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Umberto Lenzi was the Italian director responsible for delivering the – hands down – most exhilarating, gratuitously violent and smuttiest Poliziotesschi thrillers of the 1970s, but his colleague Fernando Di Leo was the genius who arguably made the ones with the best screenplays, most unsettling atmospheres and most intriguingly profound character drawings. Evidence for this opinion/statement can be found in his vastly superior crime trilogy (containing the masterworks "Milano Calibro 9", "La Mala Ordina" and "Il Boss") but further proof also comes from this truly overpowering "Il Poliziotto è Marcio" aka "Shoot First, Die Later". Di Leo's films are slightly more qualitative and memorable because he thinks outside of the box and continuously adds new elements to the successful Poliziotesschi formula that he co-created himself. Lenzi's films, for example, are mostly straightforward thrillers in which one unbreakable super-cop (usually Maurizio Merli) battles against entire crime networks but also against the corrupt political system. Domenico Malacarne, the protagonist here, is an utterly corrupt detective himself! The original Italian title is therefore a lot more meaningful as the popular international title; as it literally translates as "The Cop is Rotten" and even the anti- hero's last name (meaning "bad meat") gives a good indication of the story content.

Malacarna is the most successful lieutenant of his Milanese precinct and often gets applauded by his superiors as well as in the local press for uncovering minor drug-trafficking rings and arresting small time crooks. His dark secret, however, is that he simultaneously works as informant for the local mafia boss Pascal and his nefarious attorney Mazzanti. When the mafia starts demanding favors that are even for Malacarna too immoral, his whole empire falls apart and his loved ones become endangered. It may sound unusual, perhaps, but the strongest moments in "Shoot First, Die Later" are the dramatic and emotional scenes rather than the violent ones. Notably the sequences where Malacarne's proud and deep-honest father discovers the truth and gets confronted with the true nature of his beloved son are intense and genuinely painful to observe. Of course, Di Leo never forgets that he's busy making an unhinged Poliziotesschi and thus the film is luckily also full action and brutality, including two virulent car chases, shocking annihilations and senseless cruelty (poor kitten!). Luc Merenda ("The Violent Professionals", "Kidnap Syndicate") is sublime as the simultaneously loathsome and charming anti-hero, and he receives good support from the entire ensemble cast. The intelligent script, in combination with Di Leo's craftsmanship and the smooth soundtrack (Luis Bacalov) make this a top-10/must-see Poliziotesschi.

I'm not the biggest fan of the Poliziotteschi genre, frequently finding the 'cops versus bad guys' formula rather dull, but Shoot First, Die Later is actually very entertaining, its 'dirty' cop protagonist being far more interesting than a traditional 'good guy'.

As played by Luc Merenda, Lieutenant Domenico Malacarne is a celebrated Milanese cop who is actually on the take from the mafia. But when the gangsters begin to ask a little more of him than he is willing to give, things take a turn for the worse, with those closest to Malacarne paying the price for the cop's shady shenanigans.

Director Fernando Di Leo expertly balances the drama with action, delivering a movie that is both gripping and exciting. Malacarne's relationship with his father—who is devastated when he learns of his son's misconduct—provides the emotional heart of the movie, while two well executed car chases and some shootouts get the adrenaline pumping. The film also features plenty of brutal violence, including two shocking murders and the senseless killing of a cat!

A suitably nihilistic finale rounds off the movie in style. 7/10 – Highly recommended for fans of the genre, and still well worth a watch for those who aren't.

This one stars Luc Merenda as a hard-nosed cop famed for taking down the bad guys in Milan, as we see during a pretty good shoot-out/car chase at the beginning of the film. Luc's also got a good thing going with his girlfriend, but we soon get to find out why he can afford to buy her such expensive things...

