6 reviews
Scenes from this irreverent film will stay with you for a lifetime, it is very funny in surprising ways. Has the courage to break away from stereotypical gender roles trite scripted relationship fodder typically captured on celluloid.
I can't recall having seen a film like this before, though it is low budget and sometimes a little awkward in paces. Definitely worth watching, if you can find it on DVD; these 80s era films fall in a deadzone VHS tape era, and often are very difficult to find on DVD. C'mon NetFlix, let's get more of these cool Indy films into the library!
I can't recall having seen a film like this before, though it is low budget and sometimes a little awkward in paces. Definitely worth watching, if you can find it on DVD; these 80s era films fall in a deadzone VHS tape era, and often are very difficult to find on DVD. C'mon NetFlix, let's get more of these cool Indy films into the library!
Before there was "In The Company of Men", there was "Patti Rocks". David Burton Morris's raw, honest, perceptive exploration of the open sores that exist between men and women is a neat two-hander. Chris Mulkey and John Jenkins hit the road to visit Patti Rocks, a woman one of the guys has knocked up. Their road trip becomes a fascinating dialog on the way men perceive women and women fail to understand men. The film was slapped with an "X" rating for language originally, but earned an "R" on appeal. These days, you'd probably hear similar chat on an HBO series, so the language is no big deal, but the script is very well written and the resolution is novel. For the saltiest X-rated language these days, look no further than a Max Hardcore video (preferably an uncut Euro version). Happy hunting.
- fertilecelluloid
- Feb 17, 2006
- Permalink
"Patti" is a strange and gutsy little flick with dialogue that sounds improvised, but in a good way - this is how real people talk. Give credit to the actors for getting naked, too...appropriate in a film about stripping down barriers and getting to the core behind the ugly things we say.
Besides, it's kinda fun, and short enough to hold your attention. Nice one when your date bails on you.
Besides, it's kinda fun, and short enough to hold your attention. Nice one when your date bails on you.
I was 19 when I saw this. At the time, I had serious issues about men. My dad, of course. Guys who had burned me. Other male relatives who put me down and manipulated me.
I sought out this movie after reading a magazine review. Chris Mulkey, the lead, said in the interview that he predicted all women would despise this film. Odd, I thought. You're acting opposite your wife, and claiming that the film is offensive to women? Being a glutton for punishment, I grabbed it as soon as it was on video (couldn't find it in a theater.)
And did a total 180 in my attitudes. I finally got some insight as to WHY men are the way they are. Insecure, shallow and immature, hiding behind crude arrogance (Billy). Or sensitive, thoughtful and vulnerable, hiding behind pompous pretension (Eddie). Patti, on the other hand, was unlike any of the women in my family, or acquaintance, for that matter. *She simply did not need a man.* Totally foreign concept to me.
I just think it's ironic that Mulkey thought women would hate this film. Guess he's much like Billy IRL, as far as not understanding what makes women tick! I thought the film was very *pro*-women, and anti-men. Billy runs his mouth constantly, putting women down, but there's not a thing that happens that justifies his asinine opinions. All hat and no cattle, he is. His wife's not home when he calls (possibly messing around, but at any rate not bound to him), Patti can't be intimidated by him, and the random female motorist... ...I've thought about that scene. Why is this elegant, fur-coat-wearing, *mother of a teenage daughter* behaving like that? The only explanation I can come up with is that she's driving the daughter to or from, probably from, a visit with non-custodial dad. She also has issues, and whaddya know, the perfect target goes right across her radar!
Also love Eddie's antics in the scene leading up to that. "There could be white people in there...The good old days are gone forever. Anyway, I also love the byplay between the two men. The argument in the diner was so real...and you know when Eddie leans on his fist that the next shot will be of him in the passenger seat. Of course. But isn't it always like that? And his line to Billy: "Do you ever listen to yourself? I mean, do you ever LISTEN to yourself? If you did, you wouldn't say the things that you do!" I've used that on people, who have no idea that it's a quote...it's that realistic!
Also, my mom wanted me to point out that for all the vulgarities spoken in the first hour, you don't hear the word "prick" until Patti says it to Billy.
I sought out this movie after reading a magazine review. Chris Mulkey, the lead, said in the interview that he predicted all women would despise this film. Odd, I thought. You're acting opposite your wife, and claiming that the film is offensive to women? Being a glutton for punishment, I grabbed it as soon as it was on video (couldn't find it in a theater.)
And did a total 180 in my attitudes. I finally got some insight as to WHY men are the way they are. Insecure, shallow and immature, hiding behind crude arrogance (Billy). Or sensitive, thoughtful and vulnerable, hiding behind pompous pretension (Eddie). Patti, on the other hand, was unlike any of the women in my family, or acquaintance, for that matter. *She simply did not need a man.* Totally foreign concept to me.
I just think it's ironic that Mulkey thought women would hate this film. Guess he's much like Billy IRL, as far as not understanding what makes women tick! I thought the film was very *pro*-women, and anti-men. Billy runs his mouth constantly, putting women down, but there's not a thing that happens that justifies his asinine opinions. All hat and no cattle, he is. His wife's not home when he calls (possibly messing around, but at any rate not bound to him), Patti can't be intimidated by him, and the random female motorist... ...I've thought about that scene. Why is this elegant, fur-coat-wearing, *mother of a teenage daughter* behaving like that? The only explanation I can come up with is that she's driving the daughter to or from, probably from, a visit with non-custodial dad. She also has issues, and whaddya know, the perfect target goes right across her radar!
Also love Eddie's antics in the scene leading up to that. "There could be white people in there...The good old days are gone forever. Anyway, I also love the byplay between the two men. The argument in the diner was so real...and you know when Eddie leans on his fist that the next shot will be of him in the passenger seat. Of course. But isn't it always like that? And his line to Billy: "Do you ever listen to yourself? I mean, do you ever LISTEN to yourself? If you did, you wouldn't say the things that you do!" I've used that on people, who have no idea that it's a quote...it's that realistic!
Also, my mom wanted me to point out that for all the vulgarities spoken in the first hour, you don't hear the word "prick" until Patti says it to Billy.
- Rilchiam-1
- Jul 28, 2002
- Permalink
We whine about extravagant cute foppishness by the brothers Coen, but bury straight sweet refreshing slaps in our supersilly faces like this $350,000 wonder, also generated in/from the northmidwest? Why? Superficially woman-unfriendly, but at least two females have watched it all the way through & rated it for imdb, granting an average of 8. I would go a little higher than that, but wonder how much how we REALLY seem/act/are interests us. Viewer inexperience in working class taverns may limit appreciation/recognition. A gem.