User reviews

From what I had heard of this film and the other user comments posted, I was expecting a simple little shock cartoon. What I got was good kick in the pants. And I mean that in a good way. "Fritz the Cat" in many ways exposes the 1960's more than the live action films of its own decade.

The movie starts with 3 construction workers talking on top of an unfinished building. The dialogue is very spontaneous and almost seems ad-libbed. These types of conversations are sprinkled throughout the 80 minute film.

It then transitions to Fritz the cat, a college student who, like many of that era I'm sure, is not sure what it's all for. He decides to "do something real" and ventures into Harlem. From here he meets a wide assortment of people, incites a riot, and has sex with many a woman. It may not always have a point, but the movie has one fun segment after another with little breathing room. Sometimes unnecessarily shocking, sometimes surprisingly inspired, but always quick on its feet.

So please give it a chance. It's a lot more than the notorious cartoon porn it's been labeled as. It's a fun romp through the deprived New York of the 60's, except this time with cartoon characters! What's not to like?

7/10

The story concerns a classic 60's hero, Fritz, and his adventures through the urban underground… He loves sex and constantly claims and declares the glories of revolution… At first he is happy with just sex, but as the story moves through exotic adventures he discovers that the only way he can truly be a revolutionary is to join up with one of the militant groups… There, he's over his head…

In sharp contrast to Walt Disney's soft characters, Fritz is seen providing a bunch of screaming female cats, placing drugs, and having lots of fun… We are taken through Harlem where, in this case, the blacks are portrayed as jive-talking crows… Fritz is not a fantasy, but an animation venture into super-reality, at least as Bakshi sees it…

The animation is unpolished, graceless, but very effective… It has an unrefined or unfinished, renewable energy that brings out some of the social results of the confused sixties

I came of age in New York City during the 1960s and shared many of the same trials and tribulations of Fritz the Cat. It's hard to find your kicks when everyone around you is spaced out and hung up on aggression. All us long-hairs got a bad rap, like Fritz, because we were confused about what it is we wanted. For those of us who lived, we began to age to the point of getting knowledge and understanding. Of course by the time we understood that it was too late to do anything about it. The scene was too weird and we were too confused. Fritz the Cat is like a lot of the guys I hung around with; full of ideas and short on ambition. This film is a perfect view of what some people saw in the 1960s. 3 1/2 stars out of 4.

That is how the 1960s were described by the narrator in the beginning of this film. Fritz the Cat is a famous movie for a number of reasons, most stemming from it being the first feature-length adult cartoon and having an "X" rating. There were controversies surrounding its creation with director Ralph Bakshi and character creator Robert Crumb. The film is like nothing I have ever seen before. It has a unique animation process that makes everything reek seediness, despair, and cry for social change. Bakshi wrote the script which really is nothing more than the knife that cuts through all the 60's BS - from existentialism to the drug culture to the love generation to African-American perspectives to militancy. Nothing is spared as the counterculture is laid bared and examined through the eyes, ears, fears, and desires of Fritz the Cat. Along the way, Fritz experiments with just about anything - including lots of sex, drugs, and sex. While the film definitely is quite vulgar in many ways with some of the most odious characterizations of otherwise cute and cuddly animals and depicting lots of strong sexual situations(though in no way deserving the "X" by today's standards), Fritz the Cat is also an intelligent look at one character's drive to find himself and meaning in his life - perhaps a symbol for the whole decade the film is examining. The end result is nothing conclusive - also perhaps a symbol. Bakshi's script is in some ways profound and thought-provoking and in some ways infantile and vile - his obvious dislike of police just one example. But what had my attention more than anything else was the animation - particularly in exterior shots not containing characters. There is one scene where the slums of Harlem are integral to the story. Bakshi uses his camera to zoom in on quite an impressive animated background shot of a field lost amongst the slums of Harlem. It is the very essence of seedy existence in an uncaring world. There are many other shots too that have that same power, but let's not forget that even with the intelligent at times script and the animation, much of Fritz the Cat is used solely to arouse - either arouse some primal feelings or arouse offense. A landmark film at any rate whether for good or for bad.

