Two men, working as professional boxers, come to blows when their careers each begin to take different directions.Two men, working as professional boxers, come to blows when their careers each begin to take different directions.Two men, working as professional boxers, come to blows when their careers each begin to take different directions.
- Nominated for 1 Oscar
- 4 wins & 4 nominations total
Álvaro López
- Rosales
- (uncredited)
Carl D. Parker
- Paymaster
- (uncredited)
Bill Riddle
- Boxer
- (uncredited)
Al Silvani
- Referee at Tully-Lucero Fight
- (uncredited)
Storyline
Did you know
- TriviaAccording to Stacy Keach, Sixto Rodriguez knocked him out during their fight scene and that shot appears in the film.
- GoofsDuring the bar scene, the barrette in Susan Tyrrell's hair moves all over the place from shot to shot.
- ConnectionsFeatured in Visions of Light (1992)
- SoundtracksHelp Me Make It Through the Night
Composed by Kris Kristofferson
Performed by Kris Kristofferson
© 1970 Combine Music Corporation
[Played over opening credits]
Featured review
The 1970s produced some of the greatest American movies of all time, that's indisputable. But while everyone focuses on (the admittedly very good) more famous works by Scorsese and Coppola, many equally worthwhile movies get little attention - 'Bring Me The Head Of Alfredo Garcia', 'Scarecrow', 'Fingers', 'Tracks', 'The Panic In Needle Park', 'Blue Collar', and this one, arguably John Huston's most underrated film. The four leads Stacey Keach ('The Ninth Configuration'), Jeff Bridges ('The Last Picture Show'), Susan Tyrrell ('The Killer Inside Me'), and Candy Clark ('American Graffiti') are all outstanding, and in Keach's case it's possibly his finest performance to date. What an underrated actor Keach is! This is a powerful and haunting look at the underbelly of American working class life, a subject very rarely dealt with honestly in contemporary Hollywood films. 'Fat City' doesn't deserve its obscurity. It is a small masterpiece. Highly recommended to people who value downbeat and realist dramas more than dumbed down popcorn "entertainment".
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