There is a genre of drama that walks a fine line between fact and fiction. The classic films Compulsion and Inherit the Wind are but two examples of such dramas. The first spun a tale that in many ways resembles the celebrated Leopold-Loeb case involving the "thrill" murder of Bobby Franks in Chicago in the 1920s. The other concerns the famous Scopes "monkey" trial in Dayton, Tennessee during the same period. Ironically, both defendants were represented by attorney Clarence Darrow.
Les Patriotes includes such a plot aspect in its second half, as it relates the story of an American husband and wife (Richard Masur and Nancy Allen), who become ensnared in an effort by the husband to share US secret information with Israel via involvement with its secret police---the Mossad. The story is complex and is built upon a dense yet realistic narrative. It seems clear that the couple are really stand-ins for the unidentifird
famous (or as some believe infamous) real-life Jonathan Pollards.
In this respect, Les Patriotes bears a resemblance to an acclaimed series of semi-documentary "fact/fiction" movies made by 20th Century-Fox in the late 1940s (Boomerang, House on 92nd St., Call Northside 777, Mister 880, etc.). Those films incorporated an emphasized sense of realism through use of rare (for that time) location shooting and a more naturalistic acting style. A difference between the two may rest in the fact that the Fox movies told their gritty black and white stories in a relatively crisp amount of running time, whereas Les Patriotes took considerably longer to develop its colorful labyrinthian plot---and also took advantage of freedom from prior censorship restrictions in doing so.
Les Patriotes is a thrilling film that cleverly blends fact and fiction in a way that actually is similar to those highly successful Fox releases of the late 1940s. At times, we seem to be standing in the same uncomfortable shoes worn by our principal Mossad agent as he gradually accumulates the layers of experience required to assume even greater responsibilities working in the dangerous and murky world of spying and espionage. The rather subtle plot devices used to illustrate the complexities of our hero's constricted personal life are interesting and at times even somewhat (surprisingly) humorous.
This film may have to be seen more than once to fully grasp all of its elements, but the journey seems well worth it.