Fritz the Cat mayn't be to everybody's tastes, and before I watched it I wasn't sure whether I was going to like it. I did. The story structure does get loose and episodic, the film does drag in the middle and the sexual conquest scene between Fritz and a giant crow was so bizarre I didn't know what to make of it. However, it does work on the whole as a 1960s social satire, it is crude, shocking and naughty but I got the impression it was meant to be. Thanks to the film's themes of sex, rock 'n' roll, drugs and racism and a sharp script in general it was funny and smart. And I did like the title character, he did have flaws being hypocritical, but he was funny and I think likable too. The animation is done in a unique style, and the music is pretty groovy. Plus the voice cast do a good job. Overall, it isn't something I absolutely adore but it is definitely not a bad film at all. 7/10 Bethany Cox

This is a film not for everyone. Pure and simple it is offensive, and at times intentionally gross. Besides this fact, it holds the honor of the first X rated cartoon, huge box office sales and inspired by the comic book genius Robert Crumb. Unfortunately this film was made without his permission and it probably would have been better had he put in his own brand of humor in it. This is not to dishonor the writers and animators who spent two years making this. This holds a place in our culture for many reasons, especially since it represented the college kids who just had to get out and rebel. That with the drug abuse, and graphic sex scenes makes the viewing of it one that should probably be engaged in alone. Overall, a hoot and a holler 10 out of 10!

It's easy to see why Robert Crumb was hugely disappointed with this film. Once the shock value of seeing an adult cartoon subsides, we are left with just another boring movie. Perhaps this may have seemed fresh and relevant in 1972, but by 1998, it comes off as a tired old relic with no real redeeming qualities.

Technically speaking, this movie should not have been made. Robert Crumb did not approve of it. But frankly, this movie took the Fritz character far beyond anything in ZAP magazine (IMHO).

Firstly, the animation is superb and diverse. A variety of styles was used, each appropriate to the mood of the scene.

Secondly, the characterization was great. Fritz's travels bring him in contact with every woodpecker and lunatic imaginable. And the ensuing conversations are...well...let's leave it at "unique". Fans of movies like Roadside Prophets, Slacker, and Highway 61 should definitely appreciate this film.

Not a film for kids. Contains nudity, drugs, and about everything else you can think of.

How does one describe Fritz the Cat? Some would call it artistic, deeply metaphorical, a testament to a time when social problems tore America apart. Some would call it dirty, unnecessarily explicit, overly controversial.

Its hard to put this movie into words, because I'm sure it will mean something different to every person who watches it. Im sure that at the time of its release, it was way more shocking than it could ever be today, what with the sexuality and violence depicted in modern cinema. I don't think that this movie was intended to shock or disgust the viewer, i think rather that it was made to show what life was like back then, sexual promiscuity, recreational drug use, the demonization of authority figures, racial segregation, the gritty realism of a society making a chaotic transition into the modern era.

The protagonist, Fritz, is a joy to watch. Rarely have i missed a character when they were off-screen. He is lovable, funny, and yet realistic. The characters he meets on his journey are unique, and interesting in their own ways, they didn't conform to any archetypes. The voice acting was spot on, i don't think i have ever heard such suitable voices for their on-screen parts.

The animation style is unique, and works pretty well as a medium, although its age and obviously limited budget show, that doesn't compromise its ability to tell the story.

I very much enjoyed this movie, and i think anyone who enjoys cinema should give it a try.

7/10

Fritz the Cat is often remembered as the first feature animation aimed at adults, full of sex, drugs, and commentaries on race relations. Shocking!

However the most shocking thing about Fritz the Cat-and indeed about most of the raunchy sex comedies from the 70s and 80s-are how completely non-shocking they are today. If anything, they are just plain boring. While watching Fritz the Cat I can see where the jokes are supposed to be. I can understand what the film makers thought would be subversive. But none of this has any weight. I was offended by the film's complete inability to offend me.

And without shock, Fritz the Cat doesn't have much else to offer. The character Fritz is just annoying. A sort of hedonistic Holden Caulfield if you will. I can sort of see what they were trying to satirize in him but I just don't care. The characters all feel very much of their time without actually telling us anything about their time.

The animation too is unappealing in some indescribable way. Ditto the character designs. I just don't like looking at this film. I kept expecting it to get better and it never does. Even the psychedelic scenes are complete snoozefests compared to virtually any scene from Yellow Submarine. Perhaps the word I'm looking for is cheap. Fritz the Cat feels like 90 minutes of uninspired animation on a budget.

Fritz the Cat is more than just boring and unappealing though. Today it actually feels regressive. To laugh at its take on sex and drugs and whatever, you need to put yourself into the mindset of a teenage boy in the early 1970s. Only from that terribly repressed point of view could you ever find how Fritz the Cat handles such things funny. Fritz is not even entertaining on the meta level, as many Mondo films are today.

Yet it feels wrong to be so harsh on Fritz the Cat. After all, it did pave the way for much of pop culture today. Perhaps Fritz the Cat is a victim of its own success. If it is no longer shocking, perhaps it is because today we all live in a world Fritz the Cat helped to create.

So Fritz the Cat is certainly of historical interest. It was the first mainstream animation aimed at adults (even if plenty of much more subversive stuff was being created underground at the time).

