43 reviews
I saw this for the first time recently.
Even more shocked to know that this film is directed by the same fella who wrote the 1976 film Eaten Alive, which is one of my fav horror film regarding psycho n killer croc in a single film.
The beautiful Karrie Emmerson running around in her red panties is a soothing sight in this abysmal film. Neville Brand's footage n his character's death sequence is watchable.
The beautiful Karrie Emmerson running around in her red panties is a soothing sight in this abysmal film. Neville Brand's footage n his character's death sequence is watchable.
- Fella_shibby
- Nov 16, 2020
- Permalink
A small contingent of aliens have landed near a resort area frequented by college students and have hired two auto mechanics to kidnap as many of these students as possible because they need their blood to stay alive. Unfortunately, these aliens have very little time before they must return to their home planet and the two mechanics named "Fred" (Aldo Ray) and "Kurt" (Neville Brand) are more than a little incompetent and seem to kill more college students than they bring in alive. Now rather than reveal any more of the story and risk spoiling the film for those who haven't seen it I will just say that this picture turned out to be pretty much what I expected--a campy, low-budget movie. However, when I saw that it featured Tina Louise (as "Cora") and Julie Newmar ("Dr. Zarma") I knew that I had to give this film a try. Surprisingly, the movie didn't actually depend on them as much as I thought it would. Instead, what kept this movie entertaining was the presence of three lovely young coeds named "Nancy" (Karrie Emerson), "Heather" (Bridget Holloman) and "Connie" (G. T. Taylor) in various stages of undress. Naturally, there were other actors and a very basic plot as well but neither of these issues really amounted to much. In any case, while this movie clearly won't win any Academy Awards and has any number of flaws, I still somewhat enjoyed it and as a result I rate it as only slightly below average.
- Leofwine_draca
- Feb 21, 2018
- Permalink
"Evils of the Night" involves two extraterrestrial women (Tina Louise and Julie Newmar) who hire a couple of idiot rednecks to kidnap and kill 'teens for them, so that they can use the blood to prolong their race (or something like that). I saw this movie in a theater by a fortuitous accident when it was released in 1986: the print of the just-released "Nightmare on Elm Street" had failed to arrive, so the theater owners were showing "Evils..." in its place. My friends and I laughed the whole way through, and were delighted by the many familiar faces in the cast - we never thought we'd see Julie Newmar again! If, like myself, you enjoy following the careers of grade-B stars, you'll get a kick out of this obscure piece of low-budget gore/horror schlock.
- junagadh75
- May 5, 2002
- Permalink
The weakest element is the alien thing, the alien ships are stock footage from Battlestar Galactica and Project UFO and there are only three shots of these ships.
Pretty cast and lots of things that seem to be building to porno scenes that then stop give this the things you'd fast forward to to get to the sex scenes feel of most of what's left.
Cast of fun and cheesy guest roles are mostly wasted in nothing or slightly silly parts--though all of them seem to try. As to the few porn actors guesting here and the rest, well they are pretty but they really do mostly define "porn" acting at its bad norm.
Film has no sense of style or comedy but the taste in attractive female and male flesh must be praised for what it's worth.
Aliens hang out at a hospital that seems to have no one else in it but the aliens, who are just girls in left over Flash Gordon outfits and John Carradine in a silver jump suit, playing it sober.
Aldo Ray and Neville Brand seem to be having some sleazy fun as the sleazes and they trap some of our young pretty non actors and torture them in what briefly becomes a bit serious and suspenseful.
Lots of flesh, not much sense, a fair amount of boredom, very Little blood, no real alien creatures, perhaps a great porn film that wasn't... or parts of a horror film which does kill some characters you'd not expect to have die.
Not much though really, the director has no clear sense of how to make a film and certainly not how to make a genre blending one like this. Re release poster art removes the large cartoon nipples that adorned the original box and poster art, a really silly badly done poster, now stripped of its most outlandish element. Shows how times have changed.
Pretty cast and lots of things that seem to be building to porno scenes that then stop give this the things you'd fast forward to to get to the sex scenes feel of most of what's left.
