In 1936 Italy, a husband returns from Africa with a tribal king's daughter, unaware his neglected wife has become involved with his secretary.In 1936 Italy, a husband returns from Africa with a tribal king's daughter, unaware his neglected wife has become involved with his secretary.In 1936 Italy, a husband returns from Africa with a tribal king's daughter, unaware his neglected wife has become involved with his secretary.
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- TriviaThe credits claim the screenplay is based on a novel by a Judith Wexley. Several researchers have said they could find no trace of this novel, and it apparently does not exist.
- GoofsThe movie is set after the Anglo-Zulu war of 1879 when the British imperial and colonial forces invaded Zululand, a war which spanned for six months. After this war, the English soldier Elio returns to Italy where he now lives. But clothes worn by the characters match the 1920s and 1930s better than they do the 1870s. Among Elio's possessions is a car. According to a movie car database this car is a Lancia Augusta which was in production between 1933 and 1936. Also, the family listens to Italian fascist propaganda about "Il Duce", Benito Mussolini, on a 20th century radio set. The fascist Mussolini was in power from 1922 to 1943.
- Quotes
Wilma: You hypocritical sow!
Alessandra: I love you too, Mata Hari.
- Alternate versionsWhen released in the UK in 1995 this title was cut by 1 minute and 45 seconds by the BBFC.
- ConnectionsFeatured in Il vizio infinito (1992)
Featured review
Alcove, The (1984)
** (out of 4)
Interesting tale from D'Amato about a Captain (Al Cliver) returning from a battle in Africa where he was given a slave, Zerbal (Laura Gemser) as a gift for saving a tribal leader. Back at home his wife (Lilli Carati) is having an affair with her secretary (Annie Belle) but soon Zerbal begins to come between them but it might be more than just your typical lesbian affair. I was really surprised with this film because it's actually very well-made and features a pretty good story. One is probably going to walk into this thing expecting nothing but a sex romp and while there is a lot of sex it really never takes center stage over the story being told. D'Amato made a very long career out of sex movies so this one here is certainly a lot different than many of the items he was releasing around this period. What really stands out is the actual production. The film takes place during the 1940s so we've got the older cars, costumes and set design, all of which is extremely good looking. Another plus is the cinematography from D'Amato, which to me is his greatest aspect (a lot better than his directing). All of this makes for a pretty interesting atmosphere and most of the sex scenes are quite erotic (though some enter a camp level). The film also benefits from an fun Euro-cult cast with Gemser leading the way as the obvious sex object to everyone. If you've seen any of her films with D'Amato then you should know what to expect. Belle really stands out and delivers a fine performance as does Carati. Cliver, God bless him, is his usual fun self. What keeps the movie from being even better is its rather slow pacing and it also goes on a tad bit too long at 93-minutes. I think a good ten minutes could have been cut out and we really wouldn't have lost anything story-wise. The film is pretty straight-forward and is well-made but at the end of the day this here is still going to be for D'Amato completest only.
** (out of 4)
Interesting tale from D'Amato about a Captain (Al Cliver) returning from a battle in Africa where he was given a slave, Zerbal (Laura Gemser) as a gift for saving a tribal leader. Back at home his wife (Lilli Carati) is having an affair with her secretary (Annie Belle) but soon Zerbal begins to come between them but it might be more than just your typical lesbian affair. I was really surprised with this film because it's actually very well-made and features a pretty good story. One is probably going to walk into this thing expecting nothing but a sex romp and while there is a lot of sex it really never takes center stage over the story being told. D'Amato made a very long career out of sex movies so this one here is certainly a lot different than many of the items he was releasing around this period. What really stands out is the actual production. The film takes place during the 1940s so we've got the older cars, costumes and set design, all of which is extremely good looking. Another plus is the cinematography from D'Amato, which to me is his greatest aspect (a lot better than his directing). All of this makes for a pretty interesting atmosphere and most of the sex scenes are quite erotic (though some enter a camp level). The film also benefits from an fun Euro-cult cast with Gemser leading the way as the obvious sex object to everyone. If you've seen any of her films with D'Amato then you should know what to expect. Belle really stands out and delivers a fine performance as does Carati. Cliver, God bless him, is his usual fun self. What keeps the movie from being even better is its rather slow pacing and it also goes on a tad bit too long at 93-minutes. I think a good ten minutes could have been cut out and we really wouldn't have lost anything story-wise. The film is pretty straight-forward and is well-made but at the end of the day this here is still going to be for D'Amato completest only.
- Michael_Elliott
- Mar 23, 2010
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