As modern entertainment however, Fritz the Cat is one dried out turd best left buried in the litter of time.

I came across the recently released DVD of this film in, of all places, the children's video section of Virgin Megastore. Whether or not this poorly miscategorized placement was of simple ignorance or whether the intent weas subversive and it was intentionally and deliberately placed in the children's section, I found myself grinning and reluctant inform anyone of the error. After all, nobody gave me any forewarnings when I was a kid either, as some things you just have to discover on your own, and the thought of some poor innocent parents popping this film on for their kid only to look on in horror at the visions that would soon unfold sounded dastardly and funny indeed.

I was 7 years old when Fritz the Cat first hit the screen, and while I didn't see the film for the first time until I was well into my twenties, the film nevertheless had a lasting impact on my childhood. This film had taken on a reputation of mythical proportions in my Brooklyn hometown neighborhood, partly due to the older teens on my street who were all too eager to share shocking details contained therein, as only the best subversive intentions can do, and further securing the film's status as "every parent's nightmare". To a child about to undergo serious growing pains and a naturally growing curiosity towards all things "adult-related", Fritz the Cat was very much my earliest childhood memory of the themes of sex, drugs, rock-n-roll, racism, you name it, and it was a symbol for naughtiness that all coming of age kids couldn't wait to catch a sneak peak of, or at least couldn't wait to reach the age when we could view such subject matter freely.

As a movie, it hasn't lost any of it's impact in 30 years, and fewer films truly capture the grittiness and raw edge of New York city in the 70's (French Connection is another good example). I dare say that it could be considered more offensive now than ever, as I fear that today many just might not "get it," despite our self-proclamation that we've come a long way in maturity and tolerance of such sensitive issues. Modern society has become so politically correct and desensitized to controversial issues that we're less tolerant and understanding of the original intent of a film such as this, especially when it's messages are not consistent with our modern value system. Thus, some of the obvious stereotypes presented in this film (such as the pigs portraying cops and the crows portraying blacks, for example), could never be presented in a film today. Granted, these images were meant to be offensive in the 70's as well, but they were obviously taken in a different light back then, as they were indicative of a specific brand of biting satire found in the 70's and hippie culture and a reflection of how that particular generation could openly address such social issues. These issues, such as racism, are clearly still relevant today, we just address them in a different manner, which is why Fritz the Cat still has potency yet is more or less looked upon as a curious time capsule of a bygone era today.

Fritz the Cat (1972) is a movie that I recently watched for the first time in a long time on Prime. The storyline follows a world filled with walking, talking animals and oppression on weed smokers and those who live a carefree life. Fritz looks to lead a rebellion against the pigs and those who stand against his lifestyle.

This movie is directed by and contains the voice of Ralph Bakshi (Wizards) and also contains the voices of Skip Hinnant (Electric Company), Rosetta LeNoire (Family Matters), John McCurry (Trading Places) and Judy Engles (Harold and Maude).

This is a movie definitely created for stoners. The animals were a lot of fun. The writing was inconsistent and the dialogue was more fun than good; however, the sex scene were well done and the ending in the castle was great. I loved the depiction of the pigs; oh, and why did we have to open with a horse penis?

Overall this is an entertaining film that is worth watching once. I would score this a 6.5/10.

The idea of taking certain concepts to the extreme has been happening forever and it's no stranger to the film industry. Originally, the thought of making animated movies was scoffed at, until Disney made theirs. Then as time progressed, people began to treat animated features with more relevance towards adults. However, it wasn't until the experimental era of rock, fornication and drugs did that particular push come into play. Classic cartoons that came before the 1950s were considered for adults, but they didn't contain blatant drug abuse and graphic sexual content. That is until Ralph Bakshi became one of those pioneers of said genre. Having worked on several other animated projects prior, Bakshi was very familiar with this aspect of filmmaking, which led him to his feature film directorial debut.

Fritz the Cat (1972) is Bakshi's satirical take and social commentary on the 1960's in the United States. Plot wise, it follows the adventures of Fritz the cat (Skip Hinnant) looking to fine the "inner meaning" to life and such. Being a college student, he floats around hopping to different places and experiencing different kinds of people with their ideologies. Also written by Bakshi, the script finds itself bogged down with a hodgepodge of events and underdeveloped motives for the audiences' "protagonist". It's rather unfortunate because the film itself isn't meant to really make Fritz a likable character, but the film also partially fails to provide any sort of understanding as to why he acts the way he acts. It's just Fritz being hypocritical doing things with different people; which was already spoiled in the plot synopsis.