Cast of fun and cheesy guest roles are mostly wasted in nothing or slightly silly parts--though all of them seem to try. As to the few porn actors guesting here and the rest, well they are pretty but they really do mostly define "porn" acting at its bad norm.
Film has no sense of style or comedy but the taste in attractive female and male flesh must be praised for what it's worth.
Aliens hang out at a hospital that seems to have no one else in it but the aliens, who are just girls in left over Flash Gordon outfits and John Carradine in a silver jump suit, playing it sober.
Aldo Ray and Neville Brand seem to be having some sleazy fun as the sleazes and they trap some of our young pretty non actors and torture them in what briefly becomes a bit serious and suspenseful.
Lots of flesh, not much sense, a fair amount of boredom, very Little blood, no real alien creatures, perhaps a great porn film that wasn't... or parts of a horror film which does kill some characters you'd not expect to have die.
Not much though really, the director has no clear sense of how to make a film and certainly not how to make a genre blending one like this. Re release poster art removes the large cartoon nipples that adorned the original box and poster art, a really silly badly done poster, now stripped of its most outlandish element. Shows how times have changed.
Five of Hollywood's legends get a chance to embarrass themselves in this brainless science fiction film where some healthy teens are captured and used as lab rats for experiments. John Carradine is our head alien scientist and he's
assisted by Julie Newmar and Tina Louise.
Gathering subjects and there are plenty around with buff boys and gorgeous girls at a lake nearby. Also nearby are a pair of garage mechanics, Aldo Ray and Neville Brand who are in the employ of the aliens to bring subjects.
This movie is about as bad as it gets unless you are into scantily clad teens and if you're gay really studly boys. Funny thing is that 30 years earlier I would have looked forward to a film with those five in the cast.
Hope their paychecks cleared.
Gathering subjects and there are plenty around with buff boys and gorgeous girls at a lake nearby. Also nearby are a pair of garage mechanics, Aldo Ray and Neville Brand who are in the employ of the aliens to bring subjects.
This movie is about as bad as it gets unless you are into scantily clad teens and if you're gay really studly boys. Funny thing is that 30 years earlier I would have looked forward to a film with those five in the cast.
Hope their paychecks cleared.
- bkoganbing
- Dec 15, 2019
- Permalink
- TheOldGuyFromHalloween3
- Aug 21, 2022
- Permalink
- michaelRokeefe
- Mar 6, 2007
- Permalink
My mates and I were hoping this notorious mid-80's horror junk would at least be amusingly awful, like "The Dark Power" or something, but instead this is really just a very retarded amateur film that isn't even funny when you're intoxicated to the nth degree. Tons of gratuitous nudity aside, there are absolutely no redeeming values to find in "Evils of the Night" and the impressive list of starring B-movie legends (Aldo Ray, Neville Brand, John Carradine, Julie Newmar
) are embarrassing themselves. Somewhere in the middle of a forest (?) there's a party beach where hormone-driven teenagers gather around for stupid pranks, foul play and unconditional sex. Two local dim-witted car mechanics kidnap the love-making kids and sell them to a society of aliens. The aliens, wearing futuristic outfits that appear to be stolen from Gary Glitter's private wardrobe, need human beings to increase their own lifespan with 200 years. "Evils of the Night" is nearly gore-free and purposelessly boring. The acting performances are terribly uninspired (especially John Carradine is pitiable and miscast as the lead alien) and the wannabe comical interludes are the complete opposite of funny. There's one fairly worthwhile sequence – involving an electric drill – but that's hardly enough to save the film. Skip it, regardless of how cool the DVD-cover looks.
