IMDb RATING
4.3/10
7.3K
YOUR RATING
An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their "stolen" garbage.An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their "stolen" garbage.An incredibly dull-witted family unknowingly stumble upon an illegal weapons deal while on the trail of their "stolen" garbage.
- Awards
- 3 wins & 5 nominations
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe scene where Stanley (Tom Arnold) and Petunia (Alex McKenna) walk into an empty auditorium and assume they have died is a reference to the book "The Stupids Die". In that book, the entire Stupid family experiences a blackout in their home, leading them all to believe that they have suddenly passed away.
- GoofsThe garbage truck stops only for the Stupids' garbage can and ignores the others.
- Quotes
[Stanley's car has exploded right when he swatted a bee on it with his shoe]
Stanley Stupid: Now that's a well-made shoe.
- Crazy creditsTrust in the Lloyd.
- ConnectionsFeatured in Movie Nights: The Stupids (2018)
- SoundtracksGarota de Ipanema
Written by Antonio Carlos Jobim and Vinicius de Moraes
Produced and Arranged by Geoff Koch and Randall Crissman
Published by Duchess Music Corporation (BMI)
Featured review
This is probably the only film I've seen where the IMDb reviews on both sides of the spectrum are 100% accurate. "The Stupids" is an atrocious, dim-witted film with absolutely no artistic merit whatsoever, and is a denigration to a director like John Landis. And that's what makes it great.
In order to appreciate "The Stupids", you have to keep in mind a little-known, but very true maxim spoken by director Abo Kyrou: "I urge you to learn to look at bad films, they are so often sublime." In order for any film to work, the film must establish and follow it's own logic, and if it does so convincingly and sincerely, then it's actually possible for the film to work. For example, when you watch "Freddy Got Fingered" as a traditional gross-out comedy, it's complete and utter garbage; when you watch it with the understanding that it's actually a neo-surrealist comedy, it's brilliant.
It works with good movies too. If "Jaws" hadn't accepted the reality it created, the air-tank explosion ending wouldn't have worked. But, a lot of people think "Jaws" is vastly overrated for this type of reason, and they aren't wrong. But it has it's strengths, doesn't it? The point being that a movie like this makes sense if you look at it with the right perspective. Some people, like me, get it right away, while others never will no matter how often it's explained. Jim Jarmusch made a compelling defense of "Showgirls" once, and even afterwards I still can't see it from his P.O.V. Doesn't mean he's wrong though. If you have the right frame of mind when you watch this movie (and NO I DO NOT MEAN STONED, I'm gonna put that to bed right now), you can actually enjoy the movie for the dumb, cheap, pointless slapstick late-80s/early-90s-style farce that it is.
The defenders and haters of this film are right: It's STUPID, and that's the point. The movie accepts the stupidity of the characters much in the same way "The Jerk" accepted Navin Johnson's idiocy. And because it takes that and runs with it, the movie focuses exclusively on using that to forward the plot and to define the characters. A "bad" movie would actually do this and fail to use that logic properly; bad movie are bad because they make it up as they go along, whereas movies like "The Stupids" knows where it's going, what it's doing and why from the beginning.
I can't defend the film from an artistic standpoint, which is why I give it such a low rating. The acting is mostly bad, the jokes very superficial, and the live-action quality probably ruins what would have worked as a cartoon. But I can't deny that it IS entertaining in its own way, and that's why I defend it. I got it right away, and I pity those who don't.
I'll admit I was drawn to this movie because of Christopher Lee's delicious cameo appearance (hearing him say "Release the drive bee!" would have been worth the rental price even if I hated this film), but was amazed to find that, aside from the TV Studio Applause Sign segment with Jenny McCarthy, I was never bored, and never disappointed. In fact, many of the jokes, because of their cartoonish context, were hilarious (in particular the airbag-cigarette explosion). They were dumb, but they were funny. And the movie doesn't pretend to be anything else: a STUPID comedy about STUPID characters and instead of apologizing for it, it enjoys itself.
And that's exactly why it works.
In order to appreciate "The Stupids", you have to keep in mind a little-known, but very true maxim spoken by director Abo Kyrou: "I urge you to learn to look at bad films, they are so often sublime." In order for any film to work, the film must establish and follow it's own logic, and if it does so convincingly and sincerely, then it's actually possible for the film to work. For example, when you watch "Freddy Got Fingered" as a traditional gross-out comedy, it's complete and utter garbage; when you watch it with the understanding that it's actually a neo-surrealist comedy, it's brilliant.
It works with good movies too. If "Jaws" hadn't accepted the reality it created, the air-tank explosion ending wouldn't have worked. But, a lot of people think "Jaws" is vastly overrated for this type of reason, and they aren't wrong. But it has it's strengths, doesn't it? The point being that a movie like this makes sense if you look at it with the right perspective. Some people, like me, get it right away, while others never will no matter how often it's explained. Jim Jarmusch made a compelling defense of "Showgirls" once, and even afterwards I still can't see it from his P.O.V. Doesn't mean he's wrong though. If you have the right frame of mind when you watch this movie (and NO I DO NOT MEAN STONED, I'm gonna put that to bed right now), you can actually enjoy the movie for the dumb, cheap, pointless slapstick late-80s/early-90s-style farce that it is.
The defenders and haters of this film are right: It's STUPID, and that's the point. The movie accepts the stupidity of the characters much in the same way "The Jerk" accepted Navin Johnson's idiocy. And because it takes that and runs with it, the movie focuses exclusively on using that to forward the plot and to define the characters. A "bad" movie would actually do this and fail to use that logic properly; bad movie are bad because they make it up as they go along, whereas movies like "The Stupids" knows where it's going, what it's doing and why from the beginning.
I can't defend the film from an artistic standpoint, which is why I give it such a low rating. The acting is mostly bad, the jokes very superficial, and the live-action quality probably ruins what would have worked as a cartoon. But I can't deny that it IS entertaining in its own way, and that's why I defend it. I got it right away, and I pity those who don't.
I'll admit I was drawn to this movie because of Christopher Lee's delicious cameo appearance (hearing him say "Release the drive bee!" would have been worth the rental price even if I hated this film), but was amazed to find that, aside from the TV Studio Applause Sign segment with Jenny McCarthy, I was never bored, and never disappointed. In fact, many of the jokes, because of their cartoonish context, were hilarious (in particular the airbag-cigarette explosion). They were dumb, but they were funny. And the movie doesn't pretend to be anything else: a STUPID comedy about STUPID characters and instead of apologizing for it, it enjoys itself.
And that's exactly why it works.
- amnesiac12001
- Oct 7, 2007
- Permalink
Details
Box office
- Budget
- $25,000,000 (estimated)
- Gross US & Canada
- $2,491,989
- Opening weekend US & Canada
- $1,593,929
- Sep 2, 1996
- Gross worldwide
- $2,491,989
- Runtime1 hour 34 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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