Astronomers discover a comet that they believe will crash into Phoenix, Arizona. They attempt to warn officials, but no one believes them.Astronomers discover a comet that they believe will crash into Phoenix, Arizona. They attempt to warn officials, but no one believes them.Astronomers discover a comet that they believe will crash into Phoenix, Arizona. They attempt to warn officials, but no one believes them.
- Nominated for 2 Primetime Emmys
- 2 nominations total
Cindy Eilbacher
- Paula Gilliam
- (as Cynthia Eilbacher)
Storyline
Did you know
- TriviaThe TV station in the movie, KTAR-TV, is the real life NBC affiliate for Phoenix, now known as KPNX.
- GoofsIn the scenes from the control room for the rocket that will carry the nuclear warheads to the comet, a computer screen is shown with a graphic of what is presumably the rocket. Actually, the graphic on the screen is a distillation column connected to two kettle reboilers, commonly seen in control rooms for chemical processing plants.
- Quotes
Jason Voight: You can't miss us, there's a big white arrow pointing right down on us!
- Alternate versionsIn the movie's premiere telecast, the sequence showing the impact and results lasted 4 minutes. In subsequent airings, the sequence was shortened to 2 minutes.
- ConnectionsFeatured in The Man Who Saw Tomorrow (1981)
Featured review
Before such films as METEOR, NIGHT OF THE COMET, Armageddon, or DEEP IMPACT (though after films like DELUGE or WHEN WORLDS COLLIDE), there was the 1978 made-for-TV sci-fi/disaster movie A FIRE IN THE SKY, which depicted a collision between our planet and an interstellar visitor, specifically a meteor, an asteroid, or a comet.
In the case of A FIRE IN THE SKY, it's a comet that is not only pinpointed at Earth, but at one specific target: Phoenix, Arizona. And there's only one sharp-eyed astronomer (Richard Crenna) who believes and realizes that fact, while everyone else refuses to believe, or wants to cover it up. Of course, this latter plot line is a common one among most disaster films, whether for the big screen or the small screen: a sort of post-Watergate "Enemy Of The People" situation, one far different from the situations seen in METEOR or DEEP IMPACT, where joint operations to stop these potentially cataclysmic deep-space visitors are put into effect.
At the same time, however, A FIRE IN THE SKY, for all the flaws it shares with a lot of other disaster films made for the small screen, including some ripe overacting and dialogue that is a little bit too unintentionally humorous at times (even though the screenplay is based on a story by Paul Gallico, whose 1969 novel "The Poseidon Adventure" provided the basis for the classic 1972 disaster film of the same name), is boosted by some really effective matte work and special visual effects that one would not have ordinarily found in a made-for-TV film of the late 1970s. And it may as well be said that the director, Jerry Jameson, was known for being a specialist in this genre, with films like 1974's HURRICANE and TERROR ON THE 40TH FLOOR, as well as (for the big screen) 1977's AIRPORT '77.
Crenna, always a very underrated actor (he may be most remembered for being Sylvester Stallone's commanding officer in the "Rambo" films, though he also starred with Steve McQueen in Robert Wise's 1966 classic THE SAND PEBBLES), gives a fairly good performance even with the sometimes dodgy dialogue; and the cast includes Elizabeth Ashley, Merlin Olsen, Lloyd Bochner, Kip Niven, and John Larch (who played the mayor of San Francisco in the original DIRTY HARRY back in 1971). The scenes of destruction and the cometary impact on Phoenix, while they may not match what was seen in DEEP IMPACT, are sufficiently spectacular to overcome the bumps and grinds of the screenplay, which merits my giving A FIRE IN THE SKY a solid rating of seven out of 10.
In the case of A FIRE IN THE SKY, it's a comet that is not only pinpointed at Earth, but at one specific target: Phoenix, Arizona. And there's only one sharp-eyed astronomer (Richard Crenna) who believes and realizes that fact, while everyone else refuses to believe, or wants to cover it up. Of course, this latter plot line is a common one among most disaster films, whether for the big screen or the small screen: a sort of post-Watergate "Enemy Of The People" situation, one far different from the situations seen in METEOR or DEEP IMPACT, where joint operations to stop these potentially cataclysmic deep-space visitors are put into effect.
At the same time, however, A FIRE IN THE SKY, for all the flaws it shares with a lot of other disaster films made for the small screen, including some ripe overacting and dialogue that is a little bit too unintentionally humorous at times (even though the screenplay is based on a story by Paul Gallico, whose 1969 novel "The Poseidon Adventure" provided the basis for the classic 1972 disaster film of the same name), is boosted by some really effective matte work and special visual effects that one would not have ordinarily found in a made-for-TV film of the late 1970s. And it may as well be said that the director, Jerry Jameson, was known for being a specialist in this genre, with films like 1974's HURRICANE and TERROR ON THE 40TH FLOOR, as well as (for the big screen) 1977's AIRPORT '77.
Crenna, always a very underrated actor (he may be most remembered for being Sylvester Stallone's commanding officer in the "Rambo" films, though he also starred with Steve McQueen in Robert Wise's 1966 classic THE SAND PEBBLES), gives a fairly good performance even with the sometimes dodgy dialogue; and the cast includes Elizabeth Ashley, Merlin Olsen, Lloyd Bochner, Kip Niven, and John Larch (who played the mayor of San Francisco in the original DIRTY HARRY back in 1971). The scenes of destruction and the cometary impact on Phoenix, while they may not match what was seen in DEEP IMPACT, are sufficiently spectacular to overcome the bumps and grinds of the screenplay, which merits my giving A FIRE IN THE SKY a solid rating of seven out of 10.
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