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A young man struggles to become a boxing champ, but success blinds him. It is only through the love of his girlfriend that he is brought back to reality.

Muhammad Ali, Michael V. Gazzo, Leon Isaac Kennedy, Jayne Kennedy, and Perry Lang in Body and Soul (1981)

Overacted and stereotyping, but entertaining

I remember watching this movie years ago I am a 46 year old woman and back in the 80s, Jane Kennedy and Leon Kennedy were like icons to a lot of African American people. I didn&#39;t care for the movie then and I don&#39;t now. I see where they were trying to go with this story but as one of the commenters said, it lacked depth and credibility. I also admire the commenter who said he was white and sick of seeing us (leon as a boxer) being portrayed in this cartoonish kind of way. Again I agree. This movie was so laid on with naked women, it literally blinded the storyline and where they were trying to go with it. You saw Leon in bed more with his groupies than you did with him in the ring!!!. The nice gem to this movie was the young girl who played his sick sister. She did an excellent job, you can tell she was brewing to be a good actress. And Jane of course was pretty as always. But Leon and Jayne as actors.?.. I wish they would have tried again. However I weather watch this movie than any of the penitentiary&#39;s that Leon has been in! There were three of them!!! And to me that is three too many LOL. Again this is a touching story, I just wish they had of executed it better. However I still consider it as what they would call and old cult classic from these two who were very popular at that time.

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Body and Soul

All the way back in his teens, Leon Issac Kennedy was a DJ in Cleveland, a job that took him to Los Angeles and finally into two films with Fred Williamson, Hammer and Mean Johnny Barrows. By this point in his career, he&#39;d already become a star as Martel &quot;Too Sweet&quot; Gordone in Jamaa Fanaka&#39;s Penitentiary and had married Jayne Kennedy, the former Miss Ohio USA and NFL broadcaster. Sadly, they&#39;d break up just as this movie was being released and as part of their divorce case, a sex tape - decades before this became something that anyone knew of - that EBONY Magazine claimed that Kennedy had released. He later sued for a million dollars. But back before all that ugliness, the Kennedys appeared in this remake* of Robert Rossen&#39;s 1947 boxing move of the same name. Supposedly, Menahem Golan and Yoram Globus - those who are all things Cannon - studied marketing research and discovered that Americans wanted to see one thing more than anything else: Leon Isaac Kennedy beating people up. Leon is Leon &quot;The Lover&quot; Johnson, a boxer who we first meet dancing around an opponent and then getting a few more rounds in with a woman who caught his eye in the crowd. In a public bathroom, no less. Despite the unclean nature of where Leon chooses to do his loving, he&#39;s actually a somewhat decent man who only became a boxer because it can pay for the medical care of his sister Kelly (Nikki Swasey Seaton). To get to the top, he has to deal with a fight promoter named Big Man (Peter Lawford) and get trained by Muhammed Ali, which seems to be the right person to train you and wow, seeing The Greatest up close in the ring sparring reminds you of just how amazing he was, even this late in his career. He also falls for Julie Winters (Mrs. Kennedy, of course) who ends up leaving him after all his groupie-loving shenanigans, telling him &quot;I just wish you were double-jointed so you could turn around and kiss your own ass.&quot; Can he get it all together, get the girl, win the big fight and keep his sister as healthy as possible? I mean, have you ever seen a boxing movie before? That said, this is like no other boxing movie you&#39;ve seen, as Kennedy does near pro wrestling moves as he boxes, like windmill punches, multiple punches to the face piston style and even runs up the ropes to deliver a big punch near the end. Plus, his nemesis has a very pro wrestling name - the St. Louis Assassin - and is played by former WBC Light Heavyweight Champion J. B. Williamson in a role that demands that he grimace, destroy people and throw babies. Yes, he really tosses a baby in one scene. Body and Soul was directed by My Tutor and Private Resort&#39;s George Bowers, who edited Galaxina, The Stepfather, The Adventures of Buckaroo Banzai Across the 8th Dimension, Sleeping with the Enemy and A League of Their Own. This is pretty much a perfect cable Sunday do-nothing movie. You know the kind - it comes on WTBS and you have no plans other than getting over that hangover and just watch how it all comes out. That&#39;s high praise for a film, actually, as movies can be the balm that soothes your soul. *Maybe I should say loose remake.

Not that bad of a remake of the John Garfield classic. Some overacting, but entertaining enough. Nice cameo by Muhammad Ali and even Peter Lawford.

The 1981 version of Body and Soul,unlike the 1947 version that won an Oscar,lacked credibility and depth. The 1981 fighter just wasn&#39;t as believable and was more ostentatious in the bedroom than he was in the ring! Come on give me something that I can feel, like in the movie Raging Bull! After all Robert Dinero was a lover and a fighter but at least you felt his pain, his pride and his love and hate for women. Body and Soul 1981, with Leon Kennedy,gave us none of the sort. There was no body and there definitely was no soul. We all left the theater empty wondering where is the fight, who is it with, and who is the the champ! You had plenty of heart Leon,but you definitely lacked Soul!

This simple story line had the potential to really shine with Jayne Kennedy as the female lead. She plays the true champions prize as the male lead chases &amp; gets all that doesn&#39;t count. Towards the end she&#39;s still trying to teach him how to be a man. The sad truth here though is the story appears to be nothing but what a white man would think a black boxers life is really like. By the way, I&#39;m white. Leon the Lover is a toon &amp; once you get past the St. Louis Assassin all the other boxers are portrayed as toons. The fight he is to lose for Mr. Big, a six year old could of written &amp; choreographed better. The little sister puts in a good performance where she appears &amp; it would of been better to have more of her on screen with her brother, Jayne &amp; her mother. That doesn&#39;t mean a goody goody ending. Just less poor writing, fewer tits &amp; more emotion based scenes. Yes I know its legendary how many breasts are available to boxer&#39;s but that was true when Rocky was made. This would of been ten times better written &amp; directed by those folk&#39;s. I&#39;m not asking for a change in actors or actresses they did fine with what they were given. In the end it doesn&#39;t matter how the boxing storyline goes because this is supposed to be about peoples character &amp; maturity. That&#39;s why so many cartoons as personalities are disappointing. If however, you are going to spend a lot of time in the ring lets not disrespect the talents of real boxers by showing this kinda s**t. Do boxers cheat? Yes! Do they cheat like all-star wrestler&#39;s? No! I could of lived with a happy love story ending, broken love story ending or everyone winds up with nothing ending. Little sis can live or die. What I can&#39;t live with is this particular story &amp; how it&#39;s told. What a waste of good casting. Makes me angry!

SEEN to End all Reanctments; remains a Classic, regardless of bad interpretations and mad takes on the Movie.

User reviews

Body and Soul

Too much body! Not enough soul!

Body and Soul

Overacted and stereotyping, but entertaining

The movie lacked credibility & depth

Body no soul

S88N,...

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