IMDb RATING
7.4/10
9.8K
YOUR RATING
A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption, and soon realises he's in over his head, and nobody can be trus... Read allA New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption, and soon realises he's in over his head, and nobody can be trusted.A New York City narcotics detective reluctantly agrees to cooperate with a special commission investigating police corruption, and soon realises he's in over his head, and nobody can be trusted.
- Nominated for 1 Oscar
- 4 wins & 15 nominations total
Ronald Maccone
- Nick Napoli
- (as Ron Maccone)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAkira Kurosawa complimented director Sidney Lumet on the beauty of the camerawork and the whole movie. By this he meant that there is an elemental connection between the story and the techniques used. For example, background lighting is gradually phased out to make the characters stand out more towards the end of the film.
- GoofsDuring the Blomberg appeal, the judge calls Detective Ciello "Lieutenant Ciello".
- Quotes
Daniel Ciello: I know the law. The law doesn't know the streets.
- Alternate versionsThe film originally premiered on TV in a version broadcast over 4 hours (running no longer than 196 minutes), including previously unseen material which had been cut from the 167-minute theatrical release. Among the restored scenes is one that makes more sense of the DiBenadetto Case (the character Ciello's first rat-job).
- ConnectionsFeatured in Sneak Previews: The Best of 1981 (1981)
- SoundtracksLove Will Keep Us Together
(uncredited)
Written by Neil Sedaka and Howard Greenfield
Performed by Captain & Tennille
Featured review
Really, a stunning, unforgettable movie. This movie outlined very well the pitfalls, traps and emotional traumas associated with this type of betrayal. Although Danny Ciello wanted to cleanse himself and do the right thing, the path to that was to bring down the cop family, the close, tightly knit unit that he was part of. The tales he told had life-and-death implications for all involved, and may have been more than he bargained for.
Treat Williams was tremendous in this, although I must indicate my one complaint with the movie. That was in Williams' occasional overacting. The pain and emotion mostly was silently played out by Williams. The wrenching, emotional toll was plain to see and sense, even on a tough cop's stoic face. However, Williams occasionally went emotionally berserk, ostensibly to indicate the depth of his turmoil. This is a minor complaint, though. Actually his performance in this was astonishing.
There is a scene in the movie where Danny goes out in the night to help a junkie informant. The junkie is sick and desperate. He has nowhere else to turn except his cop handler, Danny. Danny finds himself in the position of having to get his informant his fix to keep him from getting violently sick. Danny finds himself running around in the rain and mud, ripping off another sick junkie of his stash. This junkie is desperate, too, and his cries dig deep into Danny as he rips him off. Later, when he takes the junkie home, his wife/girlfriend gets the drugs, disappears into the bathroom and takes them. When the junkie breaks into the bathroom, she tells him that the drugs were junk, and she flushed them down the toilet. The junkie is back where he started, and he begins beating her. Danny stands there, soaking wet and muddy, stunned by what is happening, and what he is out there doing. This simple scene is played out very well, and Treat Williams stands there with the revulsion and heartbreak played out on his face. This is not what he is supposed to be doing; this is not what he became a cop for.
A well-directed, well-acted movie.
Treat Williams was tremendous in this, although I must indicate my one complaint with the movie. That was in Williams' occasional overacting. The pain and emotion mostly was silently played out by Williams. The wrenching, emotional toll was plain to see and sense, even on a tough cop's stoic face. However, Williams occasionally went emotionally berserk, ostensibly to indicate the depth of his turmoil. This is a minor complaint, though. Actually his performance in this was astonishing.
There is a scene in the movie where Danny goes out in the night to help a junkie informant. The junkie is sick and desperate. He has nowhere else to turn except his cop handler, Danny. Danny finds himself in the position of having to get his informant his fix to keep him from getting violently sick. Danny finds himself running around in the rain and mud, ripping off another sick junkie of his stash. This junkie is desperate, too, and his cries dig deep into Danny as he rips him off. Later, when he takes the junkie home, his wife/girlfriend gets the drugs, disappears into the bathroom and takes them. When the junkie breaks into the bathroom, she tells him that the drugs were junk, and she flushed them down the toilet. The junkie is back where he started, and he begins beating her. Danny stands there, soaking wet and muddy, stunned by what is happening, and what he is out there doing. This simple scene is played out very well, and Treat Williams stands there with the revulsion and heartbreak played out on his face. This is not what he is supposed to be doing; this is not what he became a cop for.
A well-directed, well-acted movie.
- jmorrison-2
- Jul 17, 2005
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Prince of the City - Die Herren der Stadt
- Filming locations
- Governors Island, New York Harbor, New York City, New York, USA(scenes at ferry landing)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $8,600,000 (estimated)
- Gross US & Canada
- $8,124,257
- Opening weekend US & Canada
- $64,713
- Aug 23, 1981
- Gross worldwide
- $8,124,257
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