After a horrific car wreck leaves him an amnesiac, a man slowly begins to unravel his shocking past.After a horrific car wreck leaves him an amnesiac, a man slowly begins to unravel his shocking past.After a horrific car wreck leaves him an amnesiac, a man slowly begins to unravel his shocking past.
- Awards
- 1 nomination
Joanne Whalley
- Jenny Scott
- (as Joanne Whalley-Kilmer)
George Herbert Semel
- Plastic Surgeon
- (as George Herbert Semel M.D.)
Amy Strauss
- Hacienda Hotel Guest
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaGreta Scacchi's breakthrough role in Heat and Dust (1983) earned her a reputation for being relaxed about on-screen nudity. She had stripped down for scenes in Presumed Innocent (1990) and White Mischief (1987), among others, until she reached the edge of her tolerance with this movie. "There I was, in the missionary position," she would later say, "with the fourth famous actor in six months on top of me--Harrison Ford, Vincent D'Onofrio, Jimmy Smits, now Tom Berenger--and I'm thinking, 'I just can't do this anymore'."
- GoofsAn asthma inhaler is not an aqualung. Klein could not have kept breathing underwater because he had his inhaler with him. It relies on mixing the steroids with the surrounding air; it doesn't itself provide oxygen.
- Quotes
Dan Merrick: You know what I like about amnesia?
Judith Merrick: [softly] What?
Dan Merrick: Well, after seven years of marriage, I get to fall in love with you all over again.
- SoundtracksNights in White Satin
Written by Justin Hayward
Performed by The Moody Blues
Published by Essex Music, Inc.
Courtesy of PolyGram Special Products, a division of PolyGram Group Distribution, Inc.
Featured review
Wolfgang Petersen (Poseidon & the Neverending Story)'s Neo Noir starring Tom Berenger, Bob Hoskins, and Greta Scacchi about a West Coast developer who has amnesia after a car accident and begins to suspect his wife of treachery.
This begins in a pretty mundane way. It runs like any one of thousands of films of the early 1990's, and there doesn't appear to be anything special about it until you get a little bit of the way into it. Roughly one third through, you begin to see the subtle idiosyncrasies of this work, and soon, you are wholly absorbed.
This features some great intrigues, a nice well paced plot, and a really twisty ending. Dialog delivery isn't as bad as you might expect, and the story itself steals the show. Camera angles are a bit odd at times, but nothing like some of those 1970's flicks!
All in all, though it was done as recently as 1991, it is horribly dated but I was still completely entertained by this film, and while it's not Friday-Saturday night quality, it makes for a great Saturday or Sunday afternoon diversion.
It rates a 7.6/10 from...
the Fiend :.
This begins in a pretty mundane way. It runs like any one of thousands of films of the early 1990's, and there doesn't appear to be anything special about it until you get a little bit of the way into it. Roughly one third through, you begin to see the subtle idiosyncrasies of this work, and soon, you are wholly absorbed.
This features some great intrigues, a nice well paced plot, and a really twisty ending. Dialog delivery isn't as bad as you might expect, and the story itself steals the show. Camera angles are a bit odd at times, but nothing like some of those 1970's flicks!
All in all, though it was done as recently as 1991, it is horribly dated but I was still completely entertained by this film, and while it's not Friday-Saturday night quality, it makes for a great Saturday or Sunday afternoon diversion.
It rates a 7.6/10 from...
the Fiend :.
- FiendishDramaturgy
- Apr 27, 2007
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Details
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $11,511,031
- Opening weekend US & Canada
- $3,457,105
- Oct 14, 1991
- Gross worldwide
- $11,511,031
- Runtime1 hour 38 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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