In a way, it feels like Bakshi's version of Alice in Wonderland but grittier and graphic. The audience bumbles along with Fritz on his misadventures watching him try to fit in with all sorts of individuals that in no way fit him. Worst yet, is that Fritz himself feels weightless in his motivations. He just keeps searching, and searching, not really getting to a definitive state of understanding. Fritz is a lost puppy....how oxymoronic. Along his travels, Fritz tries drugs, fornicates with whatever character he finds appealing that he can woo over, joins extremely dangerous cults and causes tensions between different groups of people. All to find that "inner meaning" he so desperately wants to understand. In some ways, it feels like what some of the 1960s were about, but was it that chaotic and scatterbrained?

The acting is fine despite the cast being a very short list. Skip Hinnant as Fritz is fine, he gets the job done adequately. He didn't perform very much after this, returning for The Nine Lives of Fritz the Cat (1974) and I Go Pogo (1980). Rosetta LeNoire also plays the role of Bertha in this film. She does fine for the role while also voicing other characters too. LeNoire would later have roles in The Brother from Another Planet (1984), Gimme a Break! and Family Matters. There are some other actors involved in this production, but their contribution is so little in comparison and they didn't go on to do much later, so it's not worth covering. If there's one thing Bakshi got right, it was making this cartoon directed towards adults because no youth should see the amount of graphic nudity and violence that is in this picture. There's blood, private parts and racial undertones that would not be accepted at all today by any means.

As for the visual aspects, it's a little confusing as to why two cinematographers were needed as this was an animated film. There are some settings where the picture gets rotated but I'm not sure if camerawork was needed for that. As for the animation itself, the colors and movements to the characters are good. The textures to the animation are unique too since it was most likely cell animation. The coloring in every stage of the animation looks like no frame was filled in exactly the same. It's a different look for sure. Lastly the music composed by Ed Bogas was okay for the time and budget it was produced on. Bogas would also go on to compose for The Charlie Brown and Snoopy Show and Garfield and Friends. He would also go onto compose music for video games like Gameboy's Swamp Thing and even the dreaded NES Action 52 cartridge. Very interesting indeed.

As a whole, the movie should be looked at more as a trial in pushing the limits of acceptable animated films. Sadly, this movie tries to make a point but doesn't. The animation, music, social commentary and acting are okay, but the point of it is lost with its haphazard story, overly graphic detail and half-baked script.

Ralph Bakshi's first film, is flawed but enjoyable. It is about Cat in a romp through the 1960's in New York through sex drugs and Rock and Roll. The film starts off funny then ends up depressing. What the movie essentially is, is a satire on the counter culture of the 1960's. It is one of Ralph Bakshi's best, and definitely worth a look.

Having spent the 70s in Romania and missed much of the cultural fresh air, I am in a continuous process of recovering some of my lost time. Music was the only form of art which crossed the Iron Curtain thanks to Radio Free Europe and to the vinyl records smuggled through customs, but otherwise I am still catching up with much of the books, films, and arts of the times of my first youth. The animated feature Fritz the Cat realized in 1972 by Ralph Bakshi was one of the sensations of these years, the first animated movie to be X-rated and break the taboos of the children and family oriented cartoons industry. Bakshi himself - born in Haifa in 1938, and brought by his family in the US in 1939 - seems to be an interesting character and creator, refusing to compromise and to follow beaten paths. He rather seems the kind of artist who breaks his path through.

With 'Fritz the Cat' Bakshi takes a popular comics character created by Robert Crumb and throws him in the decadent New York of the beginning of the 70s, as kind of a fall-out student whose only purpose in life is having sex with as many and as different girlie animals as possible, smoking pot, and participating a revolution or two on the way. I liked the way Bakshi positioned his character catching the big features of the hippie generation, and placing it in relation with the other anti-establishment movements of the era - the anarchistic revolutionaries, and the Black Panthers. We recognize the landscape from the metropolis and universities of the 'Undergraduate' to the desert crossed by the trucks and motorcycles of 'Easy Rider'. We laugh at the characters (an anthology scene has three NY chicks trying to draw the attention of a black - well, crow with texts about how beautiful is the color, another one features the cat followed by pig policemen in a synagogue, with one pig being .. hum, Jewish), we recognize the music - original score, sounds authentic because it is authentic. It's irreverent and daring.

'Fritz the Cat' may not be a masterpiece and was never meant to be one. Animation is maybe not mother of innovation, and the pace of the story does not match the masterpieces of the genre it departs from, but the same happens when a road movie is compared to a thriller which happens on the roads. It is an important film in my opinion because it broke the conventions and showed the power of the genre. Many other creators followed, not in the same genre, not in the same mood, but using the techniques and daring to dare, because after Fritz using animation for any subject was possible. Fritz was unique.