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Five stories, five lives which run into one another: a declining TV star, a fragile young girl, a mistress, a macho kinda guy, a cinema usher, fiances... all of them tell each other stories, looking for happiness and true love.

Sposi (1987),an interesting exponent of the European Realism

Sposi (1987),movie of a pellucid,beneficial and cooling bitterness, expressing resignation,aloofness and amusement,develops some perennial themes,such as the couple relations,the decisions in life,the steps taken,etc.,and is a weaving of several tales:a rich and ugly man (Carlo Delle Piane) and his young,cunning mistress who goads,pushes him to leave rapidly his wife (1);a beautiful and vulgar girl,her fat,dull fiancé,and his belly worm lover ,both men being bald and lubberly (this trio is the provincial pole of the narration) (2);a grown-up, languorous ,sad and disappointed woman,who lives on a yacht with the tippler that is now her husband,and who meets suddenly her bald, dark, big frog ex-husband (3);a failing,lazy TV male star that needs a wife so that he may relaunch his ruined career;and fate brings at his door the down hearted but appealing victim of a rape (so,herself a notorious person),Delia Boccardo,and he plans to use her,to benefit from her miserable notoriety (4);a dawdler who checks tickets in a theater hall ,and is unwilling to marry the nice and a little older woman ,his mate,the cashier of the theater.The woman is forced to plot a strategy to compel him towards marriage.She is skillful,he is a lout,and their story resembles a Decameron highly seasoned episode. The dawdler will marry the cashier,the rich man (Carlo Delle Piane) will continue his restless relation with the nimble young freakish woman ;the drunkard&#39;s wife will try to renew with her ex-husband,who now seems so much better.The rejected fiancée brings coffee,in the morning,at the homosexual couple&#39;s bed.Uncertain relations that vacillate,undulate,yet are predictable and banal.Not a word about love.On the contrary. Sposi (1987) is a narration of realism,and a file of human material.I found it very interesting and here and there amusing.It was written by Pupi Avati,and made by a handful of directors:Pupi Avati,and his brother Antonio Avati,and Bastelli,Farina,Manuzzi. Pupi Avati is a distanced,objective,impartial observer,and his realism is simultaneously imperious,weightless and immediate.In literature,such a sharp,piercing realism is illustrated by a Kohlhaase. Excepting the skillful knitting of several narrations,in a coral,Sposi (1987) belongs to the austere European realism,together with Maurice Pialat&#39;s À Nos Amours (1983),La Flambeuse (1981),Mario Monicelli&#39;s Caro Michele (1976) (except Monicelli&#39;s sarcastic fancy). 62 years ago,Bazin wrote that the genuine realism is the necessity of expressing the world&#39;s concrete and concomitantly essential signification.

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Sposi

Sposi (1987),an interesting exponent of the European Realism

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