IMDb RATING
5.7/10
1.1K
YOUR RATING
Jack Tripper's co-habitation with Vicky Bradford is complicated by her hostile father's interference as Jack's landlord.Jack Tripper's co-habitation with Vicky Bradford is complicated by her hostile father's interference as Jack's landlord.Jack Tripper's co-habitation with Vicky Bradford is complicated by her hostile father's interference as Jack's landlord.
Browse episodes
Storyline
Did you know
- TriviaDon Knotts was offered a recurring role but turned it down. Suzanne Somers lobbied to reprise her role as Chrissy but was turned down.
- Alternate versionsSome syndicated repeats aired under the title "Three's Company Too" with the theme song replaced with the theme from Three's Company (1976).
- ConnectionsFeatured in WatchMojo: Top 10 Worst TV Spin-Offs (2014)
Featured review
Just finished a Three's Company marathon, complete with spin-offs (I also wrote a review for The Ropers).
TAC is not as bad as some other reviewers have stated, but it's certainly a letdown after Three's Company. It doesn't help that by the time Season 8 of Three's Company came around, the show had grown a bit stale: still enjoyable but running out of steam. That does not make for a great hand-off to the new show.
And the new show is in a lot of ways the same as the old show, only much more tepid. Mary Cordette as Vicki Bradford, Jack's girlfriend, is perfectly fine, but comedy is not her metier. Robert Mandan as Mr. Bradford is a pro. His presence is stabilizing, as is the reoccurring role of Jessica Walter as Claudia, Vicki's mother. Alan Campbell as Jack's surfer-dude sous-chef is a bit grating.
But tepidity is the issue. The show doesn't know what it wants to be. The first five or six episodes are sluggish because they mostly continue the new-couple-in-love storyline that, quite frankly, dragged down the final episodes of Three's Company. In fact, this rom-com-lite feel permeates the entire single season of TAC. Other times, the show tries to go for the tried-and-true formulae of TC: the physical pratfalls of Ritter, the double-entendres, the overheard conversations, the misunderstood conversations. Occasionally, they are hilarious, and one is briefly reminded of the pure farce of TC.
Farce. That's what I and so many viewers loved about TC. The original show did not try to be serious. It did not try to lecture or pander. It refused to turn mawkish or maudlin (NOTE: The show's final hour-long episode is an exception, awkwardly going for gush instead of gut-busting laughs). TAC, thus, is in an awkward position. If it tries to rehash TC's blueprint, it risks being lambasted as unoriginal. If it tries to go in a different direction--lukewarm and fuzzy romance with dashes of humor added in--the show is also painted into a corner.
Nonetheless, the show is far from awful. In fact, it finds its semi-stride for a number of mid-season episodes. TAC is harmless and nostalgic, especially for anyone, like me, who misses Ritter, Three's Company, and 80s neon fashion!
TAC is not as bad as some other reviewers have stated, but it's certainly a letdown after Three's Company. It doesn't help that by the time Season 8 of Three's Company came around, the show had grown a bit stale: still enjoyable but running out of steam. That does not make for a great hand-off to the new show.
And the new show is in a lot of ways the same as the old show, only much more tepid. Mary Cordette as Vicki Bradford, Jack's girlfriend, is perfectly fine, but comedy is not her metier. Robert Mandan as Mr. Bradford is a pro. His presence is stabilizing, as is the reoccurring role of Jessica Walter as Claudia, Vicki's mother. Alan Campbell as Jack's surfer-dude sous-chef is a bit grating.
But tepidity is the issue. The show doesn't know what it wants to be. The first five or six episodes are sluggish because they mostly continue the new-couple-in-love storyline that, quite frankly, dragged down the final episodes of Three's Company. In fact, this rom-com-lite feel permeates the entire single season of TAC. Other times, the show tries to go for the tried-and-true formulae of TC: the physical pratfalls of Ritter, the double-entendres, the overheard conversations, the misunderstood conversations. Occasionally, they are hilarious, and one is briefly reminded of the pure farce of TC.
Farce. That's what I and so many viewers loved about TC. The original show did not try to be serious. It did not try to lecture or pander. It refused to turn mawkish or maudlin (NOTE: The show's final hour-long episode is an exception, awkwardly going for gush instead of gut-busting laughs). TAC, thus, is in an awkward position. If it tries to rehash TC's blueprint, it risks being lambasted as unoriginal. If it tries to go in a different direction--lukewarm and fuzzy romance with dashes of humor added in--the show is also painted into a corner.
Nonetheless, the show is far from awful. In fact, it finds its semi-stride for a number of mid-season episodes. TAC is harmless and nostalgic, especially for anyone, like me, who misses Ritter, Three's Company, and 80s neon fashion!
- How many seasons does Three's a Crowd have?Powered by Alexa
Details
Contribute to this page
Suggest an edit or add missing content