Luc's a corrupt cop and is working for two mobsters who are paying Luc to turn a blind eye to all the tobacco and booze smuggling in the city. He kind of loses the rag a bit when their latest venture turns out to be gun running, but an increase in the old bribes softens that blow a little. There's a tiny bit of a problem, however. A nosy neighbour type has reported the registrations of two cars in his area that the mob would rather the police forget about, but to Luc this means going to that particular police station, which, unfortunately for him, is run by his own father. At the same time a body turns up in a steel drum and Luc now has to sort all this out before the mafia lose their already thin patience.

What makes this one a bit different from the rough cop socking people in the jaw is that Luc is basically struggling to cover up his initial mistake of having trusted the mob in the first place, and becomes a victim of his own over-confidence. There's a greater emotional depth here too as Luc's relationships with his girlfriend and father become strained as his shady dealings rise to the fore. Those looking for the brutal violence of De Leo's other films won't be disappointed either, as many characters here are outright violently murdered rather than having shootouts with each other. These films usually work better with the brutality turned up to ten anyway, although the bit with the kitten wasn't called for. As usual. This trend would get much, much worse!

I can't decide if Luc Merenda is a good actor or not because he just kind of glares at everything.

Though generally a tad overrated (neither Milano Calibro 9 nor Il Boss are the transgressive "masterpieces" some Italocinema fetishists want them to be), so-called "cult" director Fernando di Leo manages to strike some grippingly dissonant chords in Shoot First, Die Later, the original title being less sensationalistic than bone dry: The Rotten Cop. While most poliziotteschi are essentially feelgood movies, the degenerates and lowlifes getting what they justly deserve, this one marches to an entirely different drum. At its core a father-son story – the excellent Salvo Randone playing Pops to the opposite of leading beau Luc Merenda –, it's a cynical morality play about a model cop appropriately named Malacarne (literally meaning "bad meat") who feels perfectly comfortable with being on the payroll of the mafia until things go terribly awry: Unlike the cheap-thrills roller coaster violence of other Eurocrime movies, the stark brutality here comes across as callous, pitiless, not even nasty, but unpleasant through and through; actually, the two car chases, skillfully done by stunt coordinator Rémy Julienne, feel like a concession to the regular poliziotto crowd. In its acidly sarcastic Weltanschauung and the complete lack of redeeming qualities, Shoot First, Die Later is doubtless more akin to the cinema of Rosi, Damiani or Elio Petri than to the staccato over-the-top action of Castellari or Lenzi: A doom loop of human failings.

Fernando Di Leo made another great Poliziotteschi, the cars chase are the true highlights of the entire picture, a young Police commissioner Domenico (Luc Merenda) has an fair agreement of the Milano's Mob, meanwhile the things are changing, now the drugs and arms smuggling were introduced by force, his father a honest and humble policeman didn't know a thing over his son, the Boss and his lawyer Mazzanti played by the already older Richard Conte are pushing more, ending up in retaliatory measures in both sides, including a sudden killing of his beloved father and his girlfriend, Domenico gonna crazy, fabulous picture, somehow has a little mistake on the plot, the triggering event is too shallow, when the Boss asking to Domenico a little favor that includes his proudly father in a minor and meaningless fact spoils the whole project, Di Leo should be change this weak point, certainly will be more realistic, nevertheless it's largely enjoyable and has an unexpected ending!!!

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First watch: 2019 / How many: 1 / Source: DVD / Rating: 7.5

Luc Merenda reads from the diary of a corrupt police officer

In terms of action, things get off to a good start when the wiry Inspector Domenico Malacarne (Luc Merenda) hunts down bad guys in Milan. He is a true hero, this police officer that successful director Fernando Di Leo presents to us in this film. Pretty girlfriend (Delia Boccardo as Sandra) from the gallery scene, good relationship with his dad, the upright Maresciallo Malacarne (Salvo Randone). But then we, astonished viewers, slowly have to realize that this boyish, sporty Malacarne (bad meat, nomen est omen) has become too involved with the mafia. Richard Conte (1910-1975) as a cunning mafia lawyer and Raymond Pellegrin (1925-2007) as the very evil boss Pascal bear witness to this. Well! Screenwriter Sergio Donati skillfully shows us the abysses that we would rather not have seen...

Action-heavy, always in the middle, we are presented with a protagonist who is likeable and corrupt. Car chases, fights and the bitter realization that even such a bright man is susceptible to the corruption of everyday life. Fernando Di Leo repeatedly opens his audience's eyes to the dirty secrets of a police officer's life. It also worked at the box office: ITL 676 million was grossed.

Worth seeing contribution from the almost inexhaustible Poliziotteschi genre!

Fernando di Leo does a sound job of cranking out a film that keeps you riveted to your seat, even if you (well, I) could not quite see Domenico's (played by Luc Merenda) motivation for accepting bribes from the underworld while serving as a policeman and with his father a well known and respected senior officer in the force.

Whatever the unexplained reasons, Domenico sees no reason not to profit from his personal power as officer of the law, and he has a quick trigger index finger that dispatches lives as fast as he drives recklessly through the streets of the crime-ridden city in which he tangoes with criminal figures, notably the venerable Richard Conte, who already showed all the signs of a penchant for crime back in his heyday as Hollywood star, culminating in Barzini, the top baddie in THE GODFATHER.

If you like action Italian/polizioteschi style of the 1970s, IL POLIZIOTTTO É MARCIO is a must-see. Typical cinematography of the time, undemanding editing and script. If you like something convincing in terms of character actions, you may feel a little bit let down. 7/10.

Funky soundtracks, delicious 70's fashion styles, macho men living life in the fast lane and dames so exquisite even you might consider a life of crime. There are many reasons to love the Italian crime movies of the 70's. They have a certain lovable charm. They can be funny but they can also be nihilistic and grim.

You never know who will live or die. In the world of Italian gangster flicks no-one is safe. The love interest, the children, the parents, even the hero himself and everyone who is around him are in constant danger of meeting a cruel and painful death at any moment. Because of this you get very tense and unforeseeable plots that will have you sitting on the edge of the seat until the credits roll down the screen.

"Shoot first, die later" is also one of the better titles of the genre. So you should definitely check it out. It might be a little talky for some people but it never gets boring. The plot is simple but perfectly executed and there is always something exiting happening to keep my interest.

There are a couple of nice car-chases, a few explosions and some standard gunfare but the true excitement lies in the tense and emotional plot. Luc Merenda is no Fabio Testi but he delivers a solid performance as the corrupt cop who get tangled in a increasingly bleak situation that might be the end for both himself and those who stand him near. He is actually quite perfect for movies of this type. Di Leo, probably the best director in the genre, have once again delivered a great crime movie that should be seen by everyone who is even remotely interested in the world of Italian action-thrillers.

I love these movies and if you are into this stuff you should definitely check out the two volumes of Fernando Di Leo crime collection (amongst others this movie is found in this collection) put out on both DVD and blu-ray by Raro Video. The Blu-rays look and feel great and they are reasonably cheap to buy. So i would absolutely recommend those collections even for newcomers. Now i am of to watch another one and dream of the next GTA title paying homage to the Itallian crime genre ala Vice City for "Scarface" and "Miami Vice". I can tell you that i would be first in line to get a taste of that. It could be titled something like "GTA: Roma Violencia"... ooooh i would like that.

(1976) Il Poliziotto è marcio/ Shoot First, Die Later (In Italian with English subtitles) CRIME DRAMA/ ACTION

Interesting familiar premise but with expected results starring Luc Merenda as Domenico Malacarne a young corrupt police lieutenant who always had no problems working with a particular don for illegal booze and cigarettes, until some elder bystander files a complaint regarding being blocked from the inside from getting out. For cautionary reasons the mob is pressing Domenco to go to the police station where the file is located and then retrieve it for the mob so that he can have it destroyed since it contains the license plate number that can connect a particular person with a current murder that happened nearby. Written and directed by Fernando Di Leo has some interesting things to say regarding the problems that can exist regarding corruption that involves the law of authority, which can be used as a scare tactic not to do business with the mob under any circumstances, that I have no doubt in my mind some of it is based on fact. I just wished there was a better result I guess would've made the film unrealistic.