Exorcist (age 13), Blair Witch Project (age 19) and Ringu (age 22).

I can remember sitting in my living room at 9 years of age and absolutely s##ting myself! This was a one off tv special that featured hugely important figures in British TV like Michael Parkinson.

I can truly say to anyone who finds this boring or dated that you didn't have the same experience as watching this unfold on live TV.

I can understand why this show scared people when it came out. Filmed like some BBC live documentary, the show looks generally real. There are some places where the editing or camera-work would not have happened that way in a real live show, but I would expect people wouldn't think about that, and obviously kids wouldn't notice.

The problem with Ghostwatch is because it wants to be convincingly real, it starts out convincingly slowly. Over the first half hour there are talking-heads style interviews and general chit chat and information stuff that would only interest people who were really interested in seeing a ghost documentary. In fact, I suspect one reason this show was so effective is that the most skeptical people would have tuned out through boredom early on, leaving only believers watching by the end.

After the first tedious half hour I decided to fast forward until it looked like something interesting was going on. I wound up moving ahead another half hour.

But once you're into the last third of the movie, things get pretty intense. Even if you know it's a mockumentary, the final moments are truly chilling, and I can only imagine how terrifying this was to those who thought it was a real documentary.

Keep an eye out for ghostly apparitions. I missed most of them, although there is a youtube video that collects them all.

Just watched this again for the first time on DVD (It's available on Virgin On Demand) with my wife, who missed it first time around. Granted, when you know (now) that it was all a fake, then some of the power of the film is diminished, but it still managed to creep me out quite a bit.

The first time I watched it I was fifteen and had missed the initial credits, and was well suckered in. Not quite daft enough to believe it was real, but there was still a pure sense of dread as cheesy TV presenters like Mike Smith and Sarah Greene seemingly got involved in a live Halloween broadcast that got out of hand. I did sit there thinking 'is this real or not?' - can't imagine what I would have though had I been younger, though.

Tons of subtleties abound, as the tension builds and things move from the cheery British documentary to full-blown paranormal chaos. I won't go into the details here because it's worth watching fresh. My wife didn't think it was that scary (although she enjoyed it) but she said that was down to knowing it was a hoax.

Still a classic though. A definite must-watch for any horror fan.

Finally got hold of the DVD today, and I am pleased to say that the shivers were still sent up and down my spine, as they first did more than 10 years ago. After seeing it (in the daytime!), I jumped at every single noise in the building where I live, and found myself shaking. The programme seems to be so much stronger than the sum of its (not inconsiderable) parts, and is so subtly written and directed that any dated aspects (chunky technology, and Parky looking less wrinkly than he does these days) or weak performances (the elder daughter is much less convincing than the younger daughter) pale in comparison with an immensely rich, disturbing, powerful piece of television. An event. As the commentary suggests, there is so much about families, the supernatural and the public's relationship with TV - even if the producer uses the word "genre" too much - but nothing will prepare you for the visceral scares that will leave your heart pounding. Was that Pipes, there? No. Yes? And the subtleties visible on this DVD! When Sarah Greene investigates the damp patch in the living room, the clock beind her has already stopped at the same time - 9pm - as the cameraman's watch had. And take a GOOD look at the spectators standing behind Craig Charles as he leaves the playground... For anyone who wants to experience just what television can do to your nerves... Just buy this programme!

This is a well-crafted piece of material form the BBC. I only got around to watching it ten years after its actual date of broadcast as my mate found it on video. But BBC like to pretend that they didn't make this program and for a couple of weeks denied any knowledge that they actually played it but when they came to their semi senses they decided that they would never play or release this program again. If you can get hold of this anywhere then do as even though this was staged it was staged well by those that are not normally actors but presenters.

Although the acting of the owners of the haunted house is pretty lame (hmm..I wonder where they are today...I'm guessing hang around bus shelters begging for money), also when apparently a séance has been introduced into the studio and wind begins to blow this is when any sense of realism is really blown away. I imagine for those that watched this at the time could have been fooled up to this point, as this was indeed weak. But anyway some of the techniques used and the hidden man next to the curtains all make up for strong Blair witch contenders. By the way Sarah Green hasn't been used much since this program, what have the BBC done with this woman, if you have seen her then call the following number and report the incident: 999, thank you I'm sure Phillip Schofield would be grateful and Gordon.

This movie is clearly a movie, and not a very good one. I searched this out after I saw on the internet that this was billed the scariest movie and caused so many issues when it was first aired. I was very disappointed. This movie is not scary at all there are no jump scares and no ghost activity. Very lame.

Halloween 1992: the BBC broadcast a real documentary in which a team of celebrity presenters go to "Britain's most haunted house" to check out if any ghosts can be found. Via link-up, Michael Parkinson commentates on the events from the studio. It all looks like it is going to be a big bore, until weird little things start to happen. Slowly but surely it begins to become clear that the BBC are going to unearth the biggest ghost story of all-time.

Amazingly, this TV movie from 1992 had an entire nation believing that it was all for real. Not since Orson Welles terrified America with his rendition of War of the Worlds (convincing half the country that they were being invaded by Martians) has there been anything like this. I remember seeing this as an impressionable teenager and it kept me awake for almost two weeks afterwards. So convincing was it that the BBC have vowed never to screen it again in the wake of complaints of children having nightmares and one (unconfirmed) suggestion that a kid committed suicide because the show scared him so deeply. This makes the top 5 horror films of all-time, even though it is technically not even a film at all. Ghostwatch is a legendary show and anyone who saw it "live" will talk about it, somewhat nervously, to their dying day!