IMDb RATING
5.5/10
1.2K
YOUR RATING
The water supply for a large city zoo becomes contaminated with PCP, and the animals go crazy and get loose.The water supply for a large city zoo becomes contaminated with PCP, and the animals go crazy and get loose.The water supply for a large city zoo becomes contaminated with PCP, and the animals go crazy and get loose.
- Awards
- 1 nomination
Antonio Di Leo
- Rupert Berner
- (as John Aldrich)
Gennarino Pappagalli
- Spectator at Audience
- (uncredited)
Franco Prosperi
- Car Driver
- (uncredited)
Amedeo Salamon
- Passerby
- (uncredited)
Storyline
Did you know
- TriviaThe sequence with the tiger in the subway tunnel was shot from 1:00 a.m. to 3:00 a.m. in the morning. The tiger got loose in the subway station and hid in a bathroom before deciding to go on top of a train. Subway station employees were prevented from entering the station until the tiger was finally caught.
- Quotes
Inspector Nat Braun: Is she out of her mind?
Rupert Berner: No she's not crazy, she's being chased by a cheetah!
Featured review
My review was written in June 1986 after watching the movie on Lightning video cassette.
"Wild Beasts" is an Italian horror feature that underscores the current dilemma between fantasy and realism in the shriek genre. Filmmaker Franco Prosperi applies his experience in the "Mondo Cane" school of shock tactics to a science fiction theme with technically good results but an audience turnoff and counter-productive to the film's socially conscious theme. Pic was made in West Germany in 1982 tith alternate title "Savage Beasts" and has been released domestically to the home video trade.
Premise is that PCP (angel dust) has seeped into the water supply of a German city as a result of industrial waste, with the immediate result that animals in the local zoo freak out, break out (aided by a power outage) and go on the rampage. Along with a horde of sewer rats the revenge of abused Mother Nature in the form of zoo beasts quickly turns into a disaster film mode. Zoo scientist Rupert Berner (John Aldrich), police inspector Nat (Ugo Bologna) and reporter Laura (Lorainne de Selle) lead the fight to save humanity.
Prosperi's talented special effects and animal experts crew provide the utmost realism to even absurd stagings, such as a polar bear attacking the dance class that Laura's daughter Suzy (Louisa Lloyd) attends. Some footage, such as flamethrowers applied to the horde of rats, looks real rather than faked. Mixed with the usual overdone makeup effects of gorily mangled human victims, the thrills are gruesome rather than entertaining. Just as in so many Italian-made cannibal films, the message alerting us to stop raping the environment gets lost in the urge to maximize the titiallation value of the horror scenes..
"Wild Beasts" is an Italian horror feature that underscores the current dilemma between fantasy and realism in the shriek genre. Filmmaker Franco Prosperi applies his experience in the "Mondo Cane" school of shock tactics to a science fiction theme with technically good results but an audience turnoff and counter-productive to the film's socially conscious theme. Pic was made in West Germany in 1982 tith alternate title "Savage Beasts" and has been released domestically to the home video trade.
Premise is that PCP (angel dust) has seeped into the water supply of a German city as a result of industrial waste, with the immediate result that animals in the local zoo freak out, break out (aided by a power outage) and go on the rampage. Along with a horde of sewer rats the revenge of abused Mother Nature in the form of zoo beasts quickly turns into a disaster film mode. Zoo scientist Rupert Berner (John Aldrich), police inspector Nat (Ugo Bologna) and reporter Laura (Lorainne de Selle) lead the fight to save humanity.
Prosperi's talented special effects and animal experts crew provide the utmost realism to even absurd stagings, such as a polar bear attacking the dance class that Laura's daughter Suzy (Louisa Lloyd) attends. Some footage, such as flamethrowers applied to the horde of rats, looks real rather than faked. Mixed with the usual overdone makeup effects of gorily mangled human victims, the thrills are gruesome rather than entertaining. Just as in so many Italian-made cannibal films, the message alerting us to stop raping the environment gets lost in the urge to maximize the titiallation value of the horror scenes..
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