IMDb RATING
7.9/10
9.6K
YOUR RATING
The life of a boy on the streets of Sao Paulo, involved with crimes, prostitution, and drugs.The life of a boy on the streets of Sao Paulo, involved with crimes, prostitution, and drugs.The life of a boy on the streets of Sao Paulo, involved with crimes, prostitution, and drugs.
- Awards
- 10 wins & 4 nominations
João José Pompeo
- Almir
- (as Joáo José Pompeu)
Rubens Rollo
- Director
- (as Ruben Rollo)
Luis Serra
- Reporter
- (as Luiz Serra)
Storyline
Did you know
- TriviaThe film's star, Fernando Ramos da Silva, who plays a young street criminal, actually was a street criminal before he made this film. After completing it, he took up the criminal life again, and was killed in Brazil in 1987 in an alleged shootout with police. While police reports claim that da Silva was resisting arrest, there are conflicting reports from eyewitnesses, who claim da Silva was unarmed. Furthermore, a forensic examination showed that he had been shot while lying on the ground. Both his wife and mother called the shooting "a police execution." The story of Fernando Ramos da Silva is depicted in the biographical film Who Killed Pixote? (1996).
- Alternate versionsAll UK versions were cut by 27 secs under the 1978 Protection of Children Act. The scene removed was a panning shot showing Pixote on a bed alongside a couple having sex.
- ConnectionsFeatured in Sneak Previews: Pixote, Ragtime, Buddy Buddy, Absence of Malice (1981)
- SoundtracksCould It Be Magic
Featured review
Amazing, controversial, and painful are some essential adjectives to allocate this important piece of art, that depicts the searing and factual adolescence of the marginalized children; i.e. victims of our global village.
Pixote prepubescent, with the unflinching stare of the innocent-all-knowing, left an impression of raw truth in finding credence to the old African saying, "It takes a village to raise a child". The awful reality, though, that director Hector Babenco visualized is that Brazil, with it's confusing, twisted, and socio-economic disparity, is the cause of this robbed innocence. In desperation, we see these children in search of nurturing and love, but only permitted leftovers of what society has tossed aside. Institutionalized rape, prostitution, drug dealing, and murder are the only voice they have in order to be nurtured, be loved, and have power. The only thing that Brazil has to offer these lost children are predators; repeating the cycle of hopelessness. Brazil, as a nation is an unworthy parent.
In retrospect, I believe the film "Pixote" is a parable on the world governments turning a blind eye to the hunger pains of the destitute and impoverished victims of an ever-expanding economy; and the force of irresponsible globalization is leaving blood soaked tear trails of destruction through the interconnected avenues of the world. We see through the symbolism of a child that the inequality or disparity in society has a snowball effect causing cannibalism within ourselves.
Pixote prepubescent, with the unflinching stare of the innocent-all-knowing, left an impression of raw truth in finding credence to the old African saying, "It takes a village to raise a child". The awful reality, though, that director Hector Babenco visualized is that Brazil, with it's confusing, twisted, and socio-economic disparity, is the cause of this robbed innocence. In desperation, we see these children in search of nurturing and love, but only permitted leftovers of what society has tossed aside. Institutionalized rape, prostitution, drug dealing, and murder are the only voice they have in order to be nurtured, be loved, and have power. The only thing that Brazil has to offer these lost children are predators; repeating the cycle of hopelessness. Brazil, as a nation is an unworthy parent.
In retrospect, I believe the film "Pixote" is a parable on the world governments turning a blind eye to the hunger pains of the destitute and impoverished victims of an ever-expanding economy; and the force of irresponsible globalization is leaving blood soaked tear trails of destruction through the interconnected avenues of the world. We see through the symbolism of a child that the inequality or disparity in society has a snowball effect causing cannibalism within ourselves.
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