The classic Shakespearean play about the murderously scheming 15th-century king is reimagined in an alternative setting of 1930s England as clouds of fascism gather.The classic Shakespearean play about the murderously scheming 15th-century king is reimagined in an alternative setting of 1930s England as clouds of fascism gather.The classic Shakespearean play about the murderously scheming 15th-century king is reimagined in an alternative setting of 1930s England as clouds of fascism gather.
- Nominated for 2 Oscars
- 7 wins & 12 nominations total
Denis Lill
- Lord Mayor of London
- (as Dennis Lill)
Storyline
Did you know
- TriviaSir Ian McKellen enjoyed acting with Robert Downey Jr. in Restoration (1995), and asked him to play the part of Lord Rivers, expecting him to turn the role down as too small. To McKellen's surprise, Downey immediately cleared his diary, and took the part.
- GoofsThis is not a historical drama, nor a biopic. It is an allegory which mixes and unsolved murders from the 1480s with costumes and customs from the 1930s, to make an artistic statement about the similarities between these two eras. While the movie portrays several historical figures, they are not intended to perfectly resemble their real-life counterparts, and their words and actions are never claimed to be what the real people said and did.
- Alternate versionsThe UK (video) release has the cast credits in order of appearance.
- ConnectionsFeatured in 53rd Annual Golden Globe Awards (1996)
- SoundtracksCome Live With Me
Paraphrased from "The Passionate Shepherd to his Love,(1599)" by Christopher Marlowe
Performed by Stacey Kent and Vile Bodies
Music composed by Trevor Jones
Arranged by Colin Good
Published by EMI Music Publishing Ltd.
Featured review
Shakespeare's tragedy set in 1940s war-torn England.
As someone who loves Shakespeare, I grant a lot of latitude and respect to any person who can get these modern versions produced. The vogue now is to alter the time period, while still holding, generally speaking, to the original plot and language. As usual with the movies, its now done so often that traditional Shakespeare has become a custom more honored in the breach than in the observance. (forgive me!) This is ok, it takes the evil Richard III and plops him into the role of fascist usurper and dictator, during the notorious fascist period of England's history. I know, try and not overthink it. The acting and collection of performers are both first rate, and the film offers interesting moments for both the novice and expert Shakespearean student. There is one thing and it is what prompted me to even write this. If you notice during Richard's ascendance, a formal ball is thrown and a Vera Lynn type woman is shown singing a Glenn Miller type tune. You know you have never heard it, but yet is eerily memorable. I find out years later (today in fact) it is a Christopher Marlowe poem, clevely fitted to a WW2 sounding musical number. Somehow, its just real creepy and its in keeping with the mood of the entire movie. Upsetting and unnerving, with the evil spread just a little too generously over the characters. If you have a big blender, and throw in a copy of 1984, Richard III, and Godfather III, this is what you would end up with.
As someone who loves Shakespeare, I grant a lot of latitude and respect to any person who can get these modern versions produced. The vogue now is to alter the time period, while still holding, generally speaking, to the original plot and language. As usual with the movies, its now done so often that traditional Shakespeare has become a custom more honored in the breach than in the observance. (forgive me!) This is ok, it takes the evil Richard III and plops him into the role of fascist usurper and dictator, during the notorious fascist period of England's history. I know, try and not overthink it. The acting and collection of performers are both first rate, and the film offers interesting moments for both the novice and expert Shakespearean student. There is one thing and it is what prompted me to even write this. If you notice during Richard's ascendance, a formal ball is thrown and a Vera Lynn type woman is shown singing a Glenn Miller type tune. You know you have never heard it, but yet is eerily memorable. I find out years later (today in fact) it is a Christopher Marlowe poem, clevely fitted to a WW2 sounding musical number. Somehow, its just real creepy and its in keeping with the mood of the entire movie. Upsetting and unnerving, with the evil spread just a little too generously over the characters. If you have a big blender, and throw in a copy of 1984, Richard III, and Godfather III, this is what you would end up with.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- Ricardo III
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £6,000,000 (estimated)
- Gross US & Canada
- $2,684,904
- Opening weekend US & Canada
- $91,915
- Jan 1, 1996
- Gross worldwide
- $2,748,518
- Runtime1 hour 50 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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