The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.
- Awards
- 5 wins & 10 nominations
Marianna Elliott
- Clara
- (as Marianna Eliott)
Sarina C. Grant
- Kitty Culver
- (as Sarina Grant)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe bees were bred specifically for this movie. They needed to make sure that the bees were only twelve hours old, so that they looked like mature bees, but their stinger wouldn't be powerful enough to do any real damage.
- Goofs64 minutes in, when Helen is having a medical injection, the needle bends on her shoulder.
- Crazy creditsThe first half of the end credits zooms in on the film's final scene.
- Alternate versionsAlthough the versions shown on Channel 4 TV and released on UK VHS video were completely uncut all DVD releases (including the 2006 Collector's Edition) feature the pre-cut R-rated US print. This version edits the killing of the psychiatrist by Candyman and shortens scenes of blood spurting towards Helen's face.
Featured review
Being a horror movie buff, I have no idea how this little gem escaped me the first time around. I'd heard a lot about it, read about it, etc but wrote it off as "probably stupid" like most of the other horror movies I had so wanted to see. So, it wasn't until many years after the movie's release that I finally saw it. And boy am I glad I did!
Surprisingly, the acting is fabulous...especially for a horror movie. Each character portrayed fantastically so as to add to the movie, rather than detract. No one really went over the top or became TOO dramatic. Overall, each character was portrayed realistically.
As for the plot: absolutely wonderful premise playing on the Bloody Mary urban legend. Surprisingly, the movie delivers on aspects of believabilty. Of course we don't *really* expect Candyman to pop out of a mirror, but how many of us have started the "Bloody Mary" chant only to stop at the very last one, not daring to continue? Our fears lie behind what COULD happen and the possibility that maybe..just maybe it's all real. Candyman plays on that fear and takes us even further over the edge.
The movie rids itself of the typical cliches (white, undefeatable stalker chasing half naked twits) and allows itself to be an entirely enjoyable, CEREBRAL horror movie. At first we wonder if the Candyman is perhaps just a person pretending to be him, then we start to question Helen's own sanity...wondering perhaps if SHE isn't the "real Candyman". Eventually, the movie leads us to an ending that answers our questions but doesn't shove those answers down our throat. Candyman also does what very few horror movies are capable of: it succeeded in having a strong ending rather than fizzling out during the last 10-15 minutes.
The setting and atmosphere are top notch. Using Chicago and Cabrini Green as its stage was perfect...bringing into play racial issues without going over the top or getting "in your face" to the point of losing its focus. The music in Candyman adds a mysterious mood that matches the dark, dismal atmosphere of the lone apartments in Cabrini Green.
All in all on my horror movie scale, I give Candyman a 10. To me, it was purely artistic and absolutely enjoyable. I HIGHLY recommend this to anyone even slightly interested in horror movies.
Surprisingly, the acting is fabulous...especially for a horror movie. Each character portrayed fantastically so as to add to the movie, rather than detract. No one really went over the top or became TOO dramatic. Overall, each character was portrayed realistically.
As for the plot: absolutely wonderful premise playing on the Bloody Mary urban legend. Surprisingly, the movie delivers on aspects of believabilty. Of course we don't *really* expect Candyman to pop out of a mirror, but how many of us have started the "Bloody Mary" chant only to stop at the very last one, not daring to continue? Our fears lie behind what COULD happen and the possibility that maybe..just maybe it's all real. Candyman plays on that fear and takes us even further over the edge.
The movie rids itself of the typical cliches (white, undefeatable stalker chasing half naked twits) and allows itself to be an entirely enjoyable, CEREBRAL horror movie. At first we wonder if the Candyman is perhaps just a person pretending to be him, then we start to question Helen's own sanity...wondering perhaps if SHE isn't the "real Candyman". Eventually, the movie leads us to an ending that answers our questions but doesn't shove those answers down our throat. Candyman also does what very few horror movies are capable of: it succeeded in having a strong ending rather than fizzling out during the last 10-15 minutes.
The setting and atmosphere are top notch. Using Chicago and Cabrini Green as its stage was perfect...bringing into play racial issues without going over the top or getting "in your face" to the point of losing its focus. The music in Candyman adds a mysterious mood that matches the dark, dismal atmosphere of the lone apartments in Cabrini Green.
All in all on my horror movie scale, I give Candyman a 10. To me, it was purely artistic and absolutely enjoyable. I HIGHLY recommend this to anyone even slightly interested in horror movies.
Details
- Release date
- Countries of origin
- Language
- Also known as
- Clive Barker's Candyman
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $25,792,310
- Opening weekend US & Canada
- $5,404,320
- Oct 18, 1992
- Gross worldwide
- $25,795,897
- Runtime1 hour 39 minutes
- Color
- Aspect ratio
- 1.85 : 1
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