- BandSAboutMovies
- Aug 2, 2018
- Permalink
My 10/10 rating of course only applies to the sorts of people who've decided that they like this movie even before they watch it (like me); for anyone else, this movie is a total zero. "Evils of the Night" has some aliens seeking human blood as the key to eternal life. And what luck! There's a bunch of horny teenagers camping out near a lake! When I saw the box in Movie Madness, it mainly caught my eye due to the casting of Tina Louise; after all, what man wouldn't want to be stranded on an island with Ginger Grant? Anyway, here she plays one of the aliens, and Julie "Catwoman" Newmar plays another. As for the horny teens, they're the kind of characters who horny teens are supposed to be in horror flicks: the boys are a bunch of sex-starved goof-offs, and the girls all have giant breasts. Will your sex drive get going while watching "Evils of the Night"? Let me put it this way: aside from making one think about Ginger Grant, probably a quarter to a third of the movie shows people having sex. And those girls were hot! Hubba hubba...
Some people may think that these kinds of movies are completely worthless, but I must disagree. "Worthless" in my opinion means that it pretends to be important but doesn't actually amount to anything. This movie doesn't pretend to be anything but nice, silly fun. Cool.
Some people may think that these kinds of movies are completely worthless, but I must disagree. "Worthless" in my opinion means that it pretends to be important but doesn't actually amount to anything. This movie doesn't pretend to be anything but nice, silly fun. Cool.
- lee_eisenberg
- Dec 20, 2005
- Permalink
This wacky and exploitative sci-fi horror flick features John Carradine as an alien doctor who needs blood of horny teenagers,so he enlists for help two sleazy mechanics Aldo Ray and Neville Brand.There are also two sexy alien nurses and dumb/sexually active teenagers constantly hooking up including two porn starlets Amber Lynn and Crystal Breeze."Evils of the Night" has to be seen to be believed.The plot is weird and the acting of teens is diabolical.There is plenty of sex and nudity plus some nasty drill/axe violence during the last half of the movie.I can't say that I really liked Mardi Rustam's crazy film debut,but I certainly enjoyed Neville Brand and Aldo Ray performances.6 green laser rings out of 10.
- HumanoidOfFlesh
- Mar 2, 2015
- Permalink
One may be inclined to ask "how bad could it be?" I did, and I knew the only way to find out was to watch for myself. I regretted this decision before even ten minutes had passed. This is the sort of horror movie that gives other horror movies a bad name. This is the type of abomination that makes one wish past awards could be rescinded, in punishment, from those recognizable stars who for some unfathomable reason are attached. This is the kind of rottenness that genuinely ruins one's day, and dampens otherwise enthusiasm for watching films at large, just for the fact of having sat down with it. For all those titles that are most commonly spoken of as being among "the worst ever made," more often than not the sentiment can only hold true insofar as those many other titles that are unquestionably even worse go unseen by the lucky majority of viewers; I've seen too many of those other titles that are unquestionably "even worse," and this without a doubt fits right in with them. 'Evils of the night' is pure garbage, and I feel worse about myself for having chosen to watch.
In a runtime of just over eighty minutes, all but three minutes of the first twenty are nothing but nudity and sex that are not only absolutely gratuitous, but which also count among the least sexy or baseline titillating such inclusions I've ever suffered through. Obviously this, and the very casting of certain buxom young ladies, was intended strictly to gain the favor of the twelve-year old boys who snuck into theaters, or whose creepy uncles let them watch R-rated movies and adult videos. For anyone who possesses the slightest modicum of intelligence or maturity, however, such inclusions - of more to come throughout the length - are desperately aggravating and tiresome. Meanwhile, any attempts at humor aren't funny. Any attempts at "thrills" or "horror" are duller than the plastic spoons that come with children's playhouses. I don't know which is more true: that the cast mostly wasn't even trying as they showed up just for an easy paycheck; that Mardi Rustam's direction is astonishingly devoid of any energy or earnest effort; or that the writing is more thin than even an electron microscope can discern. The dialogue is wretched. The scene writing is abhorrent. The characters are empty shells. The story is tripe. The plot development, such as it is, is witless beyond what words can describe.
