Directed by
Patrick Poole | ... | (as Patrick C. Poole) |
Writing Credits
Patrick Poole | ... | (written by) (as Patrick C. Poole) |
Cast (in credits order)
Wilford Brimley | ... | Floyd Buckman | |
Gary Swanson | ... | Clay Toten | |
Lou Michaels | ... | Ann Crowder | |
John L. Martin | ... | Retired Senator Edward T. Crowder | |
Elmer Jeffcoat | ... | Old Tim | |
E.K. Gaylord II | ... | Buck McCain (as Ed Gaylord) | |
Woody Watson | ... | T.J. | |
Michael J. Loggins | ... | Sheriff Jim Donner | |
Dwight Sandell | ... | Young Tim | |
Shelly Burmeister-Gaylord | ... | Delores Crowder (as Shelley Burmeister) | |
Tammy Roberts | ... | Jean Logan | |
Tom Matts | ... | Fred Yoder | |
Bill McGhee | ... | Preacher Readman | |
Gregory Poudevigne | ... | Sam | |
Chris Yarnell | ... | Charlie | |
Aaron Chadwick | ... | Young Ed Crowder | |
Rex Linn | ... | Jason Townsend | |
Rest of cast listed alphabetically: | |||
David Chrisman | ... | Studio Spokesman | |
Greg Bransom | ... | Senator (uncredited) |
Produced by
E.K. Gaylord II | ... | executive producer |
Ben Miller | ... | associate producer |
Patrick Poole | ... | producer (as Patrick C. Poole) |
Steven C. Van Singel | ... | associate producer |
Music by
Phil Kelly | ||
Ken Sutherland |
Cinematography by
Steve McWilliams | ... | director of photography (as Steven McWilliams) |
Editing by
David R. Schwartz | ... | (as David Roy Schwartz) |
Steven Van Singel |
Casting By
Rachael Crowe |
Production Design by
David Hicks |
Makeup Department
Deanna De Marcov | ... | makeup artist |
Production Management
Ben Miller | ... | production manager |
John Foster | ... | post-production supervisor (uncredited) |
Second Unit Director or Assistant Director
Lorin Fulton | ... | assistant director (as Lorin Watkins) |
Steven C. Van Singel | ... | second unit director |
Art Department
Victoria Blakely | ... | artwork |
Dale Detwiller | ... | artwork |
Danny Erickson | ... | props |
James Ironfeather | ... | props |
David Lane Smith | ... | props |
Sound Department
Ivan Bigley | ... | dialogue editor |
Loren Bivens | ... | sound designer |
John Burke | ... | boom operator |
James T. Crow | ... | sound transfer |
Gregory Cundiff | ... | head sound effects editor (as Greg Cundiff) |
Jerry Dixon | ... | sound recordist |
Steven Fay | ... | sound effects editor |
Jim Glunt | ... | boom operator |
Perry Robertson | ... | re-recording mixer |
Byron Wilson | ... | sound transfer |
Visual Effects by
Jim Reitman | ... | optical set-up |
David Schwartz | ... | optical design (as David R. Schwartz) |
Chris Smith | ... | optical set-up |
Stunts
Joe Gilbride | ... | stunts |
Clifford Happy | ... | stunt coordinator (as Cliff Happy) |
Ben Miller | ... | stunt coordinator |
Lauren London Stone | ... | stunts |
Camera and Electrical Department
David Alexander | ... | grip |
Ivan Bigley | ... | camera operator (as Ivan L. Bigley) |
Sean Britt | ... | assistant camera |
Scott Clark | ... | second assistant camera |
Jerry Dixon | ... | additional photographer: second unit |
Anthony Eversole | ... | still photographer: Santa Fe |
Phill Fulton | ... | key grip |
Marcos E. González | ... | assistant camera: second unit (as Marcos E. Gonzalez) |
John Joleaud | ... | grip (as John A. Joleaud) |
Larry Littlebird | ... | grip |
Chuck Null | ... | best boy |
Lowry Perry | ... | gaffer |
Terry Revis | ... | still photographer: Colorado |
David R. Schwartz | ... | insert photography |
Casting Department
Sally Jackson | ... | extras casting: Santa Fe |
Lauren London Stone | ... | casting assistant (as Lauren Stone) |
Costume and Wardrobe Department
Carolyn Crowe | ... | wardrobe: 1939 |
Rachael Crowe | ... | costumes: 1939 |
Editorial Department
Zahid Ali | ... | negative cutter |
Loren Bivens | ... | post-production coordinator |
Adrienne 'Dee' Chappell | ... | additional editor |
Gregory Cundiff | ... | assistant editor (as Greg Cundiff) |
Steven Fay | ... | assistant editor |
Sheri Galloway | ... | assistant editor |
Marcos E. González | ... | assistant editor (as Marcos E. Gonzalez) |
Kelly Heide | ... | negative cutter |
Trevor Long | ... | editor: video effects |
Josephine Nericcio | ... | assistant editor (as Josie Nericcio) |
Robert E. Rogers | ... | negative cutter |
Jean Marie Schmidt | ... | assistant editor |
Glenn Shank | ... | negative cutter |
Gary Wallace | ... | color timer |
Rick Westfall | ... | negative cutter |
Chuck Winston | ... | color timer (as Charles Winston) |
Karen Witte | ... | negative cutter |
Joan Zapata | ... | assistant editor |
Location Management
Jack Hollis | ... | location: Colorado City |
Penny Solomon | ... | location: Colorado City |
John Weatherly | ... | location dressing rooms / location: Colorado City |
Music Department
Ruben Ayala | ... | assistant music recording engineer |
Douglas Bryan | ... | assistant music editor |
Thom Caccetta | ... | music recording engineer |
Phil Kelly | ... | additional scoring / orchestrator |
Bill Lindholm | ... | music editor |
Don Seay | ... | assistant music recording engineer |
Ken Sutherland | ... | conductor / orchestrator |
Script and Continuity Department
Rachael Crowe | ... | script supervisor |
Additional Crew
Doug Dumis | ... | production assistant |
E.K. Gaylord II | ... | presenter |
Jim T. Lacy | ... | production assistant (as Jim Lacey) |
Rex Linn | ... | assistant to producer |
David Martin | ... | craft service |
Shirley Riddle | ... | office manager |
George Rodriguez | ... | production assistant |
Peggy Schinhofen | ... | production coordinator |
Lauren Stone | ... | production assistant |
Peggy Taylor | ... | production consultant |
Bill White | ... | production assistant |
Thanks
John Beasley | ... | special thanks |
Ms. Thellis Clark | ... | special thanks |
Richard Livensparger | ... | special thanks |
Bernard Petty | ... | special thanks |
Mary Ann Sanborn | ... | special thanks |