A man begins to suspect his neighbors are not what they appear to be and their secrets could be deadly.A man begins to suspect his neighbors are not what they appear to be and their secrets could be deadly.A man begins to suspect his neighbors are not what they appear to be and their secrets could be deadly.
- Awards
- 5 nominations
Jenni Tooley
- Ponytail Girl
- (as Jennie Tooley)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIn early drafts of the film script, the Oklahoma City bombing was literally referenced. By the time of the shooting script the location of the bombing referenced was changed to St. Louis.
- GoofsThe amount of C4 in the car trunk is not even close to enough to destroy the building. Also, more than one explosion is shown, including one a few stories up, impossible from a single car bomb in an underground parking area.
- Quotes
[last lines]
Oliver Lang: Where do we go from here?
Cheryl Lang: Someplace nice.
Oliver Lang: I hope so.
Cheryl Lang: Someplace safe.
Oliver Lang: Definitely.
- Alternate versionsThe DVD release contains an alternate ending showing Grant and Oliver having a conversation that hints that Grant may know the truth about what happened to his father.
- SoundtracksNeon Reprise
Written by Simon Shackleton & Howard Saunders
Performed by Lunatic Calm
Published by MCA Music Ltd. And Junkbond Ltd. And Wardlaw Music
All rights for the Western Hemisphere and Southeast Asia
Controlled and administered by MCA Music Publishing, a Division of Universal Studios, Inc. (ASCAP)
Lunatic Calm courtesy of MCA Records UK
Under license from Universal Music Special Markets
Featured review
It seems like every year, there's one or two films which are far from perfect but nonetheless shake us up in ways better films don't quite do. Last year, it was BULWORTH, and this year, it's ARLINGTON ROAD. Obviously, after all that's happened this decade in America, from Waco to Oklahoma City, the time is ripe for a movie to explore the cracks in the American dream which brought about events like those. This film ultimately asks more questions than it answers, but that may just be a condition inherent to this type of film. More troubling is two things: (1) Though I agree with those(and I'll try not to give away too much here) who theorize the ending changes the whole perspective of the film, there are still too many key narrative cheats(a conversation Robbins supposedly had with Bridges' son seems unbelievable, and the traffic light scene near the end also is) to make it fully effective; (2) The film seems a little confused of what it's about; it is a study of one man's psyche, or the nation's?
Still, ARLINGTON ROAD shouldn't be dismissed. There are troubling questions explored, and you don't have to be a conspiracy nut to believe those so-called "fringe" hate groups are entering the mainstream at a frightening rate for a so-called "civilized" society. The ending is also powerful, and though I understand it, more than anything else, was responsible for the delays, I applaud whoever was in charge for not changing it(though again, how they got there is another story). Bridges' performance is another thing which makes more sense once you look back with the ending of the film in mind, and it doesn't seem like over-acting. Robbins is a little more problematic; there are scenes where he's convincing, and then scenes where he goes over-the-top and shouldn't. Hope Davis doesn't have a big part, but she injects a lot into it as usual. But the biggest surprise here is Joan Cusack. Anyone who thinks of her only as a (good)comic actress will be in for a shock; there's one scene involving her which is the scariest in the film.
Again, ultimately, while it leaves you with nagging doubts about the quality, ARLINGTON ROAD makes you think enough to recommend it.
Still, ARLINGTON ROAD shouldn't be dismissed. There are troubling questions explored, and you don't have to be a conspiracy nut to believe those so-called "fringe" hate groups are entering the mainstream at a frightening rate for a so-called "civilized" society. The ending is also powerful, and though I understand it, more than anything else, was responsible for the delays, I applaud whoever was in charge for not changing it(though again, how they got there is another story). Bridges' performance is another thing which makes more sense once you look back with the ending of the film in mind, and it doesn't seem like over-acting. Robbins is a little more problematic; there are scenes where he's convincing, and then scenes where he goes over-the-top and shouldn't. Hope Davis doesn't have a big part, but she injects a lot into it as usual. But the biggest surprise here is Joan Cusack. Anyone who thinks of her only as a (good)comic actress will be in for a shock; there's one scene involving her which is the scariest in the film.
Again, ultimately, while it leaves you with nagging doubts about the quality, ARLINGTON ROAD makes you think enough to recommend it.
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Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Arlington Rd.
- Filming locations
- University of Houston, Houston, Texas, USA(as George Washington University)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $24,756,177
- Opening weekend US & Canada
- $7,515,145
- Jul 11, 1999
- Gross worldwide
- $41,067,311
- Runtime1 hour 57 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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