If one were feeling generous to an unprecedented degree then I suppose one could go to an extreme and say that a couple scattered ideas somewhere herein were halfway to being decent, that the practical effects aren't bad, and that a fair bit of Robert O. Ragland's original music is unexpectedly flavorful and suitable for what this genre flick should have been. Yet if you think such limp, halfhearted praise (no more than one-quarter of a heart, realistically) portends sufficient entertainment, I would alternatively recommend first trying the experience of watching paint dry. If you think that the humble slivers of value 'Evils of the night' could possibly be said to boast are something that can only be found here and nowhere else, or that that value isn't stronger and more plentiful elsewhere, then I can only assume with all due sincerity that this is the first horror picture you've ever watched, and for that I am so, so sorry. Whatever it is that you're hoping to get out of this, what we have to endure to attain even a fragment of worth is far too ignominious to warrant such an insipid waste of our time, and such stupefying drivel.
I don't know whether I should feel sorry for those who got roped into participating, or despise those who contributed. One way or another, this is appalling dreck that I must in good conscience actively recommend against, and spread a warning far and wide. 'Evils of the night' is terrible, mind-numbing rubbish, and you're better off watching literally almost anything else instead.
In a runtime of just over eighty minutes, all but three minutes of the first twenty are nothing but nudity and sex that are not only absolutely gratuitous, but which also count among the least sexy or baseline titillating such inclusions I've ever suffered through. Obviously this, and the very casting of certain buxom young ladies, was intended strictly to gain the favor of the twelve-year old boys who snuck into theaters, or whose creepy uncles let them watch R-rated movies and adult videos. For anyone who possesses the slightest modicum of intelligence or maturity, however, such inclusions - of more to come throughout the length - are desperately aggravating and tiresome. Meanwhile, any attempts at humor aren't funny. Any attempts at "thrills" or "horror" are duller than the plastic spoons that come with children's playhouses. I don't know which is more true: that the cast mostly wasn't even trying as they showed up just for an easy paycheck; that Mardi Rustam's direction is astonishingly devoid of any energy or earnest effort; or that the writing is more thin than even an electron microscope can discern. The dialogue is wretched. The scene writing is abhorrent. The characters are empty shells. The story is tripe. The plot development, such as it is, is witless beyond what words can describe.
If one were feeling generous to an unprecedented degree then I suppose one could go to an extreme and say that a couple scattered ideas somewhere herein were halfway to being decent, that the practical effects aren't bad, and that a fair bit of Robert O. Ragland's original music is unexpectedly flavorful and suitable for what this genre flick should have been. Yet if you think such limp, halfhearted praise (no more than one-quarter of a heart, realistically) portends sufficient entertainment, I would alternatively recommend first trying the experience of watching paint dry. If you think that the humble slivers of value 'Evils of the night' could possibly be said to boast are something that can only be found here and nowhere else, or that that value isn't stronger and more plentiful elsewhere, then I can only assume with all due sincerity that this is the first horror picture you've ever watched, and for that I am so, so sorry. Whatever it is that you're hoping to get out of this, what we have to endure to attain even a fragment of worth is far too ignominious to warrant such an insipid waste of our time, and such stupefying drivel.
I don't know whether I should feel sorry for those who got roped into participating, or despise those who contributed. One way or another, this is appalling dreck that I must in good conscience actively recommend against, and spread a warning far and wide. 'Evils of the night' is terrible, mind-numbing rubbish, and you're better off watching literally almost anything else instead.
- I_Ailurophile
- Aug 15, 2023
- Permalink
Right from the opening, depicting something resembling a customized mobile home floating through space, you know this is something special. A low budget space ship lands in the middle of the woods - this contains alien scientists John Carradine, Julie Newmar, and Tina Louise. Using a hospital as a base of operations, they set out to fulfill their mission; to gather blood platelets from young Earth people and send the stuff back to their home planet. Platelets, it seems, are the key to eternal life. They hire two mechanics (Aldo Ray and Neville Brand) to handle the dirty work of capturing unwilling donors. And what luck - nearby there are a group of perfect specimens on a camping trip...
