IMDb RATING
7.5/10
7.6K
YOUR RATING
A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.A group of actors put on an unorthodox, but acclaimed Passion Play which incites the opposition of the Catholic Church while the actors' lives themselves begin to mirror the Passion itself.
- Nominated for 1 Oscar
- 18 wins & 12 nominations total
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaMore instances that mirror the life of Christ as recorded in the Gospels: - Daniel recruits actors to work with him similar to the way Jesus recruited his disciples. The first, Constance, is found working charitably in a soup kitchen, and Daniel says simply, "I came for you." - The judge (like Pilate) sends Daniel to a second-opinion person (the psychologist is like Herod) who finds nothing wrong with him and sends him back to the judge/Pilate.
- GoofsAround 1:46:21. Boom mic enters the shot twice above Constance when she's talking to the ambulance paramedic at the hospital.
- SoundtracksPritouritze Planinata
Performed by Les Voix Bulgares
Featured review
All of us knows who Jesus is, right?
This movie brings to light a concept of Jesus that most people do not know is a topic of serious academic scholarship. The question is, "What can we reasonably say about Jesus based solely on historical sources?" Of course, the Bible is the primary source, since Jesus is referred to only in passing by nonreligious sources of his time. And, because this is an historical pursuit, one goal is also to separate those things which are clearly matters of faith from those which do not require a religious faith in the man. Therefore, we are left with a Jesus who led an iconoclastic life and was killed for it. The historian cannot say in an historical journal that Jesus was divine, walked on water, or was raised from the dead. This portrait is called "The Historical Jesus".
The historian can, however, make a personal statement of faith-- "I believe Jesus is the Anointed of God, who saves us from our sins". This is not the statement made by "Jesus of Montreal". Masterfully, the cast and crew of the film weave a tale which demands several viewings to fully consume. Both explicitly and through the use of metaphor, Jesus is depicted as a revolutionary teacher of great charisma and whose life was one of tragedy. But this film is not about the traditional Christian concept of Jesus; rather, it illustrates only the human aspects of the man who is, to me, God incarnate. This is the story of Jesus, the man-- not Jesus, the Christ. Christians may be disappointed by it, or outraged, but I encourage us all to remember that where that where faith (trust in that which cannot be observed) begins, there the historian (or scientist) must stop. Believers go further. I highly recommend this movie to anyone who wants to think, be they a believer or not.
This movie brings to light a concept of Jesus that most people do not know is a topic of serious academic scholarship. The question is, "What can we reasonably say about Jesus based solely on historical sources?" Of course, the Bible is the primary source, since Jesus is referred to only in passing by nonreligious sources of his time. And, because this is an historical pursuit, one goal is also to separate those things which are clearly matters of faith from those which do not require a religious faith in the man. Therefore, we are left with a Jesus who led an iconoclastic life and was killed for it. The historian cannot say in an historical journal that Jesus was divine, walked on water, or was raised from the dead. This portrait is called "The Historical Jesus".
The historian can, however, make a personal statement of faith-- "I believe Jesus is the Anointed of God, who saves us from our sins". This is not the statement made by "Jesus of Montreal". Masterfully, the cast and crew of the film weave a tale which demands several viewings to fully consume. Both explicitly and through the use of metaphor, Jesus is depicted as a revolutionary teacher of great charisma and whose life was one of tragedy. But this film is not about the traditional Christian concept of Jesus; rather, it illustrates only the human aspects of the man who is, to me, God incarnate. This is the story of Jesus, the man-- not Jesus, the Christ. Christians may be disappointed by it, or outraged, but I encourage us all to remember that where that where faith (trust in that which cannot be observed) begins, there the historian (or scientist) must stop. Believers go further. I highly recommend this movie to anyone who wants to think, be they a believer or not.
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Jesus von Montreal
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,601,612
- Opening weekend US & Canada
- $20,388
- May 27, 1990
- Gross worldwide
- $1,601,612
- Runtime2 hours
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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