The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death i... Read allThe story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.The story of the famous and influential 1960s rock band The Doors and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
- Awards
- 3 nominations
Floyd 'Red Crow' Westerman
- Shaman
- (as Floyd Red Crow Westerman)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaRobby Krieger, the guitarist in The Doors, insisted that the scene showing the band rehearsing "Light My Fire" makes this clear that he, not Jim Morrison, composed the song.
- GoofsWhen Jim Morrison is on a window ledge in 1971, a billboard advertising Another 48 Hrs. (1990) is visible.
- Quotes
Jim Morrison: Some of the worst mistakes of my life have been haircuts.
- Alternate versionsA special edition of the movie was released in 1997 on laserdisc with additional scenes that were cut from the movie:
- A scene taking place circa 1965 with Jim Morrison (Kilmer) jamming onstage with Ray's band, adding obscene lyrics to the Van Morrison song "Gloria."
- 2 additional scenes of a bearded Jim reciting poetry in the recording studio.
- Additional footage of Jim singing "The Unknown Soldier" at the New Haven concert.
- A scene of Jim getting roughed up and harrassed in jail by police officers after being arrested at the New Haven concert.
- Jim in his hotel room with 2 young women and Pam (Meg Ryan) yelling at him from outside.
- Additional footage in the scene where Jim is on an airplane en route to Miami.
- Additional scene at the end with Jim and Ray (Kyle Machlachlan) walking around Venice and talking before he departs for Paris.
- Jim and Pam talking in the airplane en route to Paris.
Featured review
My Rating: **1/2 out of ****.
One thing you can say about Oliver Stones The Doors is that Stone has no intention of forcing the audience to like the main character. Stone spends almost the entire 138 minutes making Jim Morrison into the biggest asshole that he possibly can. Really, when I first rented this film I had no idea what to expect since Oliver Stone is sort of hit-or-miss with me. I can honestly say the film held my attention completely but at the end I was unsatisfied with what I had seen.
The remaining members of The Doors have criticized this film saying that it only portrayed one side of Morrison and that some of the actions in the film were far worse than anything he ever did (throwing the TV in the studio for instance). To be honest, I felt exactly the same way. By the end I was like, "There has to be more to this man than this!!!!"." I know Morrison had drinking and drug problems, and thats on full display. Stone makes clear that we see the flaws of Morrison and pretty much nothing else. If Stone wanted to make a film that showed the dark side of a rock star than he accomplished his goal admirably.
But the film is just too disappointingly shallow. Morrison was supposedly a very shy front-man at first which we actually do see in the beginning when he sings with his back turned toward the audience. It's a shame Stone didn't explore this "shy, intelligent" man that the Doors always talk about instead of the sadistic asshole on display here. If Stone had made Morrison into a more well-rounded character than this could have been a great film.
What cannot be criticized about the film is Val Kilmer's electrifying performance. Forget the small little flaws like Kilmer is six inches taller than Morrison was and that Kilmers face is a little fatter than Morrisons and just watch this magnificent piece of acting. I have never been that impressed with Val Kilmer's acting ability before I saw this film so seeing him in this was a mindblowing experience. He completely inhabits Morrison and its hard to believe he was actually the second choice for the role. This will undoubtedly be a career best for Kilmer and it is a damn shame he didn't at least get an Oscar Nomination.
The supporting cast is also impressive, particularly Meg Ryan. Ryan excels much more in lighter roles but here she dos a very good job as Morrison's girlfriend, Pamela Courson. Kevin Dillon, Kyle MacLachlan, and Frank Whaley do the best they can with limited screen time as the remaining members of The Doors.
Stone's films have always been uneven when it comes to visual styles. In such films as Natural Born Killers, Any Given Sunday, and to some extent, Nixon, they have been exercises of cinematic masturbation with hyper editing and completely unnecessary film stock switches. Fortunately, thats not the case here as the film has a more straightforward look that complements the film well instead of distracting us.
Stone can make a compelling film and The Doors is never boring. It has a lot of good points: a tremendous lead performance, impressive supporting work, effective cinematography, and a great soundtrack. Its a shame that the film is hampered by a shallow script. If the script were better it is quite possible The Doors could have been a great film. As it stands, its a compelling, though definitely disappointing film.
One thing you can say about Oliver Stones The Doors is that Stone has no intention of forcing the audience to like the main character. Stone spends almost the entire 138 minutes making Jim Morrison into the biggest asshole that he possibly can. Really, when I first rented this film I had no idea what to expect since Oliver Stone is sort of hit-or-miss with me. I can honestly say the film held my attention completely but at the end I was unsatisfied with what I had seen.
The remaining members of The Doors have criticized this film saying that it only portrayed one side of Morrison and that some of the actions in the film were far worse than anything he ever did (throwing the TV in the studio for instance). To be honest, I felt exactly the same way. By the end I was like, "There has to be more to this man than this!!!!"." I know Morrison had drinking and drug problems, and thats on full display. Stone makes clear that we see the flaws of Morrison and pretty much nothing else. If Stone wanted to make a film that showed the dark side of a rock star than he accomplished his goal admirably.
But the film is just too disappointingly shallow. Morrison was supposedly a very shy front-man at first which we actually do see in the beginning when he sings with his back turned toward the audience. It's a shame Stone didn't explore this "shy, intelligent" man that the Doors always talk about instead of the sadistic asshole on display here. If Stone had made Morrison into a more well-rounded character than this could have been a great film.
What cannot be criticized about the film is Val Kilmer's electrifying performance. Forget the small little flaws like Kilmer is six inches taller than Morrison was and that Kilmers face is a little fatter than Morrisons and just watch this magnificent piece of acting. I have never been that impressed with Val Kilmer's acting ability before I saw this film so seeing him in this was a mindblowing experience. He completely inhabits Morrison and its hard to believe he was actually the second choice for the role. This will undoubtedly be a career best for Kilmer and it is a damn shame he didn't at least get an Oscar Nomination.
The supporting cast is also impressive, particularly Meg Ryan. Ryan excels much more in lighter roles but here she dos a very good job as Morrison's girlfriend, Pamela Courson. Kevin Dillon, Kyle MacLachlan, and Frank Whaley do the best they can with limited screen time as the remaining members of The Doors.
Stone's films have always been uneven when it comes to visual styles. In such films as Natural Born Killers, Any Given Sunday, and to some extent, Nixon, they have been exercises of cinematic masturbation with hyper editing and completely unnecessary film stock switches. Fortunately, thats not the case here as the film has a more straightforward look that complements the film well instead of distracting us.
Stone can make a compelling film and The Doors is never boring. It has a lot of good points: a tremendous lead performance, impressive supporting work, effective cinematography, and a great soundtrack. Its a shame that the film is hampered by a shallow script. If the script were better it is quite possible The Doors could have been a great film. As it stands, its a compelling, though definitely disappointing film.
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Details
- Release date
- Countries of origin
- Language
- Also known as
- 門
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $38,000,000 (estimated)
- Gross US & Canada
- $34,416,893
- Opening weekend US & Canada
- $9,151,800
- Mar 3, 1991
- Gross worldwide
- $34,494,884
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