First of all, the cast is amazing. Carradine and Newmar - no strangers to this terrain - actually manage to pull their roles off with style and dignity. Aldo Ray was probably used to this kind of movie as well, having already appeared in such things as Mongrel and Biohazard - while Tina Louise was `Ginger' on Gilligan's Island. Neville Brand had a distinguished record in World War 2, and afterward found his way into a major Hollywood career, specializing in westerns during the fifties - and notably played Duke, the embittered POW in Stalag 17. In this, his last film, he plays the role of Ray's lackey - and actually appears to be enjoying himself, even while unpleasantly ogling and pawing his captured female victims. Also worth mentioning is the fact that the victims and potential victims are not just cardboard cut-outs, and you actually like them.
Is this movie any good? Well, let me put it this way - it's dumb and cheap and sleazy - but that's exactly what it's intended to be. It would have been a perfect feature on the late, great USA Up All Night, as it's very much in that "style". For the people who consider that a recommendation, dive right in.
First of all, the cast is amazing. Carradine and Newmar - no strangers to this terrain - actually manage to pull their roles off with style and dignity. Aldo Ray was probably used to this kind of movie as well, having already appeared in such things as Mongrel and Biohazard - while Tina Louise was `Ginger' on Gilligan's Island. Neville Brand had a distinguished record in World War 2, and afterward found his way into a major Hollywood career, specializing in westerns during the fifties - and notably played Duke, the embittered POW in Stalag 17. In this, his last film, he plays the role of Ray's lackey - and actually appears to be enjoying himself, even while unpleasantly ogling and pawing his captured female victims. Also worth mentioning is the fact that the victims and potential victims are not just cardboard cut-outs, and you actually like them.
Is this movie any good? Well, let me put it this way - it's dumb and cheap and sleazy - but that's exactly what it's intended to be. It would have been a perfect feature on the late, great USA Up All Night, as it's very much in that "style". For the people who consider that a recommendation, dive right in.
- Sanguinaire
- Feb 2, 2004
- Permalink
- nogodnomasters
- Apr 26, 2019
- Permalink
Neville was so sick when he made this. You can even tell its not him unloading bodies at the hospital. Usual trash of course, chicks that can't act, of course Ginger Grant again is well not a decent woman. I watched it for Neville, but like Vinnie in Edward Scissorhands, its tearful.
- QueenoftheGoons
- Jan 27, 2021
- Permalink
evils in the night is a bad movie but not poor,but it does have its moments.its kind of a soft core porno slash sci fi film,it does however waste the talents of great actors;John Carradine,Julie Newmar,Aldo Rey,Neville brand and Tina Louise(strike that Tina Louise is'nt a great actor)aliens kidnap sex starved teenagers that look like they wandered off the Friday the 13th lot.but john carridine is really wasted in this sleazy film as an alien.look for 80's adult star amber Lynn displaying her charms.there are a lot of goofs one is the spaceship,its 2 different spacecraft,one that looks like the shuttle from battlestar galactica. the other looks like a flying saucer.i know it was a low budget but thats just too obvious.Aldo Rey and Neville brand are buddies running a gas station auto repair shop,just don't take your Toyota there.if you want to waste about 90 minutes on a bad film this is it.don't expect close encounters of the third kind.think plan 9 from outer space with soft core porn.also in the movie is Fred Olen Rey's tough girl actress dawn wildsmith as one of the aliens.i give it 2 out of 10.just a little above being poor.
- lordzedd-3
- Aug 11, 2006
- Permalink
- Tender-Flesh
- Dec 1, 2009
- Permalink
Sad to see actors I like looking so bad. My god, couldn't they have found someone to do Julie Newmars hair? Comb it rigjt at least. Oh well. We all need money. Poor Aldo Ray. He was a big star and very hot in his day. He must have been realy high in this silly wannabe horror.
- bearfist2009
- Sep 28, 2019
- Permalink
If this reviews' corresponding rating were based on technical prowess or filmmaking / story quality, it would naturally be low indeed. But it supplies a substantial amount of entertainment value. This is cheeseball crud at its finest. While on one hand this viewer did feel bad for the veteran actors involved (more to the point, it's sad that THIS was Neville Brands' final film), they help to make this fun. "Evils of the Night" is tacky, it's trashy, and it's downright silly.
The plot has a team of aliens - Dr. Kozmar (John Carradine), Dr. Zarma (Julie Newmar), and Cora (Tina Louise) among them - arriving on Earth. They manipulate two ceaselessly stupid and sleazy garage mechanics, Kurt (Mr. Brand), and Fred (Aldo Ray) into abducting as many of the local airhead oversexed college students as possible, to be used in biological experiments.
Since the victims here are so utterly pathetic (they sure don't do a very good job of trying to save their own worthless asses), one may end up rooting for the antagonists by default.
Add to this mix some painfully loud and peppy pop tunes, a respectable amount of female nudity, and the fumbling direction of Mohammed "Mardi" Rustam, and you get fromage writ large, a cheap genre item that's pretty hard to resist. Rustam had worked as a producer of 70s favourites such as "Psychic Killer" and Tobe Hoopers' "Eaten Alive", and this was his only feature length directing credit on a motion picture.
Newmar and Louise look quite good, as do many of their young co-stars. Carradine may have appeared in a lot of junk unworthy of his talents over the years, but the fact remains that even in stuff like this, he never seemed to phone it in; his performance is the most fun.
Buffs will note that two of the younger cast members, Karrie Emerson and Tony O'Dell, also worked together subsequently in "Chopping Mall".
Eight out of 10.
The plot has a team of aliens - Dr. Kozmar (John Carradine), Dr. Zarma (Julie Newmar), and Cora (Tina Louise) among them - arriving on Earth. They manipulate two ceaselessly stupid and sleazy garage mechanics, Kurt (Mr. Brand), and Fred (Aldo Ray) into abducting as many of the local airhead oversexed college students as possible, to be used in biological experiments.
Since the victims here are so utterly pathetic (they sure don't do a very good job of trying to save their own worthless asses), one may end up rooting for the antagonists by default.
Add to this mix some painfully loud and peppy pop tunes, a respectable amount of female nudity, and the fumbling direction of Mohammed "Mardi" Rustam, and you get fromage writ large, a cheap genre item that's pretty hard to resist. Rustam had worked as a producer of 70s favourites such as "Psychic Killer" and Tobe Hoopers' "Eaten Alive", and this was his only feature length directing credit on a motion picture.
Newmar and Louise look quite good, as do many of their young co-stars. Carradine may have appeared in a lot of junk unworthy of his talents over the years, but the fact remains that even in stuff like this, he never seemed to phone it in; his performance is the most fun.
Buffs will note that two of the younger cast members, Karrie Emerson and Tony O'Dell, also worked together subsequently in "Chopping Mall".
Eight out of 10.
- Hey_Sweden
- May 9, 2015
- Permalink
This movie was great if you realize what it is. Even though it came out in the mid eighties, watching this I felt like I was at the drive-in movie in the mid seventies drinking beer and hooting and hollaring with my high school buddies. Man, that brings back some memories. beer. What more could a teen in 1974 ask for!
- beeglebilly
- Nov 21, 2019
- Permalink
All the fun here is watching the fast fading stars, Neville Brand, Aldo Ray, John Carradine, Julie Newmar, and Tina Louise. The rest could be described as wanna be actors supplying nakedness and blood for the ancient vampire aliens. Almost everything about "Evils of the Night" is way up there on the dumb scale. For example, why do Neville Brand and Aldo Ray bother wearing masks while abducting the "blood donor teenagers"? I mean their names are sewn on their service station uniforms. Who builds a hospital in the middle of the woods, that is only available to the aliens for their blood letting and has no other patients? A chimpanzee could over dub all of the dialog, and come up with a better script. What you are left with is nudity and nonsense. I actually feel sorry for the senior citizen actors, and this 'schlockfest" certainly is a crime to be Neville Brand's last film. At this writing, Tina Louise and Julie Newmar are the only two still living, while John Carradine and Aldo Ray are also deceased. My favorite quote comes from alien Julie Newmar upon discovering the body of dead alien Tina Louise oozing what appears to be melted lime Jello "They have expunged her." - MERK
- merklekranz
- Feb 2, 2020
- Permalink