User reviews

Over a decade after his dinner with Andre" Wallace Shawn finds himself at his psychiatrists snow covered house in the wilderness, where his wife is desperate to meet the psycho-therapist team that's been stealing away so much of her hubby and his time. Julie Hagerty and Tom Noonan (who also directs) are said therapists who were just preparing for bed, when in comes the troubled couple. Shawn wants to leave immediately, embarrassed by the imposition, while his wife stalks room to room like a caged tiger, veering between offensive and polite with every blurted out or carefully chosen word.

Hagerty too wants to go to sleep, but is too passive aggressive to kick the visitors to the curb. Noonan on the other hand thinks they should stay long enough to resolve whatever issues need addressing.

Shawn: I don't like where this is going. Noonan: It's going where it's going

He also enjoys his domination over Shawn and his wife (who he can silence with a whisper or slight gesture) and is titillated in more ways than one by Young's edgy barbs, which she has mostly for psychiatrists and the dopes who go in for such psycho-babble. "What the f*&k are you people talking about" is her echo throughout the film. Shawn is a mild mannered and pint up neo-liberal who married a dancer in a bar, one who dominates him just as much as the other characters in the film do, but who comes to represent his anxieties (which are many and varied)

If you can imagine Anti-Christ without the gore, sex, and supernatural elements you can peer into the power plays present between the two couples in "The Wife". The evening never veers into "Who's Afraid Of Virginia Wolf?" levels of chaos, as the characters rarely reveal any deeper motivations about themselves for than more a moment. With the exception of Shawn who babbles about himself throughout the entire film, much to the other characters devious pleasure or annoyance.

Noonan's direction is sparse and reserved minimalism. There is repeated image of the house with the front door open letting light pour onto the snow, of the characters faces distorted in the reflections of their wine glasses like funhouse mirrors, and an upside down reflection of the characters in a frozen lake at night lit only be torch(the place Noonan goes to "be himself"). Light comes and goes as a central theme with the characters submerging into shadows often as their emotions rise up in outbursts. Noonan doesn't stick to this visual pattern enough to become predictable, but uses it as one in a range of subtle tricks to highlight mood and emotion and keep the film from being a play.

Noonan is wise enough to let his fellow actors command the screen which is a good choice because between Shawn's groveling, Young's populist emoting, and Hagerty's Quaalude induced bouts of laughter and nervousness, there isn't much room left to do anything but sit at the end of the table smiling like Lucifer and delivering a single sentence of "tell me what your feeling" or "this is really happening isn't it?" Fortunately Noonan can deliver these lines and any others he has with a truly creepy finesse that really does say more with less. Outside of the house as he walks in the snow in his bathrobe, torch blazing in the dark he resembles a saint on a pilgrimage or a serial killer going to bury a body. You never can tell with Noonan.

Like a John Cassavettes movie "The Wife" is an actor's showcase and it also ends a bit unresolved, piling up question onto question up into the very last scene. In the final moments Noonan does give himself the spotlight, though he cleverly leaves his face largely in the dark. Another actor or director might complain about the way he is lit in this scene and the lose of potential emotional connection, but its because of this very distance created by the shadows covering his face which make it hard to tell if he's crying, and make the scene so absorbing. It is scenes like this which make "The Wife" attractive; the hazy dance of images between shadows and low lighting and the emotional undercurrents of resentment, love, fear, and loneliness that gush up into view only to disappear again a moment later.

This is the type of movie that is not for everyone. In fact, most people would not like it at all. It is over an hour and a half of talking heads. Yes, the dreaded "stage play on film" which critics seems to hate. For me, it was one of the best movies I have seen in a long time and makes mytop ten list. It has been compared to "Who's Afraid of Virginia Woolf" but I think that does not do it justice. Yes, the movie is about two couples and there is a lot of angst however in Woolf the maliciousness is obvious, loud and in your face. In Wife, the angst is subtle, quiet and cerebral. Tom Noonan is so brilliant and it is a crying shame that he does not have more work out there for us to enjoy. Does he need money or what? Every week another heist movie or mafia movie hits the big screen but jewels like this are on the verge of extinction. If you like Wife, be sure and check out Noonan's "What Happened Was...".

A rare play that deserves to be a movie, Tom Noonan plays a New Age healer with marital troubles when one of he and his wife's (Julie Hagerty) patients, played by Wallace Shawn, decides to stop by their house in the woods with his wife, played by Karen Young. The cast is brilliantly effective, and we're never sure exactly who is controlling the evening. Noonan is creepily menacing, and the way he uses the camera for close-ups on actors' faces -- sometimes shown by reflections on winne bottles -- is excellent. There are some cliched parts in the movie -- reflections and mirrors, cheating spouses, drug use, and a night of drinking at a "dinner party" -- but nothing in the film is conventional. This is one of the best movies of 1995. 9/10

This is one of those movies that takes on a difficult subject and looks at it a thousand different ways. In any other hands than Tom Noonan's it would have been as hypocritical and as shallow as its subjects (Woody Allen would have filled it with celebrities & predictable one-liners).

And this is so on the money that for years when friends would ask me "so whats it like to be a psychotherapist?", i would recommend that they see this film, and later explain that it is only a slight exaggeration. absolutely the most messed up group of individuals i have ever encountered, short of new-age gurus. i know, burst your bubble, but you probably suspected this anyway.

Loved it! A 10 as far as I'm concerned. I'm critical by nature and I think this movie was perfect. I hope to find it in a video store so my wife can see it too. Complex, real dialogue. Shows real insight. A lot of talk and never a dull or false moment. Nothing mundane about it. I'm sorry he hasn't received the praise he deserves for the incredible stuff he is writing and directing.

I'm a therapist and, while this was attention-getting, it just doesn't wash. Predictability (the drug-user, the most disturbed-seeming character ending up the most poignant, too much to drink) and lots of gratuitous histrionics; characterizations are not built slowly, they are alternately slapped together and then dismantled. Noonan is unfair to his other characters; he's obviously written "Jack" as the only seriously charismatic (although seriously flawed) personage in the screenplay. Why dare to update "Who's Afraid of Virginia Woolf?" and only do it halfway?