The screenplay is,by and large,not derivative ;after his dad had a stroke, and was relegated to wheelchair,to live a vegetative life (he could not even speak anymore),his son has to resume the management of the small cabinetmaking workshop .And to pay his little staff becomes a real problem ,so,out of the blue ,he turns into a gangster ,robbing banks and post offices:it's very unexpected ,nothing predicted this sudden new development ,which is all the more effective ;the couple ,making love near the tree where the stealer hid his loot ,and mistaking him for a peeping tom ,is also a good idea; the show for the benefit of the holiday camp which features an idiosyncratic re-telling of William Tell's story ,complete with music , also does the trick.
On the other hand , Marlene Jobert's character is not so convincing : her behavior may seem implausible as this clichéd girl-tired-of-run-of-the-mill-life turns into a poor man's Bonnie Parker ;Jobert was Shirley McLaine -type and ,had she been given funnier lines ,she would have made wonders .But Swiss director Claude Goretta is an intellectual director, whose works are often lauded beyond their station,and too much is given over to his heroes 'frames of mind and soul-searching (the dull discussions , and the diary of the heroine)in which is finally a trite adultery story
Not bad, by a long shot, but not as remarkable as critics often claim.
