When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.When one of Europe's most lethal terrorists shows up in New York, an elite undercover cop is assigned to take him down by any means necessary.
Storyline
Did you know
- TriviaStories about on-set fights between Rutger Hauer and Sylvester Stallone are still talked about amongst fans of this movie and both actors. In his autobiography, Hauer stated that Stallone had come off a recent string of box office bombs, and was in desperate need of a hit movie. Hauer felt that many of the on-set clashes stemmed from Stallone's constant efforts to keep tight control over every aspect of the film's production (such as replacing original director Gary Nelson with Bruce Malmuth). However, Hauer also said during interviews in later years that he actually didn't take his arguments with Stallone personally, and that the biggest problem during filming was that it was a very difficult movie to make. From his part, Stallone has expressed deep regret over his behavior in the 1980s during a 2014 interview, stating that the success of Rocky (1976) had made him "insufferable"; by his own admission, he "abused power and was an authority on everything", and wished that he "could go back and punch myself in the face".
- GoofsWhen Fox is loading his rifle just before the confrontation at the bus, you can clearly see the crimped ends of the blank rounds he's loading.
- Quotes
Deke DaSilva: Lieutenant? I just got these latest transfer orders from the Captain.
Lt. Munafo: Yeah, don't sing me any operas. I'm not feeling well right now and I'm in a bad mood.
Deke DaSilva: I'm not gonna sing any operas. I'm talking about these transfer orders. Come on, Munafo. I've been working Decoy for nine years and now I'm pulled and I'd like to know why.
Lt. Munafo: Hey, don't start with me. It's Lieutenant. You don't know me well enough to call me Munafo. But I know you, DaSilva. The gung-ho Lone Ranger of the street crime unit. Well, you can forget about that because we've been asked to cooperate with a special federal/state unit, and we will. You and Fox have been assigned to an ATAC unit.
Matthew Fox: Come on! Terrorism is hijackers and hostages. That's FBI stuff. What the hell do they want with us?
Lt. Munafo: I don't know. Your service records may have something to do with it. How many times have you been hospitalized last year? Five? Well, consider this squad a vacation from Decoy.
Deke DaSilva: I don't need a vacation.
Lt. Munafo: Yes, you do. Now, they need someone who knows the local rat holes and you're nominated. Anything goes down, you're the man.
Deke DaSilva: You mind telling me where this came from?
Lt. Munafo: From the Commissioner, and he got it from Washington. They're sending a specialist from Europe... Interpol... to help organize it in conjunction with Federal funding. And this department will extend every courtesy. Do you understand?
Deke DaSilva: [grabs Munafo] No, I don't understand...
Lt. Munafo: Get your hands off me! Understand this, sucker! You're a cop and you'll go where you're assigned! Now, you and Tonto be here at eight o'clock tomorrow, sharp! End of story!
- Alternate versionsSPOILER: The theatrical release as well as all video, laserdisc, television, and DVD versions contain the altered ending where DaSilva shoots Wulfgar only twice, despite the fact that Wulfgar has six bullet wounds on his body.
- SoundtracksGetaway
Written by Billy Powell (uncredited), Dale Krantz (uncredited) and Barry Lee Harwood (uncredited)
Performed by The Rossington Collins Band (as Rossington Collins)
Courtesy of MCA Records
The action takes most of the film up, although it's not overdone too much, sometimes you do wonder if they could have run around for a bit less time. The script is the only thing that lets this down, with some of the events being a bit dubious. You do get the feeling from time to time that the scriptwriter wasn't quite sure how to chain some events so they seem a bit forced. But other ideas are kind of cute to make up for it.
Although it is full of cliches, this is not really a downside to the film, which seems to be shouting out that cliches aren't that bad. And being from the early eighties you could always argue that it was actually laying the ground for cliches to become such.
Acting is good, even from Sly, this really is the role he was born to play. He is the Rocky of the NY street undercover police. Hauer rocks in no small way, and Nigel Davenport shouts like no one (you'll see what I mean).
Watch and enjoy. That's all folks.
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Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Night Hawks
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $14,905,359
- Opening weekend US & Canada
- $2,525,360
- Apr 12, 1981
- Gross worldwide
- $19,905,359
- Runtime1 hour 39 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1