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Based on Michael Korda's bestselling interpretation of the life of legendary movie star (and his aunt) Merle Oberon, this 1987 mini-series chronicles the life of a young Eurasian woman (Mia Sara) who flees India to England, where she hides the truth of her past (including her role in the accidental death of an important British official back in India) to become a famous movie star. The script for "Queenie" is extremely melodramatic, and the time frame doesn't seem quite accurate (in part II, Queenie returns to India to make a movie that one character describes as "more expensive than Gone with the Wind"--meaning she and a large British-American entourage are trapsing across the globe to make a movie at the height of World War II!!!), but the show is quite lavish and, thanks to an energetic cast--especially the lovely Miss Sara--quite entertaining. There's also a fine score by Georges Delarue. Worth seeing if you come across it on television--I'd love to have it on DVD.

Merle Oberon was a glamorous film star, one of the first, I believe, to go on record about the wonders of plastic surgery. Unfortunately, she was born at the wrong time to take advantage of her beauty as an older woman or to be truthful about her real background.

"Queenie" is based on the roman a clef by her nephew, Michael Korda, and it's pure fiction except for a few items.

It's the story of an Anglo-Indian young girl, Queenie Kelly, living in India when it was under British rule. She suffered from bullying by students at the school she attended because of her mixed ethnicity. At the same time, her exotic beauty attracted male attention. At one point, when her musician brother is fired from his country club job, she goes to Sir Burton Ramsey, who owns the club, to beg for his job back. He rapes her. Running from him, he trips and falls over a balcony to his death.

Terrified no one would believe her, Queenie steals Ramsey's wallet and, with her uncle, leaves the country for England. There she works as a stripper and eventually becomes a film star. Calling herself Dawn Avalon, she can never tell anyone her true ethnicity or identity, which would ruin her career and possibly result in a murder charge.

That's the story of Queenie, but with the exception of hiding her true identity, it's not the story of Merle Oberon. Much of Oberon's early life is in question. Her mother could actually have been her grandmother, and her sister Constance her mother; her nephew claimed to have discovered he was her half-brother after researching his heritage.

In order to empathize with Oberon, the racism during these years must be addressed. With people like Freddie Washington and Anna Mae Wong denied careers, Oberon could never, ever, have admitted to being part Indian. Instead, like the character in Queenie, she claimed to have been born in Tasmania.

This miniseries is very entertaining, with Mia Sara absolutely perfect for Queenie - you could never find a double for Oberon, but Sara has Oberon's delicate, exotic looks and beautiful speaking voice. Someone said Oberon was an established star before marrying Alexander Korda, but that's not true. Korda, whom she married, not only gave her career a huge boost, but he brought her to Hollywood to work for Sam Goldwyn.

In the miniseries, Korda is "David Konig" and played by Kirk Douglas. Queenie is in love with a photographer turned cinematographer, Lucien (Gary Cady), but Konig gets him a cinematographer's job in Egypt while Queenie is filming in India. He then seduces and marries her.

The real Oberon married Korda, and after their divorce, she married cinematographer Lucien Ballard. According to a letter I have, Ballard physically abused her, as did a boyfriend later on. Ballard invented a special light for Oberon after she was in a car accident, and that light, the "obie" is still used today.

The film Queenie makes, her big debut, in the miniseries is said to cost $25 million, more than Gone with the Wind. Not likely that the movie was made during wartime in India. Also not likely that it cost 25 million since GWTW cost $3.85 million.

Claire Bloom does a beautiful job as Queenie's mother. I'm not sure if the story of her mother pretending to be her maid comes from this fictional account or actually happened. If her mother was indeed with her, it makes sense that the two would have agreed to that masquerade. In any case, Oberon adored her mother.

Though only in her fifties, like many female movie stars of her time, Oberon was relegated to low-budget films, self-produced films, and television. She did have a good role in 1967's Hotel and, at 56, was absolutely stunning. Her last film was in 1973, six years before her death. A stressful life, but a successful career that could have continued in today's world.

Queenie was filmed in Jaipur, India, with magnificent production values and a cast that includes not only Douglas and Bloom, but Topol, Joss Ackland, Martin Balsam, and Joel Grey. Recommended - it's the kind of super-expensive miniseries we saw a lot of in the '80s, and they're gone for good.

Contrary to some of the comments regarding Queenie's character and ethnicity, I wish to clarify this. Queenie, (or Merle Oberon)was not a "Eurasian". There is a vast difference between someone who is Eurasian to that of an Anglo Indian in British India. Her mother in real life was of Indian heritage whilst her father was British. If her father was from another country that would have made the family "Eurasian". I say this not for any political reasons but for historic accuracy.

I found this film most enjoyable and entertaining.The acting is superb all around. Having seen it sometime ago, I was thrilled to be able to purchase the DVD on Amazon recently.

Queenie is the television mini-series based on the novel by Michael Korda who apparently likes using his famous family as subject matter. In this one he based the lead character on his aunt by marriage, Merle Oberon.

We are NOT seeing the Merle Oberon story in Queenie. Though the protagonist was Anglo-Indian this was something she kept a secret throughout her entire life, probably at great pain to herself. What Queenie does do is show the times in the Raj when she grew up in India.

Times were not easy for the real Merle or for young Mia Sara in Calcutta in the teens and twenties of the last year. For reasons that sound abominably stupid today, the British public which wanted to let India go was blocked by some very powerful folk, chiefly Winston Churchill and press magnate Lord Beaverbrook. The racist attitudes were summed up so well by Joss Ackland where he states that we can't leave India because the Moslems and Hindus will end up killing each other, but just as long as they don't bring the fight into their club. Racial and religious antagonisms which for reasons of policy both good and bad were encouraged.

