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A young woman and her son runaway from their hometown to escape civil war. Nothing is left from the world they knew and the only thing they have is each other.

An Absence of Light. I love this film very much. (spoilers)

A young boy in a town in Portugal steals some money and is therefore to be sent to the burstal. His mother do not want to let this happen and runs away with him. After some time being on this odyssey, bad things start to happen (and since I do not want to write spoilers I hide them here). I was very disappointed after I saw this film. First of all, I have no idea of what the film really was about. I can summarize the plot, of course, as I did, but the meaning of the picture is not clear. Second, the directing and acting is rather poor. There are no thrill, no true feelings, nothing. I was, as I said, very disappointed after seeing this film and cannot recommend it.

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A Mulher Polícia

`The Policewoman&#39; is a perfect companion-piece to `Gloria&#39; (1999, Manuela Viegas). Both Portuguese films deal with troubled childhood, cruelty, tragedy, and premature death. Both films have some memorable scenes in which a body is dragged through a dark forest, and have wonderful endings. Both films are atmospheric, and feelings and emotions in both films are conveyed through silence. It seems like `The Policewoman&#39; is another part of `Gloria&#39;, and that is because both films are made by Joaquim Sapinho and Manuela Viegas. Sapinho directed `The Policewoman&#39; and co-wrote `Gloria&#39;, while Viegas directed `Gloria&#39; and co-edited `The Policewoman&#39;. However, though I like `The Policewoman&#39; very much, I feel this film is not as daring and uncompromising as `Gloria&#39;. The storyline of `The Policewoman&#39; is much easier to follow, and the ending of `The Policewoman&#39;, though as abrupt as `Gloria&#39;, is not as enigmatic. What makes me fall in love with `The Policewoman&#39; is not the plot, but its obsession with dark forests and darkness. While I was watching `The Policewoman&#39;, I felt the sunlight in some scenes in this film was too strong. It was so strong that it irritated my eyes. I realized later that the sunlight in some scenes in this film was not too strong, but the viewers felt the sunlight was unbearable because this film left the viewers in darkness for such a long time that the viewers&#39; eyes cannot adapt to bright light suddenly. I once had this kind of experience while I was watching `Zmej&#39; (2002, Aleksai Muradov). When a character in `Zmej&#39; switched on the light to drive away the darkness, I felt the light was too strong and very unwelcome. Both `Zmej&#39; and `The Policewoman&#39; belong to a wonderful kind of cinema-a cinema which makes your eyes hate sunlight and daytime. Another thing that I like very much is the role of the policewoman in this film. The policewoman in this film behaves like an angel, but what I like very much is that the viewers rarely have a chance to look at her face clearly. The face of the policewoman was shown clearly on the screen for about one minute. She mostly stays in the darkness. Her face is hidden or half-hidden for most of the time. Yet, she has a very strong presence and an important role in this film. Her character, along with the character of the truck driver who plays football with Rato, give hope to the cruel world portrayed in this film. Though her character stays in the darkness physically, her character is really the bright light of hope, mercy, kindness and understanding. I also like many other scenes in this film, including the scenes which show nearly empty roads and nearly empty landscapes. I also love the beginning of this film very much. This film starts with shots of beautiful landscapes, of a tree with a heart carved into it, of a hand caressing that tree, of a woman leaning on that tree, of the woman picking flowers, of the woman with the flower in a cemetery. All these scenes are wordless, yet can tell the story effectively. The sad feeling in these scenes are so strong. This film uses minimal expressions to convey maximal feelings. Scenes that I like include every scene which shows the strong tension between Tania and Liliana, especially the scene in which Tania visits Liliana at the shop, and the scene in which Tania walks in front, Rato walks in the middle, and Liliana walks behind them. One can sense how much Tania and Liliana distrust each other. But the tension between them is conveyed very beautifully and in a restrained way. Other scenes which are so deeply ingrained in my mind are the scene of Tania when she heard the news about her son, and the scene of Tania in front of a fireplace. These scenes are very sad and heartbreaking. And Tania is such a wonderful character. She may love her son too much and does too many stupid things for him, and it may be because she is just a human being--a human being who is prone to make mistakes, make bad choices, a victim of their own stupidity and stubbornness, a human being whose flame of hope won&#39;t die out easily during the downpour of bad lucks. Her character shares the same weakness with Margaret Hall&#39; (Tilda Swinton) in `The Deep End&#39;. These women endanger themselves because they love their sons. The eyes of Rato is another thing that I like. His eyes make his character more enigmatic. He is not a kid who wants his audience to feel pity for him, especially by the way he behaves near the end of the movie. Some viewers might feel both sad and relieved with the fate of Rato at the end of the film. Other performers in the film don&#39;t have many chances to show their talents, but their scenes are memorable, thanks to the director. The scene of Liliana which I like very much is the scene in which she has some kind of reaction when she sees her uncle enters her cell in the prison. And the benign truck driver provides the warmest scene in this film. He plays football with Rato in the dark, using only lights from the truck. However, in this film, warm feelings can appear only briefly. Rato follows the football and disappears into the dark. That moment is unforgettable. Joaquim Sapinho, together with Manuela Viegas, Manoel de Oliveira, Joao Pedro Rodrigues, Fernando Matos Silva, and Manuel Mozos, really makes me feel very enthusiastic for Portuguese cinema. I can&#39;t wait to see other films of all these directors.

Well, I must disagree with the comment above. I was touched by the film and actually didn&#39;t feel as it was extremely melodramatic. The events occurring to the mother and son did not feel out of context but somehow gave the impression of an unescapable tragedy. The photography of the film is superb, and the whole mood of the film tends towards the a kind of reflective-surreal feel. If indeed one comes with some very practical-rational expectations from the film then one would be disappointed as the commentator above. This film is indeed not a thriller - events takes slowly to unfold, but it is very far from being boring (much less patience is needed than watching films of the likes of Kislovski or Tarkovsky :).

User reviews

A Mulher Polícia

Bad picture, a waste of time

An Absence of Light. I love this film very much. (spoilers)

Beautiful & Touching

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