Daniele, a gambler and poetry professor, takes a teaching job in Rimini. He falls for his 19-year-old student Vanina, who is dating his gambling friend Gerardo. Their affair ends tragically.Daniele, a gambler and poetry professor, takes a teaching job in Rimini. He falls for his 19-year-old student Vanina, who is dating his gambling friend Gerardo. Their affair ends tragically.Daniele, a gambler and poetry professor, takes a teaching job in Rimini. He falls for his 19-year-old student Vanina, who is dating his gambling friend Gerardo. Their affair ends tragically.
- Awards
- 1 win
Sonia Petrovna
- Vanina Abati
- (as Sonia Petrova)
Pino Ammendola
- Club Girl
- (uncredited)
Augusto Brenna
- Funeral Mourner
- (uncredited)
Eros Buttaglieri
- Funeral Priest
- (uncredited)
Carlo Cattaneo
- Funeral Mourner
- (uncredited)
Liana Del Balzo
- Daniele's Mother
- (uncredited)
Storyline
Did you know
- TriviaThe French version is very different from the Italian one, because Alain Delon imposed several cuts and changes in the editing. Years later the actor declared he regretted changing the movie, as it was one of the most intense of his career.
- Alternate versionsThe French language version, Le Professeur, is cut to 105 minutes. The German language version, Oktober in Rimini, is cut to 90 minutes.
- ConnectionsReferenced in Il vincente (2016)
- SoundtracksDomani è un altro giorno (The Wonders You Perform)
Performed by Ornella Vanoni
Music by Jerry Chesnut
Italian lyrics by Giorgio Calabrese
Featured review
Daniele Dominici (Alain Delon), a kind, melancholic and probably depressed teacher in his late forties, becomes the new substitute teacher at a high school in Rimini. He shares his life with Monica (Lea Massari), another depressed person, but he seems more interested in escaping from his relationship than cultivating it, finding refuge in a group of local layabouts between cards, discos and parties.
At school, Daniele develops an almost instantaneous interest in Vanina (Sonia Petrova), the most melancholic student - and, coincidentally, also the prettiest. One might wonder if that "melancholy" would have affected him as much if Vanina had not been so attractive. The girl, despite her young age, seems to have a dark past, including an ambiguous boyfriend Gerardo (Adalberto Merli), a shady guy who drives her around in a Ferrari.
Between a cultural exchange in Monterchi and a depressing party at the disco, the passion between Daniele and Vanina grows, even if their relationship seems accelerated by an editing that seems to narrow the story into the space of a week or so. When Vanina is sent away from Rimini by her mother, a convincing Alida Valli in a shrew version, Daniele decides to follow her, after a turbulent love interlude in a melancholic shack on the beach. But life, always ready to put everyone back in their place, does not offer a happy ending.
The plot does not shine for originality, given that literature, cinema and even rock music are full of stories of sex (or love?) between teachers and students ("Don't stand so close to me", just to name one example), and these stories rarely have a happy ending, but it is partially redeemed by the setting in a wintry, decadent and squalid Rimini. And, of course, by the handsome Delon, whose unrivaled charm is here emphasized by a rumpled look and a soft cashmere coat that adds an irresistible touch.
Cons? The excessively sentimental, morbid and obsessive tone, with cultural pretensions right from the title, and a 70s soundtrack that stands out for its jarring, almost unbearable, notes of trumpet and saxophone.
Not a masterpiece, but if you are curious to find out if Delon was a good actor, this film could be a starting point.
At school, Daniele develops an almost instantaneous interest in Vanina (Sonia Petrova), the most melancholic student - and, coincidentally, also the prettiest. One might wonder if that "melancholy" would have affected him as much if Vanina had not been so attractive. The girl, despite her young age, seems to have a dark past, including an ambiguous boyfriend Gerardo (Adalberto Merli), a shady guy who drives her around in a Ferrari.
Between a cultural exchange in Monterchi and a depressing party at the disco, the passion between Daniele and Vanina grows, even if their relationship seems accelerated by an editing that seems to narrow the story into the space of a week or so. When Vanina is sent away from Rimini by her mother, a convincing Alida Valli in a shrew version, Daniele decides to follow her, after a turbulent love interlude in a melancholic shack on the beach. But life, always ready to put everyone back in their place, does not offer a happy ending.
The plot does not shine for originality, given that literature, cinema and even rock music are full of stories of sex (or love?) between teachers and students ("Don't stand so close to me", just to name one example), and these stories rarely have a happy ending, but it is partially redeemed by the setting in a wintry, decadent and squalid Rimini. And, of course, by the handsome Delon, whose unrivaled charm is here emphasized by a rumpled look and a soft cashmere coat that adds an irresistible touch.
Cons? The excessively sentimental, morbid and obsessive tone, with cultural pretensions right from the title, and a 70s soundtrack that stands out for its jarring, almost unbearable, notes of trumpet and saxophone.
Not a masterpiece, but if you are curious to find out if Delon was a good actor, this film could be a starting point.
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- The Professor
- Filming locations
- Rimini, Emilia-Romagna, Italy(port, street scenes, train station)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $3,723
- Runtime2 hours 12 minutes
- Sound mix
- Aspect ratio
- 1.85 : 1
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