Was very fond of Woody Woodpecker and his cartoons as a child. Still get much enjoyment out of them now as a young adult, even if there are more interesting in personality cartoon characters and better overall cartoons.
That is in no way knocking Woody, because many of his cartoons are a lot of fun to watch (almost all of them being in his prime era of the 1940s through to the mid-50s) and more and also still like him a lot as a character. For a late-period Woody Woodpecker cartoon, especially from the late 60s onward and directed by Paul J. Smith, 'For the Love of Pizza' turned out to be better than expected. It isn't great by any stretch of the imagination, but it's a long way from being one of the worst Woody Woodpecker cartoons, most of which at this point were average at best and the worst of them very weak.
It's not a perfect cartoon by all means. The animation is not great at all, or even good. Time and budget constraints shows in a lot of the animation, which is very rushed looking in the drawing and detail wise it's on the simplistic and careless side like many of Woody's cartoons from this period continuing through to the 60s.
Gags-wise, mostly they are funnier and better timed than most of the cartoons from this period but there is a lack of variety and a few are not as well-timed. The story is pretty thin on the ground, but its fresh take on a very familiar story in animation was a nice one.
However, Woody is portrayed with a lot of energy and charisma, with glimpses of his original manic persona, and he is not as toned down as he tended to be from the late 50s onward. With this being said, he has had much more manic energy, especially in his glory days when there was far more risk-taking, and his material is still a bit too safe.
Mrs Meany is actually a good foil, she is fun and this time she actually lives up to her name.
'For the Love of Pizza' mostly is amusing and sometimes hilarious, that the cartoon raised a laugh at least of any kind is an achievement for this late stage, and has more energy than many late period Woody Woodpecker cartoons directed by Smith (and Sid Marcus' efforts for that matter). The pace is surprisingly lively and has more of the frenetic energy one expects from Woody Woodpecker that was generally missing in this particular period.
Further standouts are the music and the voice acting. The music is bouncy, energetic and very lushly orchestrated, not only synchronising and fitting with the action very well but enhancing it. The voice acting is typically solid.
In summary, above average but not great. 6/10 Bethany Cox