Not quite sure what this is supposed to be or mean. Don't get me wrong. I'm not one of those who strive after meaning, allegories and new dimensions or need such things to get involved in a great film. Sadly Je, tu, il, elle did not strike me as a great film.
As a fan of long static shots I might not have had as big trouble as some others seems to have had. But the beauty of the imagery was minimal. And the lesbian love scene in contrast less grey felt not only dead but entirely inhuman and distant.
The 30 minute opening act was though it's many attempt of humor more or less dull. Her inner dialog struck me as somewhat silly rather than funny, interesting and deep. My interest grew during the second act, which is more dialog driven than the first and the last.
If anything this is a revolt against form. And I can in some sense appreciate it for this. Anything new or different will obviously create some interest and start some sparks. But Akerman did not manage to bring me in with this one.
