Directed by
| Pino Amenta | ||
Writing Credits
| Frank Howson | ... | (screenplay) and |
| Alister Webb | ... | (screenplay) |
Cast (in credits order) verified as complete
Produced by
| Peter Boyle | ... | executive producer |
| Frank Howson | ... | producer |
| Barbi Taylor | ... | line producer |
| James M. Vernon | ... | co-producer (as James Michael Vernon) |
Music by
| John Capek | ||
Cinematography by
| David Connell | ||
Editing by
| Philip Reid | ||
Casting By
| Gregory Apps | ||
Art Direction by
| Bernadette Wynack | ||
Set Decoration by
| Hamish Alderson-Hicks | ||
| Trish Keating | ||
Costume Design by
| Jeanie Cameron | ||
Makeup Department
| Anna Karpinski | ... | make-up assistant |
| Pam Murphy | ... | hair stylist |
| Amanda Rowbottom | ... | makeup artist |
Production Management
| Colin Robertson | ... | unit manager |
Second Unit Director or Assistant Director
| Brett Popplewell | ... | second assistant director |
| John Powditch | ... | first assistant director |
| Max Thomas | ... | third assistant director |
Art Department
| Brian Lang | ... | stand-by props |
| Daryl Mills | ... | property buyer |
| Daryl Porter | ... | art department coordinator |
Sound Department
| Craig Carter | ... | sound editor |
| James Currie | ... | chief mixer |
| James Harvey | ... | assistant sound editor |
| Phil Heywood | ... | re-recording mixer |
| Steve Murphy | ... | stereo sound consultant: Dolby (as Stephen Murphy) |
| Andrew Ramage | ... | sound recordist |
| Scott Rawlings | ... | boom operator |
| Livia Ruzic | ... | dialogue editor |
| John Simpson | ... | foley recordist |
| Eugene Wilson | ... | sound transfers |
Visual Effects by
| Roger Cowland | ... | visual effects |
Stunts
| Russell Allan | ... | stunts |
| Chris Anderson | ... | stunts |
| Mitch Deans | ... | stunts |
| Arch Roberts | ... | stunt coordinator |
Camera and Electrical Department
| Ian Benallack | ... | key grip |
| Martin Flemyng | ... | additional camera assistant (as Martin Fleming) |
| Darren Hansen | ... | additional assistant grip |
| Terry Howells | ... | second assistant camera |
| Jon Leaver | ... | additional electrician (as John Lever) |
| Arthur Manousakis | ... | assistant grip |
| Lex Martin | ... | additional electrician |
| Ian McMillan | ... | additional camera assistant |
| Peter Moloney | ... | best boy |
| Greg Noakes | ... | still photographer |
| Nick Payne | ... | additional electrician |
| Roy Pritchett | ... | generator operator |
| Greg Rawson | ... | additional electrician |
| Greg Ryan | ... | first assistant camera (as Gregory Ryan) |
| Pieter van Santen | ... | additional camera assistant |
| David Stevens | ... | additional camera assistant |
| Jack Wight | ... | additional electrician |
| Rob Young | ... | gaffer (as Robbie Young) |
Casting Department
| Kelly O'Shea | ... | casting assistant |
Costume and Wardrobe Department
| Marion Boyce | ... | stand-by wardrobe |
Editorial Department
| Bruce Braun | ... | laboratory liaison |
| Meg Koernig | ... | negative matching |
| Peter McBain | ... | assistant editor |
Location Management
| John Suhr | ... | location manager |
Music Department
| Pete Smith | ... | music mixer (as Peter D. Smith) |
Script and Continuity Department
| Jenni Tosi | ... | script supervisor |
Additional Crew
| Lynn Howson | ... | production executive |
| Lionel Midford | ... | unit publicist |
| Deborah Samuels | ... | production coordinator |
| Oliver Streeton | ... | title designer |
| Rob Visser | ... | unit runner |