Mia Sara's character is like Ava Gardner's in Bhowani Junction, struggling hard and not feeling she belongs in either British or Indian society. What Michael Korda does in the story is allow her to have a measure of pride in her heritage, something Merle Oberon could never do in her life.

But she married well and Kirk Douglas plays the fictional David Konig, the prototype for British film producer Alexander Korda. Douglas borrows liberally from his Oscar nominated role of Jonathan Shields from The Bad and the Beautiful to play Konig. I suspect there's more Shields than Korda in his performance though.

Best performances in the film are from Claire Bloom as Sara's mother and from Serena Gordon as the vicious young lady who was Ackland's daughter and her antagonist.

Queenie was done on location in Jaipur, India a city which is known for its traditional look and probably looks more like Calcutta in the twenties than Calcutta now.

I think Merle Oberon would have approved.

i have always been a big fan of these long location driven films.

the cast of characters were very interesting and expressive. the story in itself was more then enough to hold one's interest, focusing on a likable main character that you became emotionally involved with. the locations were beautifully filmed, and i felt the scenery was spectacular and lush. the film also had a wonderful international cast, that seemed to be perfectly cast in each part. i felt that kirk Douglas was excellent in the part of David konig, and played his part to perfection! the biggest surprise of the film was Mia Sara, who, in only her third film, was very believable as Queenie, and looked just beautiful. this film shows her to be a better talent then she is given credit for!

When I started out watching the 4-hour miniseries Queenie, I thought I'd certainly turn it off after the first fifteen minutes or so. How could an epic period piece starring the girlfriend in Ferris Bueller's Day Off be any good? Well, my apologies to Mia Sara, because not only was Queenie riveting, but she gave a very good performance as well!

The miniseries starts off with Kate Emma Davies as young Queenie, a fantastic look-a-like for Mia Sara. She's half Indian but passes for white; but she gets teased at school and shunned by white society. All she wants is out of life is to become a movie star. She doesn't have a crush at school, and she's not aware of any sex and power struggle between men and women. Unfortunately, because she's so beautiful, men can't keep their hands off her, starting with her schoolteacher. Throughout the episodes, when Mia Sara takes the lead, it's heartbreaking to watch Queenie change her life view. Because she's continually objectified and desired by men, she learns that she can use her body to get other things she wants, and she turns into a completely different person. It's tragic, but also true to life and quite fascinating.

I don't want to spoil the plot, because Queenie has such an eventful life and comes in contact with so many interesting characters, but I highly recommend this miniseries if you like the genre. With seasoned veterans joining the supporting cast-Kirk Douglas, Claire Bloom, Joss Ackland, Joel Grey, Martin Balsam, Sarah Miles, Topol, and Leigh Lawson-every scene is well-acted and compelling. I was on the edge of my seat during Queenie's journey, and just like every great miniseries, there's sadness, suspense, romance, violence, secrets, blackmail, and the perfect tying of all loose ends. For a very fun weekend with your mom, rent Queenie, light a fire, and bring out the china tea set!

Kiddy Warning: Obviously, you have control over your own children. However, since there may or may not be a rape scene, I wouldn't let my kids watch it.

"Queenie" stars Mia Sara as a half-caste young girl in India who leaves her homeland, goes to England to be discovered, and becomes a movie star. This was inspired by the life of actress Merle Oberon, who was half-caste, and in fact, the book this was based was written by her stepson Michael Korda. I have mixed feelings about that, as his book was what is called a roman a clef, a fictional book whose main character is a real person. Her plight was the basis from which all things fictional happen in the book and therefore the movie. I feel like he profited by her private life, though none of the dramatics here really happened. Not knowing or considering the real actress, the movie is a good fast-moving and involving film with Kirk Douglas as the producer who makes her a star and Claire Bloom as her mother with very soap opera-ish melodramatics. Is that redundant? I would recommend this to anyone who didn't know about the life and career of Merle Oberon, but for those who do, it may feel a bit disrespectful of her memory to indulge in Korda's imagination and fantasy.

I remember watching this when it was first released in 1987.

It's an interesting story but for me, spoilt by the super cringing of browned up actors. It was really disgraceful to cast white actors when there were good enough South Asian actors who could have done an equally, but more authentic job. I am so glad we have moved on.

The pace was lethargic, the acting stilted and because there were some excellent actors involved, I can only assume it was the fault of the director.If you are committed to a 4 hour TV serial, it must take a lot of skill to maintain the tension. The ending was also false and typical American/Hollywood hypocrisy. Nevertheless, it told an interesting story and most certainly was not total garbage. What I do dislike, however, is "faction", when you are never sure how much you are being told, in this case about Merle Oberon, is true. Was there actually a suspicious death in India? Was her mother her servant at any time? Was she ever involved in making a film in India? If all this was fiction, as I suspect it was, then why drag Merle Oberon's name into it anyway?

is it Merle Oberon portrait ? maybe. but the feelings is than it is far accuracy, scene for silhouette of American dream, melodramatic and nice. it has a lead virtue - the cast. Mia Sara does a splendid work in a role who remains clone of so many fragile characters. Joss Ackland is perfect bad guy and Kirk Douglas creates an interesting drawing of providential man. but, behind atmosphere, fight of ambitious young woman, it seems be not exactly a portrait but a mask. one of Hallmark films style, slices of pink novels, it is beautiful and touching first for a special public. window out of dusty reality, it is a large isle of fiction as diaphanous curtain for a dancer.