After tragedy strikes, a grieving father discovers an ancient burial ground behind his home with the power to raise the dead.After tragedy strikes, a grieving father discovers an ancient burial ground behind his home with the power to raise the dead.After tragedy strikes, a grieving father discovers an ancient burial ground behind his home with the power to raise the dead.
- Awards
- 1 win & 6 nominations
Storyline
Did you know
- TriviaThe role of Zelda, Rachel's terminally ill sister, was played by a man. Director Mary Lambert wanted Zelda and her scenes to frighten the audience but did not believe that a 13-year old girl was scary so she cast Andrew Hubatsek in the role to make something be "off about Zelda."
- GoofsAfter Victor Pascow's death, Dr. Creed throws his patient file into the trash can. No patient's file should simply be thrown away, especially after the patient was involved in an accident which would require a full investigation (including the use of his medical records).
- Quotes
Jud Crandall: Sometimes, dead is better.
- Alternate versionsTelevision censors of some of the film's gorier moments included alternate shots from different angles that hide the more graphic images. This especially came into play with the Timmy Baterman scenes and the film's finale in the Creeds' kitchen.
- ConnectionsFeatured in The Ramones: Pet Sematary (1989)
- SoundtracksPet Sematary
By Dee Dee Ramone & Daniel Rey
Performed by Ramones
Produced by Jean Beauvoir & Daniel Rey
Courtesy of Sire Records Company
Featured review
It's older, and maybe stylistically a bit dated, but it's the better version of the two, imo.
First, it doesn't mess with the story, which is great because you don't need to mess with the story. The book is good. Aside from the obvious (no spoilers) character switch, it was structurally better. Like the book, it's not a scary-right-off-the-bat horror story, like a slasher movie would be, kill scene at the top. Rather, it's structured more like a campfire story. It starts pretty normal and then, piece-by-piece, the horror builds. This is not very common for horror these days, but I don't think it is non-existant. More experimental films have been using it - Midsomer or Hereditary, for example, or Aronofsky movies. Wish either of those filmmakers would have tackled the remake, gone Kubrick and pushed King "artfully" as opposed to "pop," but I digress. King said this was the first the he really wrote which disturbed him due to the major 180-degree plot point mid-way, and this movie has a strong sense of that devastation. The best horror is often about family.
Second, the cast is better in this version, probably more due to the directing than the actual actors. Mary Lambert let the actors tell the story, Kevin Kolsch, like they do these days, told the story with camera work, editing, and modern horror tropes - the unnecessary masks and the juxtaposition of "cute innocence" (ballet dancing) with "evil," for example. Jason Clarke and John Lithgow didn't get to flex. Dale Midkiff was a BABE and we had enough time with him to see the progression of his character. Fred Gwynne is unbeatable. And Denise Crosby, who bravely chose an often unflattering portrayal of Rachel, is hard to forget. The Zelda stuff, although less developed than the new, overdeveloped stuff in the new film, is just scarier. Her hardness early on really works against her crumbling development later - it's a hard choice for an actress' popularity but better storytelling. (Denise Crosby is an interesting actress - I think only one season in Next Generation? And still unforgettable. She makes an impact in whatever she's in, but again I digress.)
As an English teacher, I'd say read the book! Then watch the movies and choose your favorite version, and let us know what you think! Happy watching!
First, it doesn't mess with the story, which is great because you don't need to mess with the story. The book is good. Aside from the obvious (no spoilers) character switch, it was structurally better. Like the book, it's not a scary-right-off-the-bat horror story, like a slasher movie would be, kill scene at the top. Rather, it's structured more like a campfire story. It starts pretty normal and then, piece-by-piece, the horror builds. This is not very common for horror these days, but I don't think it is non-existant. More experimental films have been using it - Midsomer or Hereditary, for example, or Aronofsky movies. Wish either of those filmmakers would have tackled the remake, gone Kubrick and pushed King "artfully" as opposed to "pop," but I digress. King said this was the first the he really wrote which disturbed him due to the major 180-degree plot point mid-way, and this movie has a strong sense of that devastation. The best horror is often about family.
Second, the cast is better in this version, probably more due to the directing than the actual actors. Mary Lambert let the actors tell the story, Kevin Kolsch, like they do these days, told the story with camera work, editing, and modern horror tropes - the unnecessary masks and the juxtaposition of "cute innocence" (ballet dancing) with "evil," for example. Jason Clarke and John Lithgow didn't get to flex. Dale Midkiff was a BABE and we had enough time with him to see the progression of his character. Fred Gwynne is unbeatable. And Denise Crosby, who bravely chose an often unflattering portrayal of Rachel, is hard to forget. The Zelda stuff, although less developed than the new, overdeveloped stuff in the new film, is just scarier. Her hardness early on really works against her crumbling development later - it's a hard choice for an actress' popularity but better storytelling. (Denise Crosby is an interesting actress - I think only one season in Next Generation? And still unforgettable. She makes an impact in whatever she's in, but again I digress.)
As an English teacher, I'd say read the book! Then watch the movies and choose your favorite version, and let us know what you think! Happy watching!
Everything New on Paramount+ in November
Everything New on Paramount+ in November
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Details
- Release date
- Country of origin
- Language
- Also known as
- El cementerio maldito
- Filming locations
- Hancock, Maine, USA(The Creeds home)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $11,500,000 (estimated)
- Gross US & Canada
- $57,469,467
- Opening weekend US & Canada
- $12,046,179
- Apr 23, 1989
- Gross worldwide
- $57,470,138
- Runtime1 hour 43 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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