47
Metascore
20 reviews · Provided by Metacritic.com
- 63ReelViewsJames BerardinelliReelViewsJames BerardinelliWyatt Earp's attempts to cover so many years lead to too many scenes with little emotional power. The film doesn't shoot blanks, and it is better than Tombstone, but, considering the names involved, a little disappointment isn't out of the question.
- 60Washington PostWashington PostAs a mindless popcorn shootout, Wyatt Earp is highly watchable. But this three-hour drama, starring Kevin Costner as the straight-shooting marshal, takes its time sliding out of the saddle.
- 60EmpireAngie ErrigoEmpireAngie ErrigoTedious Western, that's a disappointment given the talent involved.
- 50Chicago Sun-TimesRoger EbertChicago Sun-TimesRoger EbertIt's a rambling, unfocused biography of Wyatt Earp, starting when he's a kid and following his development from an awkward would-be lawyer into a slick gunslinger. This is a long journey, in a three-hour film that needs better pacing.
- 50Austin ChronicleAustin ChronicleIt all comes off as too sketchy and too obvious, and after 90 minutes, we're bloated with incidents but still hungry for satisfying drama.
- 50Christian Science MonitorDavid SterrittChristian Science MonitorDavid SterrittThis is standard plot material in most respects, and Kasdan has done little to make it seem new. Fans of time-tested formulas may applaud his fidelity to the genre, but others will wish he'd come up with a few original notions to energize this very long picture.
- 50Entertainment WeeklyOwen GleibermanEntertainment WeeklyOwen GleibermanThis strenuously dark biographical Western plays more like a choppy, self-important miniseries.
- 50The New York TimesThe New York TimesYet a film that tries so hard to offer intelligent entertainment too often forgets to entertain. The famous showdown in Tombstone...one of the most famous scenes in all of Western legend is anti-climactic.
- 30Chicago ReaderJonathan RosenbaumChicago ReaderJonathan RosenbaumRunning beyond three hours, the movie more than overstays its welcome, and despite some vague genuflections in the general direction of The Godfather regarding family ties and revenge, there are simply too many years and locations covered, too many crane shots and rainstorms.
- 20TimeRichard SchickelTimeRichard SchickelWyatt Earp drones past its logical conclusion, which is, of course, the great shoot-out. Since Earp's life uninstructively limped along after that event, so must the movie, further abusing our overtaxed patience and undertaxed intelligence.