User reviews

It's another Romeo and Juliet story where two families at loggerheads forbid the lovers to meet, claiming Esteban is a heretic and murderer and an unworthy suitor for beautiful Lucita.

Set upon by soldiers of the Inquisition Esteban scarcely survives as he staggers into a nearby convent where Lucita and the verger dress his wounds and care for him in a secret room.

Esteban and Lucita plan to elope from the convent but their escape is thwarted. Lucita is accused of murdering one of the nuns and her love for Esteban has brought shame and disgrace to the sanctity of the Order. She is to be burned at the stake in the main square of Seville.

One considers that this is drama enough, but the action has scarcely begun.

Because of the terrible sins committed within the old stone walls, the Inquisition demands that all entrances and openings to the convent shall be walled up. When Esteban hears of this he flies into action as any real hero would.

The imprisoned nuns ( I am not sure why) begin to tear off their clothes as they crave for food and water in utter despair. Bare-breasted they roll about on the floor, screaming for water, licking the walls where a few droplets may have appeared. We could be watching Greek drama, but more likely the naked bodies are purposely introduced to add an interesting interlude for male viewers who find watching life as it unfolds in a convent normally rather unexciting.

This is not a great film by any means, but admittedly the setting is different and there is plenty of action..... sword-fights, scaling castle walls, torture chambers, secret passage ways etc. We have the power of the Church versus the innocence of the lovers....an interesting situation which could go either way.

It is worth watching right to the end to find out if this romantic couple suffers the same fate as Romeo and Juliet. We hope not of course, but when the Inquisition interprets the laws of the Church the fate of lovers is never certain.

I seem to be in the minority here. I actually enjoyed this film. Or maybe more accurately, I was pleasantly surprised. The reason I stand in the minority camp here clearly seems to be because I have very little knowledge of the genre known as nunsploitation. My lack of experience in this most specific of exploitation genres has perhaps saved me from disappointment. While seasoned fans of this type of flick bemoan the lack of full-on sleaze here, I truthfully never noticed and was instead pleased to see a film with good production values and a surprisingly coherent storyline. The only other title from this sub-genre that I can remember ever seeing was Ken Russell's delirious shock-fest The Devils. Although I haven't seen Russell's excellent film in at least a decade, I certainly remember it well enough. Who, in all honestly, could forget something like that? Now, while The Sinful Nuns of St. Valentine is nowhere near as good, it clearly derived inspiration from Ken's classic, sharing, as it does, the somewhat specific feature of a whole convent of nuns being declared servants of Satan by the religious establishment and then subsequently going temporarily deranged in a sex-crazed fashion.

Set in Spain during the Inquisition, the story is about the trials of a young couple who are in love. The girl's father disapproves of the relationship and sends his daughter to a convent, while denouncing her lover a heretic. After a series of unfortunate events, the Inquisition denounces the whole convent of nuns and seals them inside their monastery alive. This leads the girl's lover on a quest to save her.

The above synopsis is a really abridged account of what happens in this film. Although the story is quite expansive, it is, unusually for Italian cinema, a coherently told affair. Acting is of a good standard too with no one really letting the side down. The cinematography, soundtrack and period detail are all of a very good standard too. So really when you take all of the above into account The Sinful Nuns of St. Valentine is a pretty well put-together affair. I guess it all comes down to expectations; hardened fans (no pun intended) of this sub-genre want more sleaze basically. And although I am certainly not one to argue with that, I enjoyed this as a nicely put together exploitation movie.

Aaaah! The '70s - THE decade of the exploitation movie: Italian cannibal films, blaxploitation, Nazisploitation, and, of course, nunsploitation, of which The Sinful Nuns of Saint Valentine is a prime example. It's not the most explicit of naughty nun movies, but it does tick a lot of the expected boxes: hot nuns, sex, torture, a crazy abbess, lesbianism, and murder, making it a reasonably fun time for fans of the genre.

Clearly inspired by Romeo and Juliet, the plot sees lovers Lucita (Jenny Tamburi) and Esteban (Paolo Malco) unable to wed because of the long-running feud between their families. To make matters even worse, Lucita is sent to a covent by her father, while Esteban is accused of heresy and hunted by the Inquisition. Chased by three soldiers, Esteban is wounded, but still manages to kill his attackers and make his way to the convent where Lucita is living. Given sanctuary by the verger, Esteban is reunited with Lucita, but not for long... the poor woman is wrongly accused of the murder of her lesbian room-mate Josefa (Bruna Beani) and sentenced to be burned alive. Can Esteban prove her innocence before it is too late?

The naughtiness is limited to bare breasts and butts, and one rather tame sex scene - there's nothing quite on the level of dirty Joe D'amato or sleaze-master Jess Franco - but the women who shed their clothes are mostly attractive, with Tamburi as Lucita being especially sexy; it's no wonder Esteban is willing to risk his life for her. Likewise, the torture isn't too extreme - no nipple slicing or skin flaying on this occasion - but it suffices. Director Sergio Grieco keeps the pace lively throughout, leading to a tense race against time to rescue Lucita from a drooling horde of crazed topless nuns, with a happy ending for these particular star cross'd lovers.

'The Sinful Nuns Of Saint Valentine' is a mildly entertaining slice of 70s European nunsploitation. While it never reaches the demented heights of my fave the sensational 'Killer Nun' ('Suor Omicidi'), it's not a bad way to spend 90 minutes.

What we have here is basically a cheap cash in on Ken Russell's superior 'The Devils'. The background is the Inquisition, and the basic plot concerns a pair of lovers from feuding families ala Romeo and Juliet. Esteban, accused of heresy and murder, seeks sanctuary after being wounded in the convent where his lover the beautiful Lucita is being held. Lucita's father has forbidden her to marry Esteban and has banished her to this kooky place ruled over by a wicked Abbess. Esteban must try and save Lucita from taking Orders and clear his own name before he is captured and executed. Events get even more complicated when Lucita is arrested for the murder of a fellow nun, and must face the evil Inquisitor.

Sadly there isn't half as much "sin" on screen as you would expect. A whipping, some lesbianism, a few topless shots, that's about it. The actress who plays Lucita (Jenny Tamburi?) is stunningly beautiful which makes this mediocre movie much easier to sit through, but you can't help but be disappointed with this fairly innocuous, and not all that exploitative exploitation movie. Things finally start to heat up with a mass semi-naked nun freak out in the last 15 minutes, but it's too little, too late. Jess Franco doesn't have much to worry about from Sergio Greco. Very average, but worth a look if you don't get your hopes up.

At risk of sounding sleazy, I do like 70/80's exploitation flicks. I just can't get enough of the weirdness that they offer.

Coming across a film with a title like this could and should be a reason to rejoice. If only it lived up to it's name.

During Inquisition-era Spain, a man is wrongly accused of a crime. In his attempt to flee he is injured and takes refuge in a convent. This convent also happens to be the same place his beloved has been put by her father, who wants to keep the love birds apart. All looks like it might turn out well, until our female lead's room-mate turns up dead and she is the prime suspect.

Given name and set-up, one would imagine all sorts of sacrilegious sexual goings-on, but instead the film takes itself really seriously and sexual encounters are limited to some (relatively) brief nudity and all of one sex scene, which itself is pretty tame.

It fails miserably at being a 'real' film and isn't all that good at being exploitation either.

3/10

Recently a Belgian/Dutch distributor – to whom I'm very grateful – released a series of sleazy Euro-exploitation movies of the early 70's on DVD under the title "So Demented Cinema". Practically all of the films live up to this title, like "Nude for Satan", "The Reincarnation of Isabel" and "The Devil's Nightmare", but Sergio Grieco's "The Sinful Nuns of Saint Valentine" is actually a bit of an outcast in the series. Because of its classification under the trashy & typically 70's "Nunsploitation" sub genre (and admittedly because of its lurid yet misleading title) it superficially LOOKS like a demented gem, but in reality it's a surprisingly smut-free and primarily story-driven drama with just a handful of nunsploitation trademarks thrown in for good measure. Speaking in terms of filming style and atmosphere "The Sinful Nuns…" is much more reminiscent to Ken Russell's "The Devils" (I believe both films are even loosely inspired by the same novel) and "Flavia, The Heretic", though it's nearly not as great as these two classics. Fellow reviewers appropriately described the plot as a variation on the Romeo & Juliet theme, only set during the Spanish Inquisition and with nuns instead of battling families. In order to prevent her from marrying Esteban, a hateful nobleman subjects his lovely daughter Lucita to a strict life in the convent whilst he simultaneously reports Esteban as a betrayer of Spain. Soldiers of the Inquisition nearly kill Estaban, but that doesn't stop him from infiltrating the convent (with a little help from the understanding caretaker) and contacting his girl. The deceptive Abbess discovers this and develops a fiendish plan to have them both killed in the name of Catholicism and patriotism. The script is far more compelling and involving than your average movie about lesbian nuns worshiping the devil for no reason, but it also has to be said that "The Sinful Nuns…" is rather tame, boring and not at all sinful. Apart from a handful of scenes depicting the physical torture and humiliation of the young heroine, there's very little to see here. The 'immured nuns' finale is somewhat original, but it appears to go on forever and it rapidly becomes (unintentionally) funny. All in all, there are far better Euro-exploitation treasures begging for rediscovery, so don't waste too much time searching for this one.

Writer/Director Sergio Grieco is better known for the last film he directed, Mad Dog Killer, a fave of Quentin Tarantino. This entry into the nunsploitation genre is pretty tame by the standards set by such films as Cloistered Nun: Runa's Confession and Sacred Flesh.

It is basically a Romeo and Juliet story in Spain with the Inquisition used to separate two lovers. The film spends the bulk of it's time focusing on the abuses of the Catholic Church in that regard, where anonymous lies were used to condemn and murder in the name of god.

The actual nunsploitation aspects are confined to exposed breasts. All of the action takes place under sheets or off camera. Those looking for titillation will not find it in this film. It contains only extremely obese clerics and their obsession with power. Look elsewhere for your fun.

Ah, nunsploitation. The ONLY cinematic genre where buxom women dress up in nun's habits and get their kits off for the delight of Satan, their peers, deranged priests and (usually) deranged audiences. Having gone into this one expecting a film akin to what I'd normally expect from this niche genre, I was disappointed to find that it's actually nothing like what I was expecting. There's two sides to this genre; one of them being the one described in the opening lines of this post, and the other being more along the 'serious drama' lines, and this one subscribes more to the latter; although unlike Story of a Cloistered Nun and Flavia the Heretic, this is still very much a 'trash' film. The plot focuses on a love between a man and a woman. The woman's father is not too happy about the relationship and so does what any noble father in nunsploitation would do; and has her put in a convent, while the man is reported as a betrayer. Naturally, there's more to the convent than merely worshipping God...

The film is very lacking in the sleaze department and that is its major downfall. I appreciate a substantial story as much as the next film fan; but when I'm about to watch a trash flick like this, what I really want is some skin; and The Sinful Nuns of Saint Valentine just doesn't deliver in that respect. The problem is that what we do get; namely a story about a forbidden love, entwined with an escape from the convent and some other stuff, just isn't interesting enough to hold the attention for the full running time of the film. There are a few torture scenes in the film which aren't bad, and that's the closest thing we get to sleaze. It's just not enough. I have to give credit where credit is due and say that the film looks rather nice. Director Sergio Grieco (who also has the excellent Italian crime flick 'Beast with a Gun' on his resume) shoots his subjects well and the cinematography is crisp and clean. Overall, this is a rather mundane entry in the nunsploitation cycle and there's plenty that I'd recommend in front of it. Not worth the trouble of tracking down!

Lucita has been locked away in a convent by her family in order to keep her away from her lover, Esteban. The pair make plans to elope, but Esteban is accused of heresy before Lucita can escape. Hiding in the convent, Esteban discovers the horrifying depravity of the convent's abbess, Sister Incarnation.

What I find most interesting about this film is the criticism it gets from fans of exploitation and horror, saying that the nuns were not "sinful" enough compared to other "nunsploitation" films of the 1970s (a subgenre apparently kicked off by Ken Russell with "The Devils"). Sure, there is really pretty much one nun being terrible, but the institution itself is a mess!

Lucita is a young girl who's banished to a convent by her over-protecting father, so to stop her from marrying her flame, Esteban. Accused of murder, Esteban is set upon by some soldiers of the Inquisition, but he escapes with some injuries and seeks refuge at the convent where Lucita happens to be. While, wanting to clear his name of this foul play. His lover is mistaken for the killing one of the nuns, but she admits to the murder, where she is to be executed. Although, Esteban finds out that the convent's Abbess has more to do with Lucita's misfortune.

An often-told tale (known as Romero and Juliet of course) features very prominently in this watered down Italian nunsploitation flick. While even though there is constant nudity (mainly topless) and some lesbian scenes amongst the field. The factor is, that it doesn't explore the exploitive angle of its material with any vigour and prowess. It starts off decent enough, but hit's a flat spot midway through before reaching its somewhat flipped-out final instalment involving nuns' slowly losing their marbles. The plain and one-note story was very dreary and at times quite automatic, but it managed to scrummage up some surprising developments to cover up its shortcomings and lack of punishing action. Sergio Grieco's direction is pretty conventional and lacks real style, but he captures the detail of the period perfectly and does his job adequately in keeping this a curious piece. The film did have an intrusive look to it because of the camera-work that gets up and close to the act. Now what caught my ear was the seductively faint music score that whispers along rather beautifully and is one of the film's strong points. Acting by the cast is particularly sound, even if there are one or two stilted performances. Jenny Tamburi is very glowing and quite strong as Lucita and Paolo Malco brings a determinedly, courageous edge to Esteban. Also Françoise Prévost is excellent as the sternly, tainted Abbess.

"The Sinful Nuns of Saint Valentine" is a modest effort that's not terribly satisfying, but still I found it to be persistently watchable despite being considerably subdued.

Italian nunsploitation flick set in 16th century Spain that revolves around a variation of Romeo and Juliet. A young man and young woman have fallen hopelessly in love. Unfortunately, the hateful rivalry between their two families means marriage is a no-no. In despair the woman checks herself into a convent with a view to taking her vows. The man manages to track her down - however, he's been falsely accused of murdering a bishop (no prizes for guessing who set him up) and there's a price on his head. Whilst he's trying to avoid arrest and execution, she's having to contend with the unwanted lesbian attentions of another novice, and an Abbess who's completely bonkers. The Abbess discovers that the couple have re-established contact, but decides she wants the young man for herself. So, she frames the woman for the murder of the aforementioned lesbian novice and places her in the hands of the Inquisition. The Abbess, of course, masquerades throughout as a model of piety and moral fortitude (although the senior Inquisitor finding her in bed with two other nuns doesn't exactly help her case). Which means, with that warrant out for the young man, and the young woman now sentenced to death by the Inquisition, it's... a race against time! There isn't as much sleaze as you'd generally expect from this genre, but it ticks the boxes for nudity, lesbianism, and flogging. Plus there's an absolutely bananas finale! 6/10.

Better-than-average 70s exploitation flick. Not that this says too much...

Set in Spain during the time of the Spanish Inquisition, a man is on the run from the law, having been accused of murder. He hides out in a abbey, St Valentines, where he is reunited with the love of his life, Lucita. However, Lucita's room-mate is murdered and she is accused of the crime. The local Spanish Inquisitor gets called in. Moreover, the abbess is hiding a few secrets of her own...

Much better plot than most 70s exploitation dramas. The fact that it even has a plot is a good start... The murder, the intrigue re the abbey and the abbess, the constant threat of the Spanish Inquisition - these all provide some great potential for a decent story.

Unfortunately, writer-director Sergio Grieco can't sustain the suspense and the cat is let out of the bag quite quickly on many of the intrigues. After that it becomes more of a light thriller or action-drama.

Overall, weak but not too bad. However, had potential to be fairly good.

Until the annual Quentin Tarantino film fests began in Austin a couple of years back, I must admit to being naive with regards to the Italian Horror genre.

I enjoy, from time to time, a little mindless entertainment shall we say, and The Sinful Nuns of Saint Valentine could hardly be more mindless. Lots of naked nuns and plenty of the mentally disturbed highlight this 93 minute epic. Don't let me give away the big entombment finish.

Not for all tastes, but if you want to try one on (Italian Horror) this benign little foray is a good starting point. Take on Mario Bava at a later date.

"Le scomunicate di San Valentino," or "The Sinful Nuns of Saint Valentine," is a 1974 nunsploitation flick that delivers an intriguing twist on the classic Romeo and Juliet tale. This film is a guilty pleasure at best-a sinful treat for those who enjoy their cinema with a side of sleaze.

Set during the Spanish Inquisition, the film follows a man on the run from the law, accused of murder. The storyline, though derivative, is the film's strongest suit, offering a Romeo and Juliet-esque narrative that's just scandalous enough to keep viewers hooked.

In terms of exploitation, the film delivers on the nudity front but holds back on the gore, which may disappoint fans of the genre. The nunsploitation elements are more teased than delivered upon, and the overall execution feels lackluster, earning the film its "cock-tease" label from some disappointed viewers.

That being said, "Le scomunicate di San Valentino" has a certain charm that keeps it from being a write-off. The 70s aesthetic adds a layer of retro appeal, and the film's overall campiness gives it a so-bad-it's-good quality. It's a watchable, if forgettable, entry into the exploitation genre, offering a titillating glimpse into the forbidden world of nuns gone wild.

Overall, "Le scomunicate di San Valentino" is a sinful treat for exploitation enthusiasts. It may not be a masterpiece, but it delivers enough intrigue and skin to show to keep viewers entertained, even if it doesn't fully satisfy. So, if you're in the mood for a naughty nun narrative, this film might be worth a Sunday confession.

So, will you repent or indulge in this sinful cinematic offering? The choice is yours!

This movie is such a complete waste of time even for people like me who kind of like the much-maligned "nunsploitation" genre that I'm going to focus on the ONLY conceivable reason to endure this swill--lead actress Jenny Tamburi (who died earlier this year by the way, lest I come off sounding like a stalker). Tamburi (aka Lucia Della Robbins) was one of a truly incredible crop of young Italian actresses that got their start in early 1970's Italian/European genre films. Of them, only Ornella Mutti became a big international star, but Gloria Guida made quite an impression in softcore sex films. Daria Nicolodi kind of fell into the shadow of Dario Argento (but DID give birth to Asia Argento)while Agostina Belli was breathtakingly beautiful but not a strong enough actress to really break into the big leagues. There's MANY other actresses of this era I could mention, but the one talent that I really felt was wasted was Jenny Tamburi.

Tamburi was excellent in a pretty decent Italian giallo "Smile Before Death", but unfortunately I might be the only person who's seen it. (I'd try to describe the incredible nude photography scene she has with Rosalba Neri in that movie, but I don't want to drool all over my keyboard). She was in Fulci's "Seven Black Notes" all too briefly but really managed to liven up that rather dull film while she was on-screen. She was also in "Frankenstein All'Italia" which has never been translated into English, Sergio Martino's "Suspicious Death of a Minor" (which is being released on DVD in September 2006), and the lurid mother/daughter sex fantasy film "La Seduzione" (like Ornella Mutti, she got kind of typecast into sexy teen roles well into her twenties, but unlike Mutti she never got beyond it).

Normally I wouldn't recommend a dire movie like this based on one pretty girl (or even one pretty, naked girl), but then again I've seen every Jess Franco movie featuring Soledad Miranda and a shameful number of them with Lina Romay, so why listen to me? Put it this way: if you enjoy seeing beautiful and talented young Italian actresses from the golden age of Italian exploitation films, I'd recommend checking out ANY available movie on Jenny Tamburi/Lucia Della Robbin's